Huang Xinyang, member of the National Committee of the Chinese People's Political Consultative Conference, vice president of the China Taoist Association, president of the Beijing Taoist Association, and president of the Taoist Calligraphy and Painting Institute of the China Taoist Association, delivered a speech at the "Fusheng Immeasurable Daoguan Danqing" Exhibition of Chengqing Daoist Calligraphy and Painting:
On the beautiful day of the whole country celebrating the 70th anniversary of the founding of the People's Republic of China, we gathered at the Gongwang Mansion on the north bank of the Shichahai Sea to hold the "Fusheng Immeasurable Daoguan Danqing" Exhibition of Calligraphy and Painting of Chengqing Daoists.
First of all, on behalf of the Taoist Calligraphy and Painting Institute of the Chinese Taoist Association, I would like to express my heartfelt thanks and warm welcome to all of you for your support and presence! I would like to express my heartfelt thanks to the staff and Daoist friends who meticulously organized this exhibition.
"A Prince Gong Mansion, Half of the History of the Qing Dynasty", the thick cultural heritage of the Prince Gong Palace has added a strong artistic atmosphere to this exhibition. Since the founding of Taoism, many famous Taoist calligraphers and painters have emerged, who have adhered to the principle of showing the Tao with art, have heaven and earth in their hearts, and have given their understanding and love of nature and the practice and understanding of Taoism to the mountains and rivers and plants with temperament inspiration, and created many excellent works reflecting the content of Taoism, adding a bright color to the temple of traditional Chinese culture.
Loving the country and religion is a fine tradition in our Taoist circles. The more than 40 calligraphy and painting works exhibited this time have their own artistic conceptions and colors, and the calligraphy and paintings, flowers and birds, and mountains and rivers are lyrical, bringing us the enjoyment of art and the influence of the soul. Through this form, Chengqing Daochang expressed his love for traditional Chinese culture, his praise for the growing strength of the motherland, and his deep hope for realizing the Chinese dream of the great rejuvenation of the Chinese nation.
Tang Chengqing Daochang, we have known each other for many years, and the Friendship is profound. Tang Chengqing was ordained in the Tianshi Cave of Qingcheng Mountain at the age of eighteen, devoted himself to monasticism, advocated nature, and deeply understood Taoist doctrine and Taoist culture. At the same time, he also loved the art of calligraphy and painting, and since the 1980s of the last century, he had devoted himself to Danqing Pen Cultivation, and had entered the Dafeng Hall as a disciple of the Dafeng Hall, and then turned to many teachers and studied hard.
In the middle of summer, chengqing Daochang's collection of ancient and common pen cultivation works was curated at the Gongwangfu Museum in Beijing, which is the result of the Daoist's self-conscious double cultivation of "relaxing the body and mind, transcending things". It can be said that the blessing is immeasurable, and the Daoguan Danqing is green. I believe that he will be more embracing and keeping one, and returning to simplicity and returning to the truth of the mind to travel to the realm of the great road.
Finally, I wish the "Fusheng Immeasurable Daoguan Danqing" Chengqing Daoist Calligraphy and Painting Exhibition a complete success! I wish all the leaders and guests participating in this calligraphy and painting exhibition good health, smooth work, good luck and immeasurable happiness! Thank you!
On the morning of August 16th, in order to celebrate the 70th anniversary of the founding of the People's Republic of China, the Exhibition of Chengqing Daoist Calligraphy and Painting jointly sponsored by the Taoist Calligraphy and Painting Institute of the Chinese Taoist Association, the Gongwangfu Museum of the Ministry of Culture and Tourism, and the Sichuan Provincial Taoist Association was grandly opened in the Exhibition Hall of the Gongwangfu Museum.

Huang Xinyang, vice president of the China Taoist Association and president of the Beijing Taoist Association, Luo Liming, deputy director of the CppcC National Committee of the Chinese People's Political Consultative Conference, Ma Fei, deputy director of the Sichuan Provincial Committee of the People's Religious Committee, Yang Yunfei, deputy director of the United Front Work Department of Dujiangyan City, and Huo Jiashun, a famous calligrapher, respectively congratulated each other.
Tang Chengqing, vice president of the Chinese Taoist Association and president of the Sichuan Provincial Taoist Association, delivered a speech of thanks.
The opening ceremony was presided over by Yuan Zhihong, vice president of the Chinese Taoist Association.
Tang Chengqing, the head of the Taoist Quanzhen Longmen Sect, is a disciple of the 24th generation of Xuan descent, and has served as a member of the National Committee of the Chinese People's Political Consultative Conference, vice president of the China Taoist Association, president of the Sichuan Provincial Taoist Association, vice president of the Taoist Calligraphy and Painting Institute of the China Taoist Association, librarian of the Sichuan Provincial Museum of Literature and History, and head of the Tianshi Cave in Qingcheng Mountain, Dujiangyan, Sichuan Province.
Tang Chengqing has been living in The Tianshi Cave of Qingcheng Mountain for more than 30 years, and in addition to his Taoist official duties, he loves calligraphy and painting Danqing, and has turned to many teachers, and has re-passed on his disciples to the Sichuan Chinese painting master Zhang Daqian DafengTang, especially good at freehand painting of flowers and birds, and has written in the elegant and transcendent and timeless painting style of Meilan Zhuju. He has held many exhibitions of paintings overseas, and published large-scale albums such as "Chengqing Daoren Calligraphy and Painting Collection", "Chengqing Daoist Calligraphy and Painting Collection", "Daoguan Danqing Chengqing Daoist Calligraphy and Painting Collection" and so on. In 2009, he was awarded the honorary title of "Master of Hongdao Calligraphy and Painting Art" by the Ministry of Culture.
