Liu Xiaoting was unanimously called "second brother" by everyone in the Deyun Society, but this second brother was actually humble and pitiful. He was Yue Yunpeng's apprentice, and in his own words, "The problem of generational division is my hard wound, the smallest person in the whole German Cloud Society, the bottom of the food chain." Every day I say that I don't accept apprentices in the future, and when I accept apprentices, I push the door in the background and call grandpa. Later, when the cloud crane nine clouds soared all over the world, when receiving the haizi family, the teenage child entered the door, came, Shinobi, called uncle. ”
Haha, although it is a little unkind, but it is really funny.
Today, let's take a look at the generations of the cross-talk community, why liu Xiaoting should manage Xie Jin, who is not much older than himself, to call Lao Zu.
【History of Crosstalk】
Although cross-talk is called a traditional art, in fact, its real formation is not too long. The real appearance of cross-talk should be the end of the Qing Dynasty, developed from an art form called "Quantang Octagonal Drum".
The earliest recorded cross-talk artist is called Zhu Shaowen, who is regarded as the founding ancestor of cross-talk, and the current cross-talk actors are basically zhu Shaowen's descendants.
Zhu Shaowen had four apprentices, named Poor Youben, Rich Root, Xu Youlu, and Fan Youyuan, and it can be seen from the names of these four people that they are all of the "you" generation. After that, the apprentices they received would also type, and the typeface of the cross-talk circle was "Youde Shoubao Civilization".
After the founding of the People's Republic of China, the cross-talk community began to abandon bad habits, and some things that looked worse in the tradition were abandoned, such as the simplification of the worship ceremony, the practitioners did not use stage names, and so on.
Most of the artists who are active on the cross-talk stage now are Mingzi generations, but they basically do not use typography, such as Guo Degang, Yu Qian, Feng Gong, Jiang Kun and so on.
When it comes to their apprentices, there is no typography, that is, Guo Degang likes to make retros, and he has lined up a bunch of words for his apprentices.
【Generations of cross-talk actors】
"There is a Deok Shou Bao civilization", the cross-talk artist of the Dezi generation has a famous artist named Ma Delu, and his son Mr. Ma Sanli is an artist of the Shou Zi generation. In addition to Ma Sanli, the Shouzi generation also includes Zhang Shouchen, Gao Fengshan, Guo Rongqi and so on.
When it comes to the Baozi generation, the golden age of cross-talk has arrived, and the most famous Mr. Hou Baolin is the Baozi generation. Liu Baorui, Chang Baokun, Zhao Peiru, etc. are all artists of the Baozi generation. Ma Sanli's son, Ma Zhiming, is also a Baozi artist.
After the Baozi generation is the text generation, the literati generation artists are Guo Degang's master Hou Yaowen's generation, and the artists of this generation include Ma Ji, Gao Yingpei, Li Boxiang and so on.
The next generation of Mingzi generation will reach Guo Degang's generation, and Jiang Kun, Feng Gong and others are all Mingzi generation. The reason why Guo Degang's worship of Hou Yaowen caused so much controversy at that time was that the mainstream cross-talk circle could not tolerate Guo Degang, and the other was that Hou Yaowen's generation ratio was larger, and Guo Degang worshiped him as a teacher and many of the "old artists" who had been famous for a long time at that time.
【Shekin's Generations】
Xie Jin's father was named Xie Tianshun, and he was a cross-talk artist of the Baozi generation.
Because of his father's high generation, Xie Jinbaishi once encountered many difficulties. It is said that Xie Tianshun planned to let Xie Jin worship Guo Degang as a teacher, but Guo Degang really did not dare, he and Xie Tianshun's generation were two generations apart, where could he accept the son of others as an apprentice. Later, everyone knew that Xie Jin and Guo Degang worshipped the handle, and the two became brothers in the audience.
It was not until December 2009 that Xie Jin was taught by Li Wenshan, a cross-talk artist who was also in the Deyun Society, to worship the late cross-talk master Wang Shichen.
Xie Jin, born in 1982, and Li Wenshan, born in 1938, became brothers in the same disciple, while their master, Mr. Wang Shichen, was born in 1922 and died long ago in 2001.
It was really difficult for Xie Jin, a person of a small age, to worship a teacher, that is, at that time, Li Wenshan was still alive, and he could help him to pull his master and disciple, so that he could have a master. And it is also a difficult thing for him to accept apprentices in the future, the generations are so big, once he accepts apprentices, it is equivalent to pressing the generations of other cross-talk actors, and Ma Zhiming has confiscated apprentices all his life because of this.
It is estimated that Xie Jin's son will be another big problem in worshiping the teacher in the future, he himself is a writer, his son also has to worship an old gentleman of the writing generation as a teacher, and there are not many old gentlemen of the writing generation who are still alive, and there are even fewer who are willing to accept his son.
【The Generational Relationship between Liu Xiaoting and Xie Jin】
Liu Xiaoting was Yue Yunpeng's apprentice and Guo Degang's apprentice, Guo Degang was the Ming zi generation, and Liu Xiaoting was the apprentice grandson of the Ming zi generation.
And Xie Jin is a literal generation, in the cross-talk circle Guo Degang must be called Uncle Shi, Liu Xiaoting according to the generation of the cross-talk world to call Xie Jin called Grandpa, if you really wait until Liu Xiaoting's apprentice appears, Xie Jin will not have to be called the ancestor.
According to the official website of Deyun Society, Liu Xiaoting was born in 1991, and the age difference between Xie Jin and Xie Jin is less than ten years. Usually, Xie Jin and Deyun She's gang under the stage play very well, but as soon as they arrive on the stage, everyone is dumbfounded, Xie Jin's generation is too big, and no one dares to provoke him.
Xiangsheng disciples generally receive disciples relatively early, and many disciples are not a few years younger than the master. When the youngest child in the master's family was born, the apprentice's children were almost also born, and even many of the apprentice's children were older than the master's children. Over the generations, some children of the cross-talk family are extremely young and cannot play with their peers.
For example, Xie Jin and Liu Xiaoting, there are four generations of differences between the two of them, and their sons are almost the same age, and the future generations are even more difficult to distinguish. #相声 #