1, Zhang Yimou's "Three Guns Shooting Surprise"; how did the old man think of combining the blood labyrinth and the northeast two-person turn. When I finished brushing the golden armor in front, I was still saying that I wanted to laugh when I looked at it, and this one directly made me laugh. Is this really a film made by Zhang Yimou? The biggest significance of this film to me is that even Zhang Yimou can make such a bad film, what is wrong with me making some bad films.
2, Chen Kaige's "Wuji"; in fact, when I see the ending, I don't think it is a useless bad film. Movies that just put women in that position can't be liked anyway. Jiang Wen will not shoot women simply do not shoot, just afraid of Chen Kaige's shooting method: Cecilia Cheung followed four men back and forth, and the male protagonist and Lou Ye's emotional drama a minute is a minute and makes people want to vomit. The system of metaphorical contrasts in the plot is complete, and it is really a bit wonderful to the third act.
3, Feng Xiaogang's "Night Banquet"; the actor's performance is much better than the script. The fourth Feng director's work that I have seen. How to say the plot, or a little dog blood, the feeling is not very complete, the character image of the prince is not well expressed, and there is less padding in the middle. The ancient Chinese story background is matched with extremely translated lines, which is not different. It's a bad movie indeed.
4. Lu Chuan's "The King's Feast"; history is not a bitch, And Lu Chuan (and many people) treat history as a bitch. Using the court power plot to reason the history of this set of innuendo is quite unproductive, and Xiang Yu's related private goods are even more stupid. But I have to say that "many years later, Han Xin stood in front of the Changle Palace, and he would probably remember the distant afternoon when Liu Bang gave him glutinous rice chicken." "I don't know if I should laugh at me or kill me, but it's true that you shoot more funny dog blood love stories."
5, Du Qifeng's "Threesome"; this embarrassing slow motion, suffocating silence. I had never seen such a idle doctor who had nothing to do, guarding a criminal patient all day. Zhao Wei plays a brain-disabled doctor, and the brain circuit is different from ordinary people. I don't know what the film is trying to say, I just know that an indiscriminate murderer with no bottom line does not deserve human rights, and human rights are given to normal people.
6, Yuan Heping's "Qimen Dunjia"; the beginning is not bad, the plot is loose and incoherent, the logic is not clear, and there is a feeling of a bad ending. Start with too much force, and there is obviously a lack of stamina in the back. The whole process is nonsensical, the money should be spent on special effects, this special effects are really smooth. But this story is... I believe you say that Ultraman fights monsters.
7, Zhu Yanping's "The Laughter of the New Oolong Courtyard"; in fact, this movie is not good. It's a little bit better, and finally there are Easter eggs, Wu Mengda and Ye Quanzhen's part. Ye Quanzhen once played a villain in OolongYuan, but Wu Mengda confessed that the Little Red she played was both funny and pitiful. Xiaohong's ending is a tragedy and a memory of time. So this section is the highlight of the whole movie.
8, Wang Jing's "Macau Storm 3"; a movie that is messed up, has no content at all, and has no thoughts, but it is okay to watch a hilarity, after all, the all-star lineup. The six princesses golden file broadcast such a film, is also very grounded. I really didn't expect that a bunch of big stars could actually make such a bad film, it seems that the screenwriter and director are very important.
9, Liu Zhenwei's "Journey to the West 3"; what is this chaotic change, the dog mink continues to tail, and the Tang monk is the child of the six-eared macaque and Qingxia? Is the Red Child the Child of the Supreme Treasure and the Iron Fan? I drop a well-behaved, poor acting skills, so ruin the classic is really good Compared with the original, a lot of studio shooting + low special effects + rough costumes + pompous acting = disaster perception. Forcing the female perspective of the Pass completely subverts the connotation of the original work. It can not please the female audience, but also offends the majority of male audiences with the "supreme treasure" complex.
10, Wu Yusen's "Pursuit"; really boring, the highlights of the whole drama in addition to a few actresses and actresses are beautiful, wearing less, not too many wonderful places, the plot is general, can not pay tribute to the Japanese action movie "Hunt". Qi Wei's linen d is really powerful. I can't believe that this is a movie made by Wu Yusen, the editing, the plot, including the actors, are out of place with the whole movie.
The top ten directors' rollover movies are still big bad movies after revisiting!