"Glorious Era" began broadcasting Li Tiannuo became "mixed and not stingy" to show his hot blood and youth
The era anti-special crime drama "Glorious Era" premiered last night (October 13) on Jiangsu Satellite TV and Beijing Satellite TV, and Tencent iQiyi broadcast simultaneously. The TV series tells the story of the arduous and tit-for-tat struggle of the first generation of public security in New China in the early days of liberation. In the play, Li Tiannuo changed the image of the sunshine youth in the past, playing a mischievous young man who was full of fireworks.
Li Tiannuo transformed into a mixed youth to show his true temperament
In "Glorious Times", Qilara, played by Li Tiannuo, is a "jerky" youth who initially loved to play small and clever, love to gag, in order to make a living, followed his second uncle as a partner in the public security station to get acquainted with Zheng Chaoyang, played by Zhang Yi, and then went through hardships and dangers to follow the first generation of public security to fight side by side.
In last night's episode, because of a poisoning incident, Zillala was mistaken for the poisoner. From skillfully sprinkling spices into the mutton soup to answering questions like a stream when questioned, Li Tiannuo's natural and smooth performance is quite funny. As the truth comes out, the lonely life of The Little Zillala is gradually revealed.
On-set risk "loss of voice" Assistant director sent "special care"
When recalling the filming process, Li Tiannuo said that the crew's "voice loss" experience left a deep memory for him. During the filming of a kidnapped scene, for the sake of the picture effect, there was a lot of dust and smoke in the air on the scene, and in the more than two hours of filming, Li Tiannuo inhaled a lot of smoke, coupled with the plot required him to continue to roar with exhaustion, and at the end of the shooting, Li Tiannuo completely lost his voice. In order to quickly restore the sound, Li Tiannuo simply tried various methods, including a special treatment method offered by the assistant director - "boiling water to wash raw eggs". Although not sure whether this method cured the "loss of voice", Li Tiannuo recalled: "Anyway, those days, the bathroom ran quite diligently" (here remind readers that they are unwell, please seek medical treatment in time, do not try unscientific treatment).
In the next plot, how the chaotic young Zilala grows and transforms will become a major highlight of the play, and the hazy emotional line will also give the audience "some sugar" from time to time, looking forward to everyone paying more attention to Li Tiannuo's next performance.