Flowing Water Age
Li Zhenning's first personal ep "Deep" published after graduating from the unine group is very sincere.
As an all-round idol singer, Li Zhenning is very good at using his own advantages and labeling the title of idol on his own exclusive strength label. The three songs of the new album "Deep" are all well-made and high-quality works that test singing ability and strength.
"Deep" is Li Zhenning's nickname, and at the same time has multiple meanings, it is a "deep" gratitude to fans for their support along the way, a "deep" love for music, a "deep" belief in the dream road, and a personal "deep" brand left by the audience after listening to the entire album.
The three songs incorporate a variety of styles such as future, reggae, electronic, trap, etc. on the basis of edm, and each style is used just right. "Moonlight" is suitable for driving at night to relax with the melody. "You're Bad Bad" is very interesting, don't be deceived by the title, the addition of reggae adds a mature and mysterious charm to this song, permeated with male hormones. The last song, "Turning Face", is personally favorite, the whole song is full of a strong sense of rhythm and rhythm, the trap part is very powerful, just listen to it once will be poisoned.
Li Zhenning used the first EP to prove that idols in the context of today's market by no means represent uniformity, not industrialized assembly line products, on the contrary, idols can have more personalized labels and more breakthroughs beyond expectations. Looking forward to Li Zhenning's more eye-catching performance in the future!
Love the people
Li Zhenning's "Deep" is also his solo album after unine's dissolution. It could be said that this is an album that was expected but unexpected.
Li Zhenning's advantage is the stage, dynamic but not frivolous, enthusiastic but not exaggerated.
This characteristic of Li Zhenning is manifested in music, which is precisely the accurate grasp of rhythm, especially in the way of layering, bringing about the three-dimensional level of rhythm and rhythm, so that dance music can also have many wonderful details and diverse elements.
And this time, "Deep", which includes three works, is all dance music works, and also makes Li Zhenning's characteristics full and thorough at one time. Don't take this for granted, because traditionally, even if an artist has iconic characteristics, when launching an album, it is still inevitable to take the road of moderation, such as diversifying styles, trying cross-border works, especially arranging the interpretation of ballet songs, in order to get more people's market through this balanced way.
But in fact, sometimes the more you think about everything, the more you can't do anything. And like Li Zhenning, being able to play in the field that he is best at is the best choice. Corresponding to the traditional environment around it, this is a very bold decision. Although all three songs are edm works, there are three different musical directions. Future bass's "Moonlight", Li Zhenning also reflects the delicacy and brightness of his voice, even if the bass is rich, but his combing of the melody, as well as the bright tones in the voice, but quite a sharpness to break through the night, it is also a point.
The inclusion of raggae elements in the electronic tone also makes "You Bad Bad" have a very mysterious atmosphere and rhythm. It is worth mentioning that Li Zhenning combines atmosphere, emotion and rhythm in this work, so that a beautiful song has a more dynamic impact. Trap+dubstep's "Turning Face" is psychedelic and full of tension, many details, and more rock and roll. Although it is a rhythmic work, "Turning Face" presents a musical text output with equal emotional relations, which makes people reflect and empathize. Extending such emotions in edm is also very advanced. Through the presentation of three intentions and three directions, Li Zhenning, who developed as a solo singer, established his own clear direction from the beginning, not flattering or taking a detour, and in the three directions, he refined and refined his own characteristics. It's absolutely no problem to go on like this.
Uncle John is L'Oréal
Li Zhenning, who finally debuted in a group with "Youth with You", launched his first digital ep "Deep". At the same time, this is also the first time that Li Zhenning has communicated with fans in musical language after the dissolution of the limited group unine. From the trainee stage to the team activities, all the mood gains and losses during this time are reflected in the final musical composition. Let many fans finally feel the unique personal charm that belongs to Li Zhenning. This EP is called "Deep", "Deep" is Li Zhenning's nickname, with a personal nickname as the ep name proposition, and its intention is undoubtedly to refer to the original intention. And deep means deep, deep and deep. This also clearly carries the meaning that Li Zhenning hopes to be able to take root in his beloved career.
Ep Three works, each of which has a strong stylistic character.
