Wang Tong's trilogy of Taiwan's modern history: Wordless Hill, Scarecrow and Banana Paradise depicts the lives of ordinary people in Taiwan during the Japanese colonial rule, and "Wordless Hill" is the finale of the trilogy after "Scarecrow" and "Banana Paradise", and it is also the most mellow and majestic part of the trilogy. Wang Tong is like a decent painter, little by little, one stroke at a time, extremely stable and solid to hand over a perfect answer sheet. It is no exaggeration to say that it is a monument to Taiwanese cinema.
The film "The Wordless Hill" tells the delicate interaction between the ordinary people of Taiwan and the Japanese rulers in the Japanese occupation era, and the protagonist's two brothers sneaked to the Jinguashi mine to dig for gold, and the pessimistic career of many small people such as Ah Rou and many other small people they came into contact with. History always leaves people with sorrow, all the suffering and personal bitterness, those uncontrollable fates and relatives tragic life and death do not hate, just like the last story narrator's sentence: "Life is just like this!"
