Obviously, many friends were confused after the first episode of da chunwu. The riddle man with a mouth full of passwords, from a gloomy man with a lonely height to an ordinary harem male protagonist, or a big teacher, the unusual and abrupt and wonderful dance performance in the op, all of which are not in line with the memory of "My Youth Love Story Is Really Problematic".
In fact, this is inevitable, after all, for the animation party, the last season was already five years ago. At the end of the last season, the three people of Dai-sensei, Yubihama, and Yukiha finally open their hearts under the silver night, and Yuki finally begins to talk about their commissions. As a result, the ending five years ago stopped in this abrupt position, and the commissioned content that the great teacher could hear in the next second was not heard until five years later in the eyes of the audience.
Moreover, the third season does not have any previous plot review, and the impression of the vast majority of the audience on the big teacher has been washed back to the impression of the iron and iron "lone high soldier" left by the big teacher at the beginning of the work for too long.
Since Oharu is a work in which the growth and change of character personality is very prominent and obvious compared with various light novels, the personality and thoughts of each character before and after the work will be very different. Just like if you first look at the big teacher with your shadow in the first volume, and then jump directly to see the big teacher in the 12 volumes, I guess it is very likely that many people will not recognize that this big teacher is actually the same person as the first volume.
(op This scene is infinitely circled in front of the big teacher, and it is easy to remind people of a familiar scene in the Violet Eternal Garden pv)
In fact, allowing a character's mental maturity to "grow" at a speed visible to the naked eye is a risky and likely thankless act for a long work. In fact, many, many works, even if you skip the first volume and jump directly to the latest volume to see it, you will find that the protagonist's personality and thinking have hardly changed.
The beliefs that the protagonist himself implements are the noblest, most core, and most unshakable criterion, and all conflicts will ultimately be defeated by the subjective and dynamic behavior driven by this initial criterion.
But this criterion does not affect the development of the story, because for the complexity of some stories, the maturity of the protagonist is "enough". As a result, there are very few works in which the protagonist becomes so "mature" that some of them deny their past selves.
Those works that want to describe the protagonists who may grow up to be different from the previous ones are likely to bear the notoriety of ruining people, abruptness, emotional rupture, and great changes in the tone of the work, and once the sequel is too long away from the previous work, it is easy for readers and viewers to forget the emotional changes experienced by the previous characters, and it is even more difficult to understand the so-called "growth".
Although the growth of the great teacher has not yet reached the level of "completely denying the past self", he also reflects on his past behavior in a large part, gradually discovers what he really desires, and drives the lazy self to begin to pursue the "real thing" that he has not been aware of before.
And this whole process of growth is not the climax of a certain volume suddenly thinking "I want to change myself!" This was achieved overnight, but slowly and in stages throughout the entire 14-volume novel. (Incidentally, there are also extreme but excellent works in which the protagonist has "fully grown physically and mentally from the beginning", such as Saitama Sensei))
Unfortunately, after the erosion of time, the great teacher who impressed the audience the most was still the big teacher who was full of prejudice against youth, the vicious satire of interpersonal relationships, and the inferiority complex that was far better than self-deprecation, and the big teacher who would be gentle and self-harming but said "Look, no one will hurt the world has been achieved". The big teacher in this "naïve" period is the big teacher that the audience remembers, and it is also the reason why the big teacher is called a big teacher.
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However, as you can see, Hikitani Hachiman has gradually grown from a "big teacher" to an "ordinary person". He was no longer so stubborn in resisting the activities of the present charge, began to become talkative, began to shed tears for the loss, began to become "less observant", and even talked about love.
He began to break free of the scars that had once wrapped him, he learned to construct a tie, and used the complex and twisted reason that the sentence "I love the snow under the snow" as the driving force to launch the final action of the 14 volumes.
Needless to say, you must have known that the novel eventually won the victory of The Snow, and also issued a super thick and cute straight ball candy, which is really rare for a work that is known for riddles and is speculated to be an open ending. I would highly recommend that you who have not yet read a novel read the novel and then come back to experience the charm of the moving snow.
Then again, talk about my thoughts on the start of season three. Aside from the fact that I really can't figure out that the very leathery performance of the op formal dance that seems to be a little strange in the atmosphere is a little subtle, I think the third season of the animation started perfectly, this episode completely made me feel the feeling when I read the novel, and also stopped in a place that made people explode and converge.
