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Ornithology under the brush

author:The Commercial Press
Ornithology under the brush

As soon as our human ancestors picked up the paintbrush, they left exquisite animal portraits, including birds, on the rock walls of the caves, such as the murals of the Lascaux Caves in the Dordogne district of south-central France and the Altamira Caves south of Santander in northeastern Spain. They may be teaching guides to guide new hunters, but they can also have some kind of symbolism, symbolizing part of a prehistoric civilization in which animals had great spiritual significance.

From the 19th to the 20th century, talented artists built bridges for a growing public hungry for scientific knowledge, presenting them with ornithological discoveries while providing them with aesthetic pleasure. The following xiaobian will bring you ten of the most beautiful bird paintings, let's feel the agility of this life!

Ornithology under the brush

Black-crested parrot (Psephotus dissimilis)

Ferdinand. Lucas. Bauer

Circa 1801-1805, watercolor painting

335mm×505mm

Ferdinand. Bauer is better known as one of the world's finest plant painters, but he is also a brilliant animal painter. Pictured is a rare Australian parrot with meticulous precision that is typical of Bauer's style. Originally known as the black-hated parrot, the black-crowned parrot is extremely narrow and only found in the western part of Arnhem Land in Australia's Northern Territory.

Ornithology under the brush

Carolina parakeet (Conuropsis carolinensis)

John. James. Audubon

Circa 1827-1830, hand-colored

Gravure corroded prints

853mm×600mm

This brightly colored painting is one of Audubon's most splendid works, in a rejuvenating picture in which birds are eating the seeds of the thorny fruit of the ears. These beautiful little parrots are the only native parrots in the United States.

Ornithology under the brush

Oriolus oriolus

James. Hope. Stewart

Circa 1825-1835, watercolor painting

171mm×106mm

This beautiful picture depicts a beautiful bird, and its stunning feathers are also depicted very accurately for the hard-to-find male golden oriole. The painter set up a typical foothold for it - high in the canopy, and the dappled background of the sun's shadow was perfectly matched to make it appear vivid.

Ornithology under the brush

Bubo coromandus

Anonymous Lord Ashton Collection

Circa 1840, watercolor painting

560mm×433mm

This rare owl is found from Pakistan and eastern India to Thailand and even China. It prefers to live in waterfront forests, dense groves or woods along highways, where it preys on crows, waterfowl and other prey, including mammals, frogs and fish. It is often active day and night, and its call is very special, a series of whirrings that gradually accelerate but the scale decreases, like the sound of a bouncy ball.

Ornithology under the brush

Thick-billed cliff sea crow (Uria lomvia)

Cliff Crow (Uria aalge)

Archibald. Thornburn

Circa 1885-1897, watercolor painting

247mm×170mm

Thornburn's remarkable paintings of British birds are often recognized as some of the finest works of all time, successfully blending accuracy with appeal. This image shows two close relatives of seabirds wearing winter feathers, this is only a cliff crow in front, North America calls it a sea crow, and in the back it is only a thick-billed cliff crow from farther north.

Ornithology under the brush

Blue (Parus caeruleus)

Subspecies of the Canary Islands (from top to bottom) :d egener, teneriffae, palmensis, ambriosus

Henrik. Gyaldowald

Circa 1920, watercolor painting

260mm×185mm

Grünwald was always busy illustrating birds, and depicting such works required sharp eyes and attention to detail in order to clearly show the subtle differences between the birds.

Ornithology under the brush

Magpie (Pica pica)

John. Gerrard. Colemans

Circa 1896, watercolor gouache

635mm×523mm

Like many wildlife illustrations from the late 19th and early 20th centuries, the painting has been carefully observed and has a playful title, "Doubt", and the whole painting tells a story. It subtly emphasizes the magpie's agility, and in its search for food, it slightly tilts its head to listen to the bite of two hidden rats. It shows the typical style of Colemans oil paintings that are more free and more dynamic.

Ornithology under the brush

Common kingfisher (Alcedo atthis)

charles. Frederick. Tennicliff

Circa 1973, watercolor painting

228mm×305mm

Like many modern bird illustrators, Tennicleef is a keen wild bird observer. One of Britain's most popular birds is depicted, and the willow buds in the background delicately balance the bird's body proportions.

Ornithology under the brush

Red-billed blue magpie (Urocissa erythrorhyncha)

Anonymous Reeves Collection

Circa 1822-1829, watercolor painting

380mm×492mm

Its natural habitats are evergreen forests, open areas and small plantations in China and other parts of South Asia. In this picture, it shows lovely colors and elegant forms, and the long tail echoes the curves of the branches, all of which are integrated into the entire composition in the typical delicate style of Chinese art.

Ornithology under the brush

Red-bellied horned pheasant (Tragopan temminckii)

Circa 1822-1829, watercolor painting and gouache

420mm×495mm

Known as the horned pheasant, the Asian alpine pheasant is one of the most beautiful birds in the world, and ornithologists are always looking for them with crazy enthusiasm. The red-bellied horned pheasant is found in eastern Himalayas and in the winter part of central China.

Ornithology under the brush

The above is excerpted from "Ornithology under the Brush"

Ornithology under the brush