Without further ado, let's start today's Doctor's Review.
Shark finfin new single "Autumn Hi Mourning Hill High Song", the song's song title is quite accurate, the content is about autumn, the distortion overload guitar has a little hi, the whole is still an emo arrangement, the elements are summarized. For me, the atmosphere of this song is a little bit "dirty", and the effect is too much.
The prelude's guitar itself is enough, and in the later stage, in order to match the arrangement, a lot of large reverberations have been added, and the vocal effect is relatively thick, and the overall collocation is a bit too stuffy.
The song itself has a bright guitar tone and melody, and doesn't need too much of a mix. I think it's a little lighter in terms of mixing and effects, and it's more comfortable to listen to with a little pop.
dlyn collaborated with Mu Qin on the single "Midnight Heartbreak Club 9.0", a full melodic singing section with heavy popular colors. This song sounds a little uncomfortable to me, both of them have a lot of false singing, and the melody and mood of the whole song are relatively low and soft.
I prefer the angry, ostentatious falsetone, and it would be better to turn it a little more. This way of singing is a bit up and down for me, and in the case of heavy pop tones, there is no need to sing like this, it is somewhat contrived.
Kung Fu Fat's new single "thank me", I don't believe anyone can say that this song is good. Rap verse is commonplace, biased towards the rhythm of the trap beat, but his control is not shaken, and he has lost his own flow form and rap strength.
The sing rap part has no melody under the modification of auto-tune, and the composition without ups and downs has no tone itself, and it is sung on the verge of running out of tune. The way of the little fat is really getting more and more crooked, and it is good to have the idea of changing styles, but it also depends on whether you can eat this bowl of rice.
The song "Walking on Fire" is a precursor to the skinny ep, which previews the release time of the new ep at the beginning. But in fact, this song can also be regarded as a main dish, because the style of this song is the thinnest.
The arrangement is hard and urgent, the drums have strength, the melody is lifted, the flow is biased towards the fast mouth, the words are clear and there are obvious cuts, you can never guess where the next sentence stops, and at the same time can output a certain point of view and attitude.
Although the second half of the beat switch, the overall style is still unified. These things are the thinnest, and the audience acceptance is the highest and sounds the coolest.
Adava released her first solo ep, "Adawa E.y.E", which is good for a girl who is known for singing. The singing skills are beautiful, the sound has texture, the biting words have characteristics, the vocal processing has details, and the arrangement has its own aesthetic embodiment.
But the other day I saw a peer say this EP out of the sky, which is a bit too much. Peers say Adava is a rapper who blossoms in rap and singing, but I think her rap is more general.
One is that I personally don't like the subjective factor of female rappers, and the other is that Adava really does not have a particularly long and complete rap verse to show her own flow technology, at least the rap shown in this EP is relatively sparse and ordinary.
But I still like this ep, because the singing is really beautiful, I like her biting words, slightly lip and teeth, a little blurry but not inaudible, the effect is very smooth and coherent, very sexy.
Old Hu khufu collaborated with Fox's new single "Drama". The song is a good fit for Fox, and his rap verse is wonderful.
The personal tone has memory points, the intonation transition is very smooth, and the blessing of his own timbre for the musical character, which is a very good shaping of the musical role for a verse who emphasizes narrative content.
At the same time, I also feel that this hook is more suitable for Fox to sing, which can expand the length of the scene to a greater extent. I also think the arrangement of this song is good, although there are a lot of traditional Chinese instrumental music, but in the choice of modern hiphop music instrumentation is very conservative, only using a basic electric drum, will not conflict with traditional instrumental music, more harmonious.
DRUNK's new single "Old Style" is included in his new mixtape "Survivor Bias". The five singles released so far are all boombap, but I feel that one is not as good as one.
The first two songs are still very positive, and the back is more and more entangled in technology, especially this "old style", a large number of rhymes piled up, flow conversion is also a bit blunt, there is no particularly smooth and natural feeling, but you have to say that it is particularly hard, just like that, just throughout the show, ignoring the most basic requirements of boombap.
Urticaria's new album Liusicheng, which largely represents the current trend of auto-tune singrap. Now everyone's arrangement form is very similar, the guitar has become the most commonly used instrument, the melody is more bold and bright, the overall color is no longer dark and damp, and the content is basically not very emo.
More of a way of expression is to pour out the troubles, and then add something to overcome the difficulties and move forward. Although the routines are the same, it is really good that you can't stand this routine, and it does have an appetite for me, at least no longer everyone is a snub.
I prefer this style, which is also another branch of emo rap, similar to the style of bridge, but it is more acceptable to the public, the singing voice is higher, and the vocals can give more emotional appeal more simply and directly. The album is not small, although there is nothing too eye-catching, but each capital is on the passing score.
Liu Congxin's single "Chop", a little bit of the rhythm of the drill, but with a very obvious drum, not much slippery, hihat is slightly obscured. A greater intensity would be better, more suitable for the content of Liu Cong's song. In fact, I have not heard such a cruel song as Liu Cong for a while, and my impression is almost "The Army of Destiny".
But this song is obviously inferior to "The Army of Destiny", mainly two points, one is that there is a piece of versa after suddenly and inexplicably receiving a piece of sing rap, and the sense of atmosphere created by rap is gone.
There is also a point that has been looping "chop" this hook, Liu Cong's southern accent is too heavy, I feel that this hook is really hard, but also make people want to laugh a little.
Killer consumes the new single "mgk", a rock song with a little pop melody and sing rap. In fact, the composition of this song is not bad, the composition into the melody transition ups and downs is very natural, simple and easy to sing, dry sense direct.
But I think the sing rap is a bit unnecessary, the original singing skills are average, and many words and sentences are out of tune when they reach the end of the sentence, which seems a bit mediocre.
Dean K collaborated with Huang Shuo's new single "Body of Steel", the hook of this song made me feel good, but it withered away again when it came to rap verse. Hook is really cool, the double step out of the taste is there, and there is speed, riff and good, singing is with feeling, there is no reason not to love.
But verse's arrangement I was really confused, why do you want to make an electronic main loop, or such a dance music element, and their rap style and other orchestrations do not match at all. The two of them themselves are deep voices, and flow is also more old-fashioned, plus this dance music loop is simply a dirt shout mai.
Chill Gang's self-titled album "Chill Gang", the members of the new generation of the team are together again. Although this compilation album is called Chill, there are not a few singles that make me really feel chill.
There are a lot of arrangement styles, but more songs are for me to nod and shake, there are only two chills, one is "Summer Night Passerby", this song is really beautiful, jazz piano and very gorgeous r&b singing are very comfortable, and there are beautiful harmonies in the verse part.
There is also "back home", a boombap work whose arranging style is obviously dominated by Xia Zhiyu, the drums are not hard, the orchestration is rich and the atmosphere is soft, and the environment is given in the basic rhythm, so that there is a chill feeling.
You say that the rhythm of bass like "Love Song", who can get up, must shake ah. The only thing I don't like very much in this EP is the passage of lcz Xiaoqiang, whose voice appears to be a bit abrupt in some very beautiful soundtrack arrangements.
Zhazha's new ep "Speed Zoom", a total of four songs, after listening to me, I did not remember, nor did I think there was anything good.
The arrangements are all the same, but there are some different melodic parts. Almost flow, almost bpm, almost "singing", flow is fast, there is no choreography, and there is still a bit of awkward rhyme in some places. Turns out this is "handsome rap"? It's just handsome and can rap.
Among the above songs, which one is your favorite, you are welcome to communicate in the comment area.