Strange things in the entertainment industry are there every year, and as a melon-eating masses, it is reasonable to say that they should be accustomed to the scale of strange things in the entertainment industry.
But the entertainment industry can always blow up some melons at some strange angles, so that the melon-eating masses will not tire of eating melons.
And the 47-year-old Zhong Hanliang, who will star in an idol drama with Yuan Bingyan in 92 years, has also become a matter of concern for many people.
And it is also a costume idol drama, adapted from the novel "The King's Woman Who Dares to Move".
Although the title of the play was changed to "Allure and Happiness", you can still feel a strong Mary Sue smell coming at you.
Everyone's attention obviously fell on 47-year-old Zhong Hanliang and 29-year-old Yuan Bingyan.
The age difference between the two is too large, so that they are complained that it is a "father-daughter match".
However, after accepting Chen Jianbin and Li Yitong's "Love Me Don't Think Too Much" with a difference of 20 years and the right setting, the father-daughter matching of Zhong Hanliang and Yuan Bingyan does not seem to be so difficult to accept.
Of course, some people also complained that Zhong Hanliang, as an actor, has no enterprising heart, has entered middle age, and is still starring in idol dramas that rely on selling appearance.
Many people can't understand why Zhong Hanliang is so old that he can still have the capital to look at him and let him star in idol dramas.
Pick a few small fresh meats at random, or the brothers who come out of the talent show, to star is not fragrant?
But in fact, on the degree of shrewdness, on the sensitivity to the market, as the audience, we really do not have the capital to be shrewd and sensitive.
Because the data performance is in their hands, they know best who to ask to act, and there is a market.
And Zhong Hanliang, the appearance of acting skills coexists, compared to many "mother cannon" small fresh meat without acting skills, the reputation is very good.
And Zhong Hanliang also has his own representative works, from "A Touch", "October Siege", "Jinxin Like Jade" and so on are all film and television works with good reputation.
In particular, although Zhong Hanliang has been debuting for many years, he has been well maintained, and many people think that he is only in his thirties.
In fact, this is also the dilemma of some middle-aged male stars in the entertainment industry.
Chen Kun spoke out at the North Film Festival: Please give our older actors some new opportunities to create... Please give us more good roles and give us actors to act!
And Huang Xiaoming is also the interview center acid revealed: in the past, others begged themselves to shoot movies, and now they are begging others to find him to shoot movies, but everyone is a courtesy of the virtual and the snake.
This all explains the plight of unambitious middle-aged male stars in the entertainment industry.
Because the entertainment industry is a very inward and oligarchic circle, actors like Wu Jing, Shen Teng, and Huang Bo are also middle-aged male stars, but they do not lack resources at all.
Even Wu Jing's schedule is still 10 years later, is this Wu Jing's dilemma?
No.
Because the entertainment industry is essentially a game where the stronger the stronger, the Matthew effect is vividly reflected in this circle.
As long as a drama is well filmed and popular, and the reputation is good, then the resources behind it are naturally continuous.
Why are so few people able to do this oligarchy with small fresh meat?
It is because their reputation is controversial that it is difficult to form a phenomenon of national explosion.
Therefore, if a middle-aged male star makes a mistake, then the natural situation he faces is stagnant, and even caught up with or even replaced by small fresh meat behind the entertainment circle.
For example, the current Wu Lei and Yi Qianxi, there is such a situation, as long as the reputation of the two does not collapse, in the entertainment industry will naturally slowly grow into their own career fortress.
Therefore, at this time, if you look at Zhong Hanliang again, you can understand why he is 47 years old and still has to star in idol dramas.
This is a typical situation in which there is more than enough than the top.
Although Zhong Hanliang has a certain audience base and word-of-mouth foundation, he lacks the kind of popularity of the whole people, and naturally lacks large capital to invest in him, and there is no big production resources.
As Zhong Hanliang said: as long as he starred in the label of "idol drama", do not blame himself for not having that strength, but ridicule people with strength, is this the current "trend"?
As for the so-called father-daughter match, for the audience, it will indeed have a sense of violation.
After all, father-daughter love is a father-daughter relationship, and under the normal concept of ethics and morality, many viewers cannot accept it.
This is indeed where Zhong Hanliang needs to think as an actor, because the exposure of the profession of actor star is huge, so it also requires actors to have a certain consciousness and assume their sense of social responsibility.
Like why Wu Jing was able to have so many resources to find him after he became popular.
It is because his three views are positive, and there is no black history, that he is the object of long-term cooperation.
Although it is always said that capital makes black money and supports the flow of small fresh meat, capital also knows that it is difficult for these objects to make money for a long time, so there is a steady stream of talent shows.
But if there is really a high-quality and long-term cooperation object, how can capital give up?
In the end, the star fights to the end, or looks at the character.