Qin Hao, an actor who was fortunate not to be ruined by variety shows. In 2020, Zhang Dongsheng climbed the mountain and went out of the circle, and the "obscure" Qin Hao was matched with the treatment of a red person, got rid of the label of Yi Nengjing's husband, and walked in various variety shows.
In fact, this is a bit dangerous, some actors soak in the variety show for too long, and then when acting, the audience unconsciously plays, and Qin Hao's new play can be subverted?
"Wolf Hunter" gave Qin Hao the opportunity to prove himself as an actor again, only to see the fierce man "Wei Jiang" and forget Zhang Dongsheng.
For "Wolf Hunter", it can be said that it is really fighting, being kicked by a horse, the head is pressed to the ground and rubbed, and the makeup is torn every day. In order to get closer to Wei Jiang's image of a tough guy who did not trim the edges, Qin Hao even did not wash his hair or bathe for more than ten days, and his body emitted a sour smell every day.
So much so that the actor Yin Fang, who plays Qin Chuan, ridiculed Qin Chuan for "not washing his hair, his beard is pulled, very much like a sharp brother".
Qin Hao also laughed at himself that there was no clean day in "Wolf Hunter", and after Yi Nengjing watched the play, he specially called Qin Hao to remind him that he must wash his face every day and never make it like in the TV series.
Qin Hao is really too difficult, do you think the director team just let him go, of course not, they also forced him to eat noodles. Isn't it a bit familiar, didn't Chen Peisi have such an encounter at that time?
The bowl of "three spoonfuls of spicy seeds and two spoonfuls of vinegar" spicy noodles, as a carrier and symbol of witnessing Wei Jiang's self-redemption, Qin Hao ate it three times in total, no less than Chen Peisi.
Especially Wei Jiang, played by Qin Hao, the noodles he ate before going up the mountain to find the wolf son were classics.
After Zhao Cheng went up the mountain to perform the mission and sacrificed, Wei Jiang became Wei Ba'er in a slump, although he looked idle all day and borrowed wine to pour sorrow, but he actually couldn't let go of Zhao Cheng in his heart.
Thanks to Qin Chuan's help, he began to return to the trajectory of his life. Zhao Cheng's Ding Jie learned that Wei Jiang was going up the mountain to catch the wolf, so he specially made a bowl of noodles for Wei Jiang and toasted him with three glasses of wine.
In the 5-minute long bridge section, Qin Hao did not have a single line, leaving the audience with a pair of trembling hands that raised the wine glass, and then a complex emoji that ate noodles, which completely supported the acting skills with a face, which was a difficult challenge for Qin Hao, which was a textbook level.
This is quite similar to the scene of Rene Liu eating spring cake in the ending part of "No Thief in the World", which is to interpret the complex and multi-layered emotions of the characters through the picture of eating.
Many people say that people overeat when they are in pain because the brain does not want to respond to pain. So focus on food to temporarily avoid pain. The strong impulse to change one's fate, all translated into the demand for food, is actually a subconscious means for people to obtain satisfaction and happiness.
Director Cao Dun makes his image of persistence and loyalty more profound through the detailed shots of Qin Hao eating noodles. On the villain side, the wolves also staged a premeditated hot pot feast.
Remember the famous scene of "Infernal Affairs 2" Zeng Zhiwei eating hot pot, I did not expect that "Wolf Hunter" eating a hot pot is also a variety of dramas, each wolf is pregnant with a ghost fetus to eat together, which really makes people feel surprised.
Many people say that "after 2010, except for a few people who still seem to be shooting things when shooting individual works, most of the other TV series are old-fashioned and suspended to the point of disgust, and only Cao Dun is far ahead."
This is not unreasonable, the director who can shoot a high-scoring TV series such as "Chang'an Twelve Hours" naturally cannot be underestimated, and the shining places in "Chang'an Twelve Hours" seem to have not fallen in "Wolf Hunter". In Cao Dun's heart, he has always insisted that every little person be enriched, not the meaning of the NPC who goes through the motions. In "Wolf Hunter", it is concentrated in the portrayal of several wolves eating hot pot.
The old five foxes because they solved Boss Liu without authorization on the mountain, causing the money in hand to fly, and this trip back is bound to be punished by the boss. And the old sixth, as the messenger and deacon of the boss, what news did the three wolves bring this time have no bottom in their hearts. So all the cunning, panic, and schadenfreude were concentrated in a hot pot feast.
