Shadow Vane Weekend Edition - Issue 2: Get Out! Tumor Jun》
Coordinator: Cai Jianping
Editor: Wang Wei (PhD candidate in Literature and Art, Northeast Normal University)
Get Out! Tumor Jun scored 6.6 points
1. Car Master 8 points
It's really enjoyable to watch, the characters, the performance, the dialogue are all natural, the Edgar Wright-esque bells and whistles are natural, the fantasies fade slowly and naturally, and the bittersweet scale is precise. The casting is excellent, except for The Kong Pu of Wu Yan's ancestral days. The best comedy cinema has seen this year, no doubt.
Master Auto is a film writer, a film selectionist at the Shanghai Film Festival, and a half-practitioner of subtitle production.
2. Dr. Qi Ai 7 points
A particularly good selection of materials full of positive energy. The setting of the male girlfriend in the chick movie, as well as the film reference of the platter in the heroine's mind, buffers the tone of pain, brightens the rhythm of the film, and whitewashes the pain of anti-realist romantic beauty. Bai Baihe's excellent acting skills have become a strong guarantee for the success of the film.
Dr. Qi Ai is a program planner at the China Film Archive and curator of the Beijing International Film Festival.
3. Magasa 7 points
On a purely technical level, the key to the film's success is how to process an otherwise tragic story into a comedy and make the audience gladly accept it, which is more difficult than the average person thinks. Director Han Yan and actress Bai Baihe have both demonstrated their strength in this process. Of course, this is also the most vulnerable place for criticism in the whole film.
Magasa is the editor-in-chief of Iris Film Magazine and is also in charge of the iris WeChat public account (irismagazine).
4. Howie 7 points
Director Han Yan uses a large number of genre parodies, using domestic court dramas, Korean romance dramas and Hollywood zombie dramas to interpret the real world in the eyes of the heroine, so that the whole movie exudes a rare youthful atmosphere of domestic films, but compared with "Crooked Boy Scott", which internalizes video games into film language, the gap comes out.
Howie is a veteran film critic and co-ordinator of the Chinese Film series.
5. Murder TV 7 points
Recommendation, when those domestic youth films that circle money are packaging the ordinary life of ordinary people as extraordinary and important, this movie is telling how to use extraordinary means to fight against the ordinary and mediocre story that she knows when facing extraordinary and important life events, and this is why the same film technique can make this film form a different emotional resonance. Bai Baihe in many times, will make me think that she is Xiong Dun, I think this is the best praise for the actor.
Murder TV is the co-founder of Movie Lessons.
6. Peach Forest 7 points
Influenced by the optimism of the original, this supposedly sad story is wrapped in a comedic, fantasy-filled, playful form. This makes the film convey an optimistic and positive attitude, that is, how we should face terminal illness and death. Days always have to pass, people still have to try to make themselves happy, to cherish every day with family and friends. The scale of the film is also very good, not excessively sensational, and the confession at the end is extra points.
Tao Tao Lin Lin is a film and television self-media person. Products include: WeChat public account: Tao Tao movie; Weibo: Tao Tao movie; Youku video: Tao Tao Hollywood; this week's new cinema film.
7. Big strange 6 points
What is valuable is that in the terminal illness film, there is no dog blood, the sensational part is pointed to the end, and the form of genre film parody is used to show the patient's optimistic attitude towards pessimistic reality. Death is the result, and the process of living is important. Red scarves – imaginary red wigs – red plastic bags – red balloons also constitute a desire for "freedom." Unfortunately, the script did not integrate the part of Xiong Dun's comic into the plot, so as to achieve a contrast between virtual and real.
Big Strange is an old European and American movie lover and DVD collector enthusiast.
8. Wu Li bing 6 points
A fairy tale film with a good grasp of the scale, all the sadness and laughter are maintained in the dimension of fairy tales, but fairy tales are only fairy tales after all. Chinese films can only take this road now.
Wu Libing (common pen name look) is a film critic and editorial director of Iris Film Magazine.
9. Demon Spirit Demon 6 points
There is no excessive rendering of the sadness of life and death, but also a cute and joyful image of the heroine throughout the film, and more importantly, there is a certain implicit belief basis for life and death as a support, which is still rare in domestic films. The scale of treating the doctor-patient relationship as a romantic comedy (which may also directly affect the grasp between selective avoidance and so-called optimism) is a matter of opinion.
Demon Demon is a film culture worker.
10. 6 points for dying of gratitude
One of the good things about the film is that it doesn't have a lot of deliberate sensationalism and tears, which avoids my instinctive rejection of this kind of subject. It is a fun experiment to mix various elements such as Korean dramas and games. And Bai Baihe's performance is also excellent, and the role of Xiong Dun is very consistent with Bai's own temperament, as if it is set for her.
Grateful for Dying is a film curator and film selection consultant at the Shanghai International Film Festival.
11. Xiao Han 6 points
A tragicomedy packaged in the form of an idol drama; an inspirational film that avoids harsh reality. The use of fantasy scenes from Korean dramas and American dramas to present the heroine's inner expression is not new in the same type of foreign films, but it is relatively rare in domestic films, but some scenes are too childish, and some are redundant.
Xiao Han is a researcher in the history of Korean cinema and an overseas film selector at the Shanghai International Film Festival.
12. 6 points in the cloud
Domestic films will increasingly appear this kind of qualified commercial production with ideas, flowers, funny, and tear-jerking, after all, a new generation of directors who are accustomed to Watching American entertainment films has grown up. In addition, deconstructing a tragedy in the form of tricks and comedy segments will be very pleasing, but it will not leave a real aftertaste and power.
Yunzhong is the director, film critic, and co-founder of "Movie Public Hi Lesson".
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