Beijing Renyi New Year's First Issue Script Reading "Ten Thousand Family Lights" Looking for the Memories of Jingwei'er Li Chunguang Photo
Beijing, March 3 (China News Network) (Reporter Gao Kai) On March 2, the 2019 Beijing Renyi Public Welfare Activity Script Reading ushered in the first issue of the opening year, and director Yang Jiayin and thirteen other young actors of Beijing Renyi brought Jingwei'er's masterpiece "Ten Thousand Family Lights" to the stage of Juyin Theater.
"Ten Thousand Family Lights" is a masterpiece by Jingweier writer Li Longyun, which first appeared on the stage of human art in 2002. The work takes the life changes of people in The Southern City of Beijing in the past ten years as the main line, and takes the transformation of dangerous old houses in the Goldfish Pond area as the background, showing the living environment and living conditions of the residents of Beijing, and expressing the sweet, sour, bitter and spicy of ordinary people and their yearning for a better life.
The reason for choosing this work, director Yang Jiayin believes that young actors should gradually extend their hands to the classics and dare to touch the classics in the hearts of these audiences. "This play is a very Beijing-style work in modern drama, and our Beijing people's art is known for acting authentic Beijing-style plays, so young actors should use this play to practice it well."
Since it is a drama that reflects the life of the southern city of Beijing, it is indispensable to the authentic old Beijing dialect. Coming to listen to the taste of pure old Beijing is also the expectation of the audience reading the script.
The fourteen young actors who participated in the script reading this time are not all Beijing actors, but they are familiar with the old Beijing dialect, which is both based on the accumulation and immersion of the usual and continuous training. "We want to let everyone practice their old Beijing dialect through this play, not only non-Beijing actors, but also Beijing actors." The line director this time is Teacher Yue Xiuqing, and some of her experience allows us to better grasp the pulse of this work. ”
After two years of word-of-mouth accumulation, today's script reading has become an influential public welfare activity brand among the audience, "We have shown the audience a new form from the beginning, and now we want the audience to feel the beauty and appreciation value, which is also a goal for us to do script reading and future work." Director Yang Jiayin, who has directed the script reading aloud four times, said.
In the past two years, the script reading has been successfully held for fifteen sessions, although it is the same form of script reading, but each presentation is diverse and has its own emphasis, which makes the script reading not only good but also good. The script of this issue reads aloud, returning to the sound itself, and using a limited stage fulcrum to complete the shaping of the sound.
"We let the actors move with their hearts, reduce the technique, pursue the taste, liberate themselves to the maximum, and release their energy." In the reading of the script, director Yang Jiayin, who has tried various forms of expression, believes that all means cannot go beyond sound, so that the audience can feel the characters from the sound and feel the language charm of the drama. (End)