Kerry Mulligan appeared on the cover of w magazine. In this appearance, she returned to the audience with the new work "Wild Life", which has the reputation of "the best in her career".
In addition to Kerry's performance is expected to receive an Oscar nomination in the awards season, the director of "Wild Life" is Paul Dano, who has starred in "Little Beauty in the Sunshine", "Blood Is Coming", "Twelve Years of Slavery" and other films.
At Sundance at the beginning of the year, the film has received good praise, and Paul Dano is not stingy about Mulligan's performance, claiming that she can find the clearest expression in complex roles, and her acting skills are sharp.
Kerry Mulligan in "Growth Education" is full of young girls
In fact, whether it is from the style of realism or the work of Kerry Mulligan over the years, it can be seen that growth is the only thing she has not changed. Although the face no longer has the collagen of the "student sister" in "Growth Education", the eyes are a little more vicissitudes and determination.
The look in his eyes seemed to say: You have all been deceived by my baby face.
In 2004, Carey, who wanted to become an actor, auditioned for Pride and Prejudice and won the role of Kayla Knightley's youngest sister, thus officially starting his film career.
Third from the left, Pride and Prejudice plays Kayla Knightley's younger sister
2009's "Coming Of Age" helped the 24-year-old win an Oscar nomination for Best Actress, and while the limelight was in full swing, probably no one guessed her ambition to try different roles.
In the following science fiction film "Don't Let Me Go", the former idol Kayla Knightley "turned the tongue" into a supporting role for Carey Mulligan. To get this "upside down" growth, she only took 5 years;
In 2013, Kerry joined hands with Little Plum in "The Great Gatsby" to portray the vain, hollow and beautiful Daisy into three points.
Her face always gave people a feeling of innocence and sophistication, innocence and shrewdness. These contradictory words are placed on an actor, which makes her diverse role positioning.
One of my favorites is her collaboration with Fa Shark on Shame, which is suppressed, wandering and erupting in the vortex of "unclear brother-sister relationship", and Carey Mulligan has contributed what I personally consider to be the best big screen performance to date.
Even less known is her return to stage performances in 2014 with big director Steven Dadley on Skylight. In the polishing of the stage play, she controlled her emotions more naturally and in place, without a trace. Perhaps it is precisely with this precipitation that there is the much-anticipated "Wild Life".