The old six elements prepared the ingredients in a flowing manner, and each one was neatly cut. He was well aware of the boss's decision, he represented the referee at this time, and the fate of the fox was like a cabbage on the board, which he could easily crush.
The knife looked down at the fire in the stove. Just focusing on the fire, in fact, he continued his own trick of fanning the fire, just like he connived at the fox on the mountain to kill Boss Liu. The fox kept eating peanuts in his mouth, looking very calm, but in fact, his heart was full of worry. Old Seven Batuu, on the other hand, foolishly toyed with his toy. The most stupid to look at, in fact, the most intelligent, because he has long been an outsider to this incident.
The 26-second detailed shot before eating the hot pot does not have a single line, but the sentient beings of the wolves are exposed, which shows the director's skill.
After the sixth old man prepared the copper hot pot, which is a typical northern copper hot pot, the lamb from the copper pot is tender and delicious, steaming. The moment the hot pot was put down, the light came on, reflecting the fox's frightened and uneasy face. He knew that he was a half-cooked ball in the hot pot at this time, and he could be picked up and swallowed in his mouth at any time.
"You said how did this thing become this, you said that this Boss Liu, yes, is not a matter." But when people die, the money is gone. Someone has to carry this pot. Right. ”
Old Six opened his mouth very lightly, this sentence is naturally divided into two levels, first of all, this matter is not a big deal, it seems to be for the brothers to shirk, but the words turn to money. Because not making money is naturally someone to be responsible for. All of a sudden, it leads to the main topic.
And the knife's sentence "Sixth brother, did you say this, or did the boss say it?" "It seems to be interceding for the fox, but in fact, it makes the fox die, because everyone understands that what the sixth elder said is naturally the instruction of the boss."
The fox knew that he could not hide today, but he could not get his hands on it for a long time, and Batuu simply poured the fox a glass of white wine, of course, this glass of wine was not for him to drink, but for him to disinfect. The fox gritted his teeth and picked up the scissors and clamped it his little finger, and when the finger was broken, no one looked at him.
Professor Liu Dishan believes in "On the Negative Role in the "Seventeen Years" Movie" that the negative role shaping of the film often patrols at the level of the biological essence of "food" and "color". The reason for this phenomenon is mainly because according to Freud's theory of personality structure, the psychological structure of people is divided into three layers, the lowest level is the self, and this lowest and most primitive state is precisely the field where the negative roles are most concentrated, which also leads to their inability to get rid of the shackles of "food" and "color".
The fox let out a cry of pain, which was a huge contrast to the other wolf-eating shots. In addition to showing everyone's personality characteristics, it also exposes the coldness and cruelty of the wolf.
Although this plot is not long, it is impressive, and everyone's face is a drama. As Cao Dun said, a good script should focus on "writing a group of ordinary people, who are extremely pyrotechnic, and these people I can experience him." "And the wolves that are shrouded in fireworks are like ordinary people living around us, which makes people shudder."
Whether it is the copper hot pot eaten by the wolves or the spicy noodles eaten by Qin Hao, they are all extremely pyrotechnic beings, and they are ordinary objects in people's lives that can no longer be ordinary, and they seem to be given a soul in the movie. Whether it is the wolf who is pregnant with a ghost fetus, or Qin Hao, who cries and eats noodles to contribute to the acting skills of the film emperor, these people are looking for their own goals in life.
Many people say that "Wolf Hunter" is like a landscape film, because all kinds of scenes in the whole drama are live-action shooting, the director team and actors and other staff rush from Xinjiang to Xiangshan and other places, and every frame of the shot is beautiful enough to be used as computer wallpaper. But I guess it's more of a road movie.
The so-called road movie is that the narrative development of the film is set against the backdrop of a journey. In the plot of the road trip, the protagonist of the film completes the experience of life, the change of thought, and the shaping of character. A series of dramatic conflicts resulted, culminating in communication with the ego's heart.
In wei Jiang's journey to find the wolf, he is definitely not just revenge and support justice, but more like looking for his own soul, from losing his soul to being willing to give his life, no matter how unbearable these marginalized people in society are in real life, they are undoubtedly the dazzling light on the road.
Whatever the reason for getting on the road, such a walk is itself moving. So when a person eats noodles silently, don't underestimate him, maybe he is running to his own life coordinates.