This exhibition focuses on more than 50 fine works created by Tang Chengqing Daochang in recent years, some of which are fine fan and hand-scrolled works, which are the fine works of calligraphy and painting cooperation with Mr. Cai Yong, vice president of the China Taoist Association, and mr. Cai Yong, member of the Art Committee of the Taoist Calligraphy and Painting Institute of the China Taoist Association. Worthy of the excellent works of the nation.
As a person in the Taoist circles, we will make efforts and contributions to the prosperity and development of socialist cultural and artistic undertakings, the construction of a socialist cultural power, the realization of the "two hundred years" struggle, and the realization of the Chinese dream of the great rejuvenation of the Chinese nation!
The leaders and guests who participated in the opening ceremony of the exhibition were:
Luo Liming, deputy director of the National Committee of the Chinese People's Political Consultative Conference; Yuan Sha, vice president of the Central Socialist Academy; Bian Wei, deputy director of the Gongwangfu Museum of the Ministry of Culture and Tourism; Zhang Fenglin, vice president of the China Taoist Association; Li Jie, former director of the Organization and Personnel Department of the All-China Federation of Returned Overseas Chinese; Zhao Tiexin, president of the China Popular Calligraphy and Painting Academy; Xi Wenqi, Wu Gaoshan, Wu Baohua, Ha Jinqi, and Wang Yamin, former directors of the Beijing Municipal People's Congress; Chi Weisheng and Tu Jianying, directors of the Beijing Municipal Committee of the Chinese People's Political Consultative Conference; Shen Jianjun, Ji Wenyuan, and Zhang Jianping, former directors of the Beijing Municipal People's Religious Committee Zhang Huiying, deputy secretary general of the Beijing Charity Association; Han Juntian, deputy director of the United Front Work Department and director of the Minzong Office in Xicheng District, Beijing; Lei Mingdong, president of the China Celebrity Calligraphy and Painting Research Institute, vice president of the China Academy of Calligraphy and Painting, director of the Chinese Painting Committee, and distinguished professor of Peking University; Huang Heping, director of the Xingtan Art Museum in Beijing; Li Yi, former editor-in-chief of Art Observation, deputy director of the Fine Arts Research Institute of the China Academy of Arts, doctoral supervisor, director of the China Artists Association, and deputy director of the Theoretical Committee; and deputy director of the Xiqu Research Institute of the China Academy of Arts Zheng Lei; Wu Xiangdong, Director of Beijing Pinyi Art Museum; Ding Shuai, Director of Beijing Changjian Daguan Art Museum; Zhao Shaoyu, Famous Painter and Professor of Rongbaozhai Painting Institute; Xu Guangju, Deputy Secretary-General of Huang Ji Art Foundation and Distinguished Professor of Rongbaozhai Painting Institute; Su Wanshun, President of Beijing Jinghua Blue Sky Calligraphy and Painting Institute; Famous Calligraphers and Painters Cai Yong, Huo Jiashun, Wu Yongqiang, Wang Jiali; Zhang Yu, General Manager of Beijing Void White Culture Co., Ltd.; Mr. Lan Jun, Secretary and President of China National Trade Promotion Association, Deputy Secretary-General Zhao Hui; Chairman of Beijing Hexi Xingye Investment Management Co., Ltd Wang Benxiao; Ma Fei, deputy director of the Sichuan Provincial Minzong Committee; Wu Dongjun, deputy director of the Sichuan Provincial People's Religious Committee; Yang Yunfei, deputy director of the United Front Work Department of Dujiangyan City; Li Ke, member of the Standing Committee of the Dujiangyan Municipal CPC Committee and director of the United Front Work Department; Tang Xiaofeng, member of the Standing Committee of the Dujiangyan Municipal CPC Committee and director of propaganda; Yang Min, former vice chairman of the Chongqing Municipal Federation of Literature and Art, president of the Chongqing Shanshui Cultural Tourism Research Institute, and chairman of the Chongqing Photographers Association; Zhang Mingxin, deputy secretary general of the China Taoist Association and vice president of the Sichuan Taoist Association; Deng Xinde, deputy secretary general of the China Taoist Association and president of the Chongqing Taoist Association Zhang Chongxin, deputy secretary general of the China Taoist Association and president of the Guizhou Provincial Taoist Association; Yang Mengjue, vice president of the Sichuan Taoist Association; Wang Chongdao, chief of the Qianshan Wuliangguan in Liaoning Province; Li Zhenwu, vice president of the Chongqing Taoist Association and vice president of the Chongqing Gongbi Painting Society; Huang Yan, president of Chongqing Runmengyi Education Group; He Yang, deputy general manager of the Chongqing Branch of China State Construction Co., Ltd.; Peng Jun, general manager of Chongqing Jiuyang Real Estate Development Co., Ltd.; Gong Daoci, chairman of Chongqing Jiufengtian Arts and Crafts Company Ma Xianmin, partner of Zhongyu Capital, Zhang Zhenghui, executive chairman of Sichuan Chongqing Chamber of Commerce, Huang Hanhan, vice chairman of the Hong Kong Taoist Federation, Wang Youde, president of the Hong Kong International Taoist Cultural Association, Yang Jianguo, famous curator, and Wang Zhenghua, teacher of Qingdao.
Editor-in-charge: Zhou Gaomo
Taoist Calligraphy and Painting Institute of the Chinese Taoist Association