Due to the artistic accomplishment and taste reached a certain level, Recently Yi Yuejun became interested in traditional music and art.
For example, the cross-talk of folk rap originated in North China, and there is also a lot of learning in this language art.
Today, Yi Reading Jun (WeChat: yiduiread) will talk about one of the technologies that everyone knows, but not everyone understands - Guankou.
The duty of the text generation is | Sun Wentian
1. Penetrating the mouth is actually reading white
Guankou is a cross-talk term, it is a common form of expression in cross-talk, also known as "cross-talk", simply put, it is the "recitation of white" in cross-talk, generally a large monologue, the program of cross-talk occupies a relatively large proportion in traditional cross-talk, and in the programs that are still often performed today, "pass-through live" is also a category that is well received by the audience.
Take Ma Zhiming and Huang Zumin's "The Great Bodyguard" as an example:
A: Knife, gun, sword, halberd, axe, cymbal, hook, plutonium, whip, hammer, grab, boring, stick, mallet, stick, stick, kidnapper, meteor. What is hooked, pointed, ligamented, prickly, elongated, with emei needles, chained, thrown out, strangled back. I'm all the same —
B: Proficient?
A: Loose.
2. The mouth is not just a list
"Newspaper Dish Name" and "Geographical Map" are the most typical guankou paragraphs, but also belong to the non-narrative category of guankou paragraphs, this kind of cross-mouth words are often the list and laying out of the names of things, the names of hundreds of things arranged together.
Of course, that's not all there is to it. There are also many cross-talk passages with their own narrative nature, such as "Eight Fan Screens" drawing on the characteristics of other forms of music and art such as commentaries, and concisely telling the main deeds of a number of historical figures, with characters and dialogues. This is a more complex kind of colloquialism, and its literary and performance difficulty are greater than those of a simple list of categories.
△ There is generally such a prompt before starting to penetrate the mouth
The mouth can also be divided into large mouths and small mouths according to the length.
The grand slam refers to a program with a relatively long spoken word, such as "Eight Fan Screen", and generally such a program will contain many large sections of the mouth. Small mouth refers to the relatively short words of the program, such as the "Article Will", the position of the words of such programs is often not fixed, and generally there will be several small mouths in a program, each paragraph is about 100 words, short and concise.
3. The mouth is not to say that the sooner the better, the key is to be clear and coherent
As a basic skill of cross-talk, almost all cross-talk actors practice it when they start learning cross-talk. Many cross-talk actors first practiced with various tongue twisters.
The word "through" in the mouth means to be formed in one breath and run through in one breath. It requires the actor to master the skill of passing the mouth, not to break, not to make mistakes, and not to stumble.
People who have just learned to speak through the mouth will generally pursue fast, but in fact, the lines read out of the mouth should not only be fast, but more importantly, fluent, but also have a depression and setback, so that the audience can hear clearly and comfortably, and give the audience an aesthetic enjoyment in speech, semantics and actions.
Therefore, "passing through the mouth" is a kind of technical performance, not just a purely technical performance.
4. Ma Pai xiangsheng is the best at talking
Many famous cross-talk artists are good at speaking through the mouth, of which ma Pai cross-talk is the most prominent. Whether it is ma Sanli, a master of cross-talk, or Ma Zhiming, the "young horse master", their mouths are clear, their language is fluent, their emotions are full and coherent, their tone is light and appropriate, fast and not chaotic, slow and continuous, in one go, people can't get tired of listening.
A typical representative is Ma Sanli and Wang Fengshan's cross-talk "Ten O'Clock Start".
5. The mouth is often seen in daily life
Of course, as a form of expression, the mouth does not only appear in crosstalk. There are also frequent mouths in the commentaries. Liu Lanfang, a storytelling artist, once performed "Commentary on Books Through the Mouth" at the Spring Festival Gala in 1988.
To say that the commentary is through the mouth, the deepest impression on Yi Reading Jun (WeChat: yiduiread) is that Wang Yuebo talked about "Cho Xiong Xin" in the "Great Sui and Tang Dynasties" a period of 20 minutes and as long as 418 sentences of the Big Pass, interested in a pile of rice can go to listen to it.
Many people will send various blessings to relatives and friends during the festival, many of which are through the mouth, such as the 80s and 90s parents often send ↓