Late Qing Dynasty painter Jiang Yun used ancient methods to paint his own painting style: "Heavy brush and ink, cangrun ancient show"

Jiang Yun studied Landscape and Water Wang Yi, with thick pen and ink, cangrun ancient show, lack of clear air, intercropping flowers. Work and write, have a unique charm. "Deep Mountains and White Clouds" paints mountains, slopes, houses, fishing boats, a scene full of vitality. The white clouds floating in the mountains set off the far-reaching mountains, and the dense trees on the mountains symbolize that new life is in the incubation period. Jiang Yun paints in ancient ways, and tries to get rid of the ancients in drawing on the brushwork of the ancients, so as to find his own painting path. The mountain stone trees in the picture borrow from ancient methods and attach importance to creation, and the houses, fishing boats, and clouds that dot them show the greatness of man and the eternity of nature.

Jiang Yun (1847-1919) was a native of Huaining, Anhui Province. In the seventeenth year of Guangxu (1891), he was raised to the head of the official ceremonial department. In 1913, Liang Qichao held a meditation ceremony in Beijing's Yaji poet and poet friend in the Wannu Garden, and Yingsheng made a picture to commemorate it.