"Moonlight" shows a unique sense of the end times under a very strong future bass tone, supplemented by unusually urgent lyrics. "You're Bad" is one of my favorite pieces of this EP. At the moment when the retro sound prelude flashed, I thought it was a nostalgic style work. However, the latter part surprised me very much. The whole rhythm has some reggae shadow tone, but the addition of a lot of contemporary electronic effects makes this work full of freshness in the sound. In particular, the rap part of the middle Li Zhenning uses a slightly exaggerated tone to express, which adds a bit of psychedelic temperament to this work. There are not many young singers with such passion and expressiveness right now. And the tone of the nananana, which is repeated in the chorus part, is also full of magic. "Turning the Face" is a very standard trap+dubstep work. Melodic methods, including sound pressure and rhythm, have a more obvious Korean style. It is also more bold in the use of timbre, which will bring people a strong auditory impact.
If you look at the debut time alone, Li Zhenning is undoubtedly a very new force in the music industry. But from the production and performance level of this EP, this starting point is really not low.
The good driving ability of multiple different styles can just explain his talent, and the tense vocal expression expressed by Li Zhenning in the work can also be seen that as long as time passes, he may be able to bring new and more exciting vocal expressions.
Silent phone
The significance of the new ep "Deep" to Li Zhenning is like another serious self-introduction.
Of course we already know him, but we don't necessarily really know his work, or even his self. Although "Deep" has only three songs, the three levels of consciousness represented by the three songs carefully describe and clarify Li Zhenning's personality posture and musical aspirations; the solid shape formed between the three points also symbolizes his cognitive control and style creation of music. This way of listening and understanding is the most direct and efficient. After flying solo, Li Zhenning's desire to do a good job, hope to express, and brave breakthrough of the key points are delicately presented in the concise and condensed ep album. A fresh beginning, a formal self-introduction that belongs to him in stages and full of 100% freshness.
The overall musical style of "Deep" is very trendy, the rhythm of the body, the rhythm of the spirit, the exhilarating and emotional singing, the detailed extension of the integration of youthful personality and creative ideas, all let me hear a Li Zhenning above the flow indicator.
And those suddenly stunning emotional highlights, resonance ups and downs, but also show his uniqueness as a young singer, refuse popular assimilation, always have a stroke of God.
The future bass of "Moonlight" is like the background of the soul before the dawn, and Li Zhenning's voice dances passionately in the deep crystal moonlight, and the energy is highly output. The rap section suddenly appears in a dance section, does not interrupt the main rhythm line, and adds wonderful structural ups and downs; "You Are Bad" electric tone + reggae is full of lazy notes and fierce rhythmic conflicts, but the singing track that is easily covered by the arrangement is deeply presented by Li Zhenning in a witty and yuppie posture, and the sense of existence is immediately enhanced, and the brilliant arrangement is also a wonderful fit. The third new work, "Turning face", emphasizes the essence of Li Zhenning's music. The song is dominated by trap as a style, the arranger synthesizer is tightly laid, the electric sound is unique, and the listening climax has been rising straight from the beginning of the main song. But Li Zhenning's voice performance is equally outstanding, on the one hand, he controls the first direction of the arrangement with attitude and momentum, and then integrates into the rhythm with a recognizable timbre, and finally, he uses transposition and biting words to emphasize emotional emotions, so that the song is full of vocal interpretation power from beginning to end. Unlike some popular works that are held back by electronic music arrangements, Li Zhenning's songs are always full of real tension and vitality, which is a pure vitality that belongs to singers and vocal singing.
The three new songs of "Deep" and their uniqueness show the purity of Li Zhenning in a unified and complete way. A passionate, thoughtful, musical personality of Li Zhenning, a very successful self-introduction.
Glorious__
Li Zhenning, who personally liked lied in "Youth with You" last year, released his first solo ep "Deep" after the dissolution of Unine. Remember that Li Zhenning's positioning when he debuted was dance and vocal, and he could make an ep in the early stage of solo development, which was also rare in the current relatively fast music era. And the chief producer of two of the songs is Shang Wenjie, and it is good to have the escort of the predecessors.
