Standing between the crowded Nanjing Zhongshan Road and the magnificent Changjiang Road, the 8th floor of The Second Phase of Deji quietly blooms with a beautiful flower----- the Deji Art Museum has been working hard for two spring and autumn seasons, and on October 29, it finally ushered in the renewal of Vientiane.
With three exhibitions: "50 Absolute Beauty - Imperial Song Dynasty" Five Famous Kiln Treasures Exhibition, "Jinling Tu Digital Art Exhibition" and special exhibition project "Nara Michi: Green House| Orange House" into people's vision. Among them, the "Special Exhibition" project is a large-scale installation by internationally renowned Japanese contemporary artist Yoshitomo Nara, "But Not Everything (Green House)" and "However Not Everything (Tachibana House)". As the culmination of Yoshitomo Nara's artistic career in the past three decades, "Two Houses" is a self-contained "Nara Yoshitomo Art Museum": a combination of painting, sculpture, installation, performance, conceptual art and other art forms, exhibiting nearly 20 paintings, nearly 600 dolls and collectibles including large-scale classic oil paintings. The "Jinling Tu Digital Art Exhibition" takes the form of digitization of cultural relics, exhibiting Qing Feng Ning's "Imitation of Yang Dazhang Painting "Song YuanBen Jinling Tu" collected by Deji Art Museum.
In addition, the Deji Art Museum has also gathered 50 pieces of rare porcelain from five famous kilns to surprise the autumn of the ancient capital of the Six Dynasties with a reunion that looks at the world. "50 Absolute Beauty - Royal Song" is an exhibition of five famous kiln treasures, selecting 50 rare treasures fired by Ru, Guan, Ge, Ding, Jun and Zhang Gongxiang kilns. As a model of group kilns, the "Five Famous Kilns" are highly sought after by the royal families and nobles and literati of successive dynasties. Therefore, the collection of a large number of five famous kilns at one time is also rare in the world. The exhibition contains a variety of vessel shapes such as jars, bottles, pots, bowls, washes, cup holders and incense burners, with its solemn and elegant, restrained and implicit aesthetic charm, highlighting the poetic and elegant life interest of the Song Dynasty, tracing the literati spirit of "Taoist nature", "gewu zhizhi" and "self-denial and revenge" in the Song Dynasty, leading the audience to fully feel the peak beauty of Chinese porcelain.
Crick had the honor of participating in the production of the "50 Absolute Beauty - Royal Song" display case at the Deji Art Museum, in order to interpret this "Beautiful Flower" to the peak. Because the art museum puts forward extremely high requirements for the production process and detailed performance of the display cabinet, including the flatness of the display cabinet and the accuracy of the size, it is required to be exactly the same, and the subtlety is extremely subtle. Therefore, in terms of production, Cricks has been delivered in accordance with the consistent production process of excellence and high standards and high quality. At the same time, in terms of design, the display cabinet is combined with the art museum environment, equipped with the minimalist aesthetics of "50 Absolute Beauty - Royal Song"---- delete the complex and simplify, and the high-grade sense is born, so that its display is perfectly integrated into the cabinet. Through the display cases made by Crick, we can clearly feel its beauty: the glazed intertwined "hundreds of pieces" or "golden wire". Thin as paper, sound like chimes. With a slender carcass and a clever print, it is interpreted in its style, or it is bright and agile, or deep and simple, or soft and quiet...
The Creek people who shuttle under the treasures of ancient and modern Chinese and foreign art use exquisite skills and the spirit of pursuing perfection to make the "green leaves" of each treasure sway out of the most beautiful dance posture.