Although the later stages of the novel are a bit overly ridiculating the problems of "interdependence" and "ruining relationships", and even to the point where it is really a little suspicious that The Voyage wants to use these enigmatic sentences that are all hinting at the same theme just to create the point of pretentious and troublesome adolescence, at least the superficial purpose is achieved - to make you at least think that the things these three high school students think are "so deep and complex".
The animation has reduced the density of the riddles as much as possible, making the dialogue look much smoother. However, to quickly substitute for the atmosphere created by the animation, it is necessary to review as soon as possible what happened in the first two seasons, and it is recommended that the audience who want to continue to chase but feel as if they do not know the big teacher slightly review the plot of the first two seasons to see what stage this big teacher who can casually pick up what classmates in Sichuan is currently growing into.
Especially the serious thanks of Komachi at the end, the original novel here I just look at the text and I cry, and then watch the anime again. Takuya Eguchi and Yugibi's acting skills are simply divine, and the natural crying voice is extremely infectious.
Not only is It Yukibi's natural hoarse voice that trembles at the end of the sentence, but also Takuya Eguchi, who has to make a choked crying voice without being too emotionally infected, but also maintains the "disgusting" voice of 70% of the waste wood brother, is really too infectious. I am a very easy person to move.
Between Komachi and Hachiman, there is no such thing as the grand brother-sister stories of other works, and they are really just ordinary relatives who were born in an ordinary family and grew up with each other.
Although this is just a daily communication between a pair of ordinary noisy brothers and sisters, the animation also adds a few memories of Komachi's childhood flashing by, and the ordinary, everyday sibling affection that has accompanied for more than ten years is instantly attached to the thickness of time, so that Hachiman and the reader audience who have witnessed Komachi's growth all the way are choked up. The effect of tear gas is added to the same level.
"The score is not high at all, and you look like you are going to get married, I haven't allowed you to marry out, that, how to say......... Really, don't."
I choked up before I could finish speaking.
There was a rush of heat deep in the nose, and the breathing became quite deep.
Like the great teacher who ushered in an important point in his life (entering a rich woman to live a gorgeous life), Komachi is also about to participate in the middle school entrance examination for an important node in his life. Although it was still a long time before his sister left to fly high, the eldest teacher had clearly felt the loneliness of coming early. This is also a kind of growth. Not everyone revolves around the protagonist, everyone has their own life.
Choosing this scene to end in the first episode of the anime may be a bit unfriendly to viewers who have forgotten the plot of the first two seasons, because many people have forgotten how the character of Komachi once interacted with Daisuke as a sister. Without this character emotional accumulation in my heart, it is naturally difficult to produce such a substitute resonance as "Ah I am watching you grow up" such as "Ah I grew up ah Komachi".
Hey, who can blame this, who let the ferry drag on for so long to write, who let the third season and the second season take five years to make it, the junior high school students who chased after you at that time, now all have become social animals for a few years, and your big teacher has just made a girlfriend and is ready to start a shameful life. Gan.
I think back then, before I watched this work, I purely thought that this was a "long and smelly name" routine selling meat toilet paper, so I didn't bother to touch it, and I almost didn't get on this car. At that time, I was also in high school, and I was also troubled by the problem of liberal arts and sciences. After repeated admiration from my friends, I finally watched this masterpiece that won the championship for three consecutive years, so I regretted my superficial first impression of this work.
Although this sentence is really a bit of a prickly ape and a disgusting and stupid sentence at my current age, I still want to say that it is very good to meet the work of the great teacher at the right age.
Because once you're past that age, it's hard to feel when you look at the big teacher. But if you look at it too young, you will have a little less empathy for the "three illusions of life" masochistic terriers that were more popular in the previous era.
So, it's great to meet such a work at the right age. Cough, I mean simply good looking, not that this work has become a spiritual pillar and become a spiritual beacon.
Super wanted to see Yukino shyly say to the big teacher that I like you, and when I thought of this, I felt like I could live until October! I can already imagine the entire barrage of 12 episodes being awsal. I sincerely hope that the feeling can be stable and restore the most beautiful appearance of the wife.
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Headline Number: Quadratic Observation