The three songs included in "Deep" have a unified texture, taking the urban elements loved by young people today as the train of thought, trying to express multiple genres such as future bass and raggae. On the one hand, Li Zhenning has returned to the expression of his original intention, on the other hand, it is also the starting point of his new music. The beginning of "Moonlight" uses an allegro rhythm to achieve a combination of dance-pop and future bass; the second song "You're Bad" is a ridiculous expression of rhythmic blues. Personally, I prefer the third song "Turning Face". A large number of trap elements are wrapped in humanistic care for women, and it is very appropriate to express the accusations and disdain for men who play with emotions from a female perspective, and express such a strong expression with a slightly dark trap. Looking forward to Li Zhenning's future musical works, it would be best if he could sing a song with his boss Shang Wenjie.
Wang Jingfan
"Deep" is everyone's nickname for Li Zhenning, I didn't expect that he would actually make his first ep after his personal independent development, and also deliberately used the name "Deep". In a sense, "Deep" is also equivalent to Li Zhenning's ep of the same name! From this "Deep", we can happily hear that compared with the current shallow era, Li Zhenning wants to dig into some "deep" things in his music.
After all, the trend of popularity will always pass, and the traffic and popularity are only temporary. And those that never change are buried "deeply" deep inside us. Because of this, Li Zhenning made his "Deep" that he started again on the road of music into an ep that "returned to the original heart". At Li Zhenning's age, it seems that few young artists would be willing to go back and make such a sincere self-examination in their own musical works. The "deep" of "Deep" is also deep here.
From Ji Jiasong's "moonlight" written to Li Zhenning, to the song title itself is already very gripping "You Are Bad", under the guidance of Shang Wenjie, the chief producer and producer of "Deep", every song that excavates the true voice of Li Zhenning's inner "deep" from different aspects also allows him to show the ever-changing plasticity of the future in music. What I would like to recommend is Li Zhenning's "Turning Face", which is a good song in the style of trap+dupstep, and what is more rare is that it is a demonstration of "he for she". When a male singer dares to speak out for girls who have been dishonest in their feelings from a feminist point of view, the deep meaning behind the work is broader.
Zhao Nanfang
Seeing "Deep", I thought that Li Zhenning's personal work would take the "affectionate" route, and I knew that it was a completely different style of painting when I heard the song. Of course, this is not surprising, after all, he already has the attribute of singing and dancing, so it is completely natural to inject a strong "dancing" temperament into the song. For newcomers, such a reinforcement of personal traits is not only feasible, but also very necessary. In essence, this is the power of personal recognition.
Judging from the three songs "Moonlight", "You're Bad" and "TurnIng Face" included in "Deep", Li Zhenning does show a strong personal style. The three songs are very cleverly stacked with the framework of edm, and they use the most susceptible electronic tones to reflect the diversity of possibilities about Li Zhenning: "Future bass" in "Moonlight", reggae in "You Are Bad", and trap in "Turning Face", the most intuitive is the difference in style, and the inside is to highlight his control of different rhythms. That is to say, based on the "sing and jump" mode, Li Zhenning conveyed different vocal patterns, different groove, and different scene-based interpretations in the three songs.
Therefore, the simple "dance music" can not exhaustively express his investment in "Deep", what we need to know is that he strives to establish a comprehensive singer image through different forms of music. Admittedly, there will be a response to the pattern, but my personal concern is that he can easily switch states, enter into multiple styles, and achieve a high degree of integration, and my so-called "fusion" focus is the integration of singer and music. That is to say, he did not blindly dabble in different styles in order to deliberately highlight diversity, and the songs were selected in a style that he was able to control enough. This clearly shows his accuracy of self-positioning.
From this, I want to express that "Deep" actually has a clear concept, and the three songs bring together a complete image of Li Zhenning's singer, and his singing and dancing spirit is free from rigidity and rigidity, and achieves a colorful effect. This is just the beginning, and his personal path as a singer has just begun. Through Deep, unlock several "unknown" options for himself, which he can cash out one by one in the future.
Naran dreams
If unine failed to give a good answer, then Li Zhenning, who started as a new person after the team disbanded, continued to choose to use music to pursue the answer he expected.
