Family, I went to see the "First Burning Incense" that was scolded in heaven with the mentality of joining in the fun.
Thinking of adapting from Zhang Ailing's original work and directed by Xu Anhua, it should not be worse, but it turns out that I am naïve, and I just want to send a sentence when I walk out of the theater:
"XXX, refund the money!"
The film tells the story of Ge Weilong, a female student played by Ma Sichun, who was used by her aunt to become a social tool person.
In the process, he is seduced by the playboy Georgie Qiao played by Peng Yuyan, and does not hesitate to sell his soul to marry Georgie Joe and gradually go down.
Not to mention the overall tone and details of the movie, the heroine Ma Sichun alone makes me feel like a needle when watching the movie.
01
To say that this Ma Sichun played Ge Weilong, it is really not appropriate anywhere.
First of all, in terms of looks, Zhang Ailing's Ge Weilong looks like this:
"Plain and beautiful little bulging face, now, this kind of puff face is outdated."
Her eyes were long and flattering, and the deep marks on her eyelids swept straight into her sideburns. Slender nose, fat round mouth"
"Facial expression is slightly lacking, but because of this sluggishness, it shows the thick ancient Chinese mood even more."
Obviously, Ma Sichun, who was born with a pair of large round eyes and full of blunt feelings, except for thick and sluggish, perfectly avoided all the above characteristics.
Not only that, it is clearly written in the original book, although it is described as "Shanghai tamales", But Ge Weilong is definitely not a fleshy beauty:
On the first visit to the aunt, wearing the petite aunt's clothes, "it felt too big".
But this healthy and strong Ma Sichun, it is really difficult not to wonder: are you sure you can wear your aunt's clothes (no
Leaving aside the looks and figures,
Turning from an ignorant schoolgirl into a socialite wandering vanity fair, Ge Weilong is shrewd and scheming.
This is also very different from the temperament of Ma Sichun, who is a humble Fuzi.
Of course, the actor's job is to be able to present a role that is different from his own temperament through performance.
And for audiences who have not seen the original, the actor's performance is the only way they know the role.
But what exactly is Ma Sichun acting?!?
For example, at the beginning, Ge Weilong was led into the living room by her aunt for the first time, as a female student who had never seen much of the world, in the face of the tension caused by glitz,
Ma Sichun handled it too bluntly, as if he did not see the surge of mood.
However, in the film, Ma Sichun's heart "surges" up and is too deliberate.
It's like being hooked up by the male protagonist, Georgie Joe, shyly bowing her head, and twisting.
After the determination to fall, the confused eyes, the slightly disdainful SpongeBob smile, and the swaying head.
Hello, is there something wrong with Ning Neck?
Confronting Georgie Joe, crying and laughing looks maddening...
...
In short, all kinds of no-eye...
She did not eat the role thoroughly, just like the "First Incense" she once published after reading the feeling,
The interpretation of the whole story is superficially stuck in the small love between men and women, which is contrary to the general pattern of the original work's desire to allude to the tragedy of the entire era through love.
Zhen zhen just became the "romantic fool".
To put it simply, Ma Sichun came with her "youth pain literature" again.
02
Ma Sichun's obsession with "youth pain literature" comes largely from her own growth experience.
Born in 1988 in a family with superior conditions, his father is a policeman, his mother is a star agent, and his aunt Jiang Wenli and his little uncle Gu Changwei are all famous big men in the Beijing circle.
She is the love of the whole family, has been protected in the ivory tower, even the university, the major is chosen by her mother.
There is no rebellion, no ups and downs, and the whole adolescence of the well-behaved woman Ma Sichun can be said to be missing.
"I would love to be in the play, so unbridled, so enthusiastic, to make up for my youth"
In 2014, Ma Sichun won the role of Li Bara in "Left Ear".
She lost 15 pounds in 20 days, learned to smoke and drink, went to nightclubs, and reinvented herself to be a "bad girl".
Personality is flamboyant▼
Scum Sea King▼
Died of love
Dog blood but sincere, Ma Sichun was shortlisted for the Golden Horse Best Supporting Actress nomination and began to be well known to the public.
Then later starred in July and Ansheng in "July and Ansheng", an obsessive woman who can blacken her love and tear her eyes against her girlfriend.
The bathroom scene improvised, "Jiaming likes this, he likes this kind of soil." ", memorable.
Ma Sichun won the 2016 Golden Horse Award for Film Queen with July.
Having tasted the sweetness brought by the "youth pain literature", Ma Sichun seems to be "addicted" to this.
Because the role is seriously homogenized, it is impossible to polish the role more vividly without losing its own perception of the role.
So what is presented to the audience is:
Cookie-cutter script▼
"Around Winter"
Cookie-cutter acting skills▼
"Buckwheat Crazy Grows"
Life is like a play, and a play is like life.
In the emotional life, Ma Sichun is also a heroine of "youth pain literature".
He once became acquainted with Ou Haoyin and showed his love in a high profile.
After the breakup, in March this year, he fell in love with the scumbag Zhang Zhexuan, even if the outside world shouted: "Sister Ma run"!
She still said: "Women are a very magical species and she can change men".
After winning the Golden Horse Award, we don't seem to see her more brilliant performance.
The good girl in the ivory tower is gone.
03
Trapped by "youth pain literature", in addition to Ma Sichun, it seems that there is also the entire domestic film and television circle.
Every year, such film and television works are steadily exported.
Like the "Little Times" series of "Rotten and Smelly", the "To Youth" series of "Neurotics"...
All of them are licking dogs, some cheating, some full of hysterical love and can't help it.
Abortion doctors have even become the busiest people in the "youth pain literature". (To a certain extent, this also sounded the alarm bell for students' sex education!) ）
"You at the Same Table" beat the tire
"Hurry That Year" beat the tire
"To Youth" beats the fetus
There are also some life and death farewells that are inexplicably arranged in order to amplify the pain.
Earned enough tears for some boys and girls, and also filled the wallet of the film.
In addition to these elderly "youth pain literature" movies, there are now some "youth films dedicated to Generation Z".
For example, in "Midsummer Future" released this year, the male and female protagonists are not good at college entrance examinations, and every day the whole "I love you, you love her, she loves him" drama.
I???
Although it is not denied that there are some high-level obscure intentions in the film, it is essentially the "youth pain literature" that cannot be loved.
Routine low-cost creation + popular traffic starring, you can get high-yield box office, why not enjoy it?
But most people's youth does not have these disease-free moaning dog blood, only endless homework and simulation problems!
Detached from the theme of reality, it can only bring temporary entertainment and short-term imaginary resonance to the audience.
How far can "Youth Pain Literature" film and television go?
The problem of the proliferation of "youth pain literature" has long existed, but this time through "The First Incense" and Ma Sichun, it has set off a national complaint.
Perhaps the film and television circle should be realistic and innovative to create, and strictly control the quality of the work.
Finally, back to Ma Sichun, in such a market environment, I believe that her choice is not much.
Ma Sichun is not without a good role.
Like the doctor Mi Yu in "You Are My Fortress".
Hu Rong, a hot-blooded and righteous female criminal police officer in "The Orange and Red Age".
Fukuko, the heart-warming agent in "Come On, You're the Best".
I sincerely hope that she can grow in "pain" regardless of love and career, and I also look forward to her bringing us more vivid roles.
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