Recently, Li Chengru's latest issue of "Drama Confucian Life" talked about the problem of military dramas, and denounced the deformed aesthetics of the current entertainment industry, most of the male stars in film and television dramas, and could not portray the roles in a complete and meticulous manner. Li Chengru talked about watching a lot of war movies since he was a child, and he had formed his current personality in his ears, and he felt very sad that young people were now indulging in games.
In recent years, military-themed dramas have been very hot, such as "Bright Sword" and "Years of Burning Passion", which are all good military-themed dramas. Li Chengru talked about the military-themed dramas he watched when he was a child, which had a deep impact on him, especially the serious shaping and simple attitude of the older generation of actors in the play, which provided a lot of strength support for his actor career.
But when it comes to the current military drama, Li Chengru deeply regrets it. No matter what kind of drama the current actor plays, people can't believe that they are people of that era. The minimum standard of performance is to make people believe, let the audience believe that the actor is the person in the play. But many young actors can't do this now, and the refusal to play ugly is the biggest obstacle.
The most important thing about military drama is truth. The faces of those who have been fighting for a long time cannot be white jade and flawless, let alone be dusty. Just like the shape of Lu Han in "Shanghai Fortress", which was once regarded as one of the top ten most thunderous movies, people can't believe that he is the one who came down from the battlefield.
Because of Lu Han's makeup problems, this science fiction drama that should have won with "traffic" was finally defeated, and the Douban score fell all the way to 3.1 points. Many netizens called Lu Han the "king of bad films", which also marked the decline of the power of small fresh meat in the box office call.
The power of makeup in a film and television drama is very strong, and the timely makeup will promote the out-of-the-loop and popularity of a film and television drama. On the contrary, the makeup that is thousands of miles away from the characters in the script will cause the audience to resent.
Li Chengru pointed out that our current actresses shoot military dramas, and if you don't let her wear makeup, you may kill her. But what she portrays is a rural girl in a bitter cauliflower, but she is born to be shaped into a thousand gold misses in your house.
In addition to the much-ridiculed costume ugly man 101, Ju Jingyi's costume makeup has also been criticized. There are more than ten sets of beaded curtains, and the makeup is no different from the makeup that usually attends the event. In particular, the slightly abrupt sunflower eyelashes, the big thick makeup flaming red lips and the makeup of the deep palace are very different, and they are incompatible with the costume drama.
Many people say that Ju Jingyi is always a semi-permanent makeup, and her makeup is not only very abrupt in costume dramas, but also in reality dramas. "Please Love Under the Full Moon", which he starred in, just began with a strong advertising style and publicity style, which formed a sharp contrast with other actors. The male protagonist's edges and angles and light and shadow are very distinct, and Ju Jingyi's makeup is like ten pounds of powder. The two actors are like they are in two worlds.
Like the actors in the film and television drama "Shangganling" that we once shot, they also put on makeup, but they are by no means forgetting to beautify, but they are real. Like "chapped lips", "dirty face" and "chapped skin" are all really expressed. "Truth" is the soul of a play, the foundation, something like faith. It is also a source of trust for the audience.
Li Chengru pointed out that in recent years, our film and television dramas do not create heroes, and they always make women cannons. This made Li Chengru deeply distressed, because the heroes he had seen in the past two years were all "man-like", not "mother-like". He pointed out that men should be a little masculine and not be immersed in the world of games all day long.
Li Chengru pointed out that he once met some "young people who love to learn" on the set, thinking that they were studying in their spare time during filming. But when he walked in, he found that these young people were playing games very hard. Li Chengru felt very angry, so when it was the actor's turn to shoot, could he still concentrate wholeheartedly?
Just like Yang Mi has been filmed playing games on the set many times, the position of his king glory seems to have been on the strongest king. Li Chengru pointed out: Actors should shape their characters in a down-to-earth manner, which is the most deserving, rather than engaging in some of them.