Choosing to use the nickname of "Deep" as the name of the first ep after the solo flight also has the meaning of declaring to fans that "I am what I am, I am back".
When participating in "Youth with You", Li Zhenning's solid business ability and changeable stage charm are widely optimistic.
The three new songs in this new EP are also written from three different styles of writing and restoring three different Li Zhenning: "Moonlight" is the most typical and popular future bass style, the bass is strong and elastic, the melody is cheerful and brainwashed, the cute and cool can be exploded, and the sensory image shaping is outlined as an uninhibited and energetic soul; "You Are Bad" can be called the song with the greatest image contrast in the EP, reggae and electronic collision together, plus Li Zhenning's slightly playful tone, Like the frolicking with a lover in love, and like the play between friends to play with each other, the taste of "playing" music is the most obvious; "Turning Face" is more like an "attitude" work.
Three songs, three different styles, show the young singer's ambition and hidden potential.
Personally, I think he should be the one who went the farthest on the musical road in the group that should have been better.
Three stones and one sound
Li Zhenning from the unine team to his own now "single fight" launched "Deep" ep, Ben will also worry about a person whether he is still used to this rapidly changing music circle, at least, at present, from the "Deep" three songs, he has sufficient confidence and preparation to continue to rush forward, the song shows vitality, courage, creativity are clear and recognizable.
In the "moonlight", "You Bad Bad" and "Turn Face" three songs, I am particularly impressed by "You Bad Bad", the song itself selected in raggae + electronic style, has seen the production team and Li Zhenning in the idea of musical innovation, the two styles have made an interesting fusion, enough to make people applaud for such creativity, but the song is not only in the musical elements of professionalism and seriousness, playfulness is also very much seen Li Zhenning's mind, especially a chorus" You are a bad bad" aura suddenly appeared, the degree of brainwashing and the fun index are both pulled up, high density of the rhythm, Li Zhenning made such an interesting interpretation attempt, not only has a high ability to sing and jump, but also shows Li Zhenning's ability to control the stage with ease in the rhythm - I mean, I really hope that this song has a good stage to watch!
Therefore, the three songs in Li Zhenning's "Deep" have shown such different possibilities, what kind of surprises will there be in the future, let time speak.
Le Min
From trainee to unine team member to solo singer, Li Zhenning completed an idol's headwind reversal in less than two years.
There have been some setbacks and criticisms along the way, but he rarely explains and clarifies in public, and he always tries his best to do his best, so that he and his fans feel more secure. His courtesy and humility, the small details he carefully designed for each stage, are the reasons why fans are moved to follow. On October 6, he just waved goodbye to Unine, and less than a month later, Li Zhenning released his first solo ep "Deep" on November 5, "Deep" is the nickname given to him by fans Eucalyptus, taking this name as the starting point for a new start, the agreement between him and Eucalyptus to protect each other, and also represents his original intention for stage and music.
The "Deep" ep contains a total of three songs, all of which are personally produced by the owner Shang Wenjie. The three songs, three different styles, also show three aspects of his personality. Future bass style of "moonlight" as a whole is the allegro dance rhythm, chorus and hear his free true and false voice conversion, this song is hidden, is to use gentleness against malice, silently working hard in the dark; a fusion of reggae, electronic, Latin and R&b's "You Are Bad", is the most brisk paragraph in the EP, in this song, you can see his well-behaved, cute, evil and seductive expressions, the magic "you are bad" After listening to it, I was circling infinitely in my head. The ending of "Turning Face" is the personal favorite of this EP, with the trickiness of the trap combined with the strong rhythm of the sub step, constructing a strong stage aura, perfectly presenting the bloody and domineering side of Li Zhenning's temperament. Moreover, the theme of this song is a female theme work from a male perspective. Li Zhenning shouted at the scumbags who played with the feelings of girls in this song, which sounded domineering and fierce, but in fact revealed a full desire to protect the girls, which was really very attractive.
With the appearance and endowment of idols, vocal and dancing abilities are getting stronger and stronger, coupled with his personal charm of being salty and sweet and not losing blood, I believe that Li Zhenning's future star path will become wider and wider.