In recent years, the retro tide is extremely popular, whether it is with the mentality of worship or tribute, from costume design, drama remakes, movie retrospection, you can always see the shadow of "archaeology".
Who's not a tide catcher yet?
China's film producers have long pondered this phenomenon, so they remade the best of Korean dramas - "Blue Life and Death Love".
At the same time, this movie is also known as the best movie to see on Valentine's Day. The classic plot, the double rise of love and family affection, coupled with the pursuit of the ultimate love story theme, untainted pure love, is "Blue Life and Death Love" wants to spread out to the audience, and the new actor interpretation, but also gives "Blue Life and Death Love" new vitality, increased the expectation value, can be described as the first choice for Valentine's Day.
Therefore, today, together with you, from the perspective of the film version of "Blue Life and Death Love", I will reminisce about this "ancient" TV series.
Speaking of Korean dramas, many people will immediately think of the plot of terminal illness, car accident, and holding the wrong child, and then the head is crooked, the facial features are tight, and ask: Where did these broken plots come from?
People who know a little about Korean dramas, it is not difficult to think that these elements come from "Blue Life and Death Love". In 2000, in the environment of Riliu seizing the entertainment market, "Blue Life and Death Love" turned out to be a big fire, and the fire of this drama also drove the entire K-pop entertainment industry, achieving a phenomenon-level scene of thousands of empty alleys in that year.
Why is the plot of these dog bloods, placed in "Blue Love of Life and Death", naturally completed and has nowhere to criticize?
On the one hand, these plot skeletons that were inherited by Korean dramas were all pioneered in that year. On the other hand, the god screenwriter, the god plot, and the god acting skills have long made you not see the mountain in the mountains and immersed in the overall atmosphere. In short, everyone is willing to be tricked.
After watching some of the information of the film version of "Blue Life and Death Love", the plot is no different from the drama version, the focus of the film is to have a sense of the aftertaste, and strive to grasp the delicate essence of the ups and downs of the drama version, and want the audience to forget the big dramatic framework in the details of slowly laying out, and in the story, everything is reasonable.
Looking at the cast of the film version, there are two thoughts in my mind: curiosity, want to see.
Cho Lu si as Eun Hee. Zhao Lusi's appearance belongs to the kind that the more you look at it, the more flavorful it is, the overall temperament is naturally pollution-free, fresh and lovely, how to reiki how to come.
Meng Meiqi as Xin'ai, the creation of the 101 draft competition everyone has seen it, the business ability of the big brother of the mountain branch is naturally not a problem, and The temperament of Meiqi is also very close to Xin'ai. The focus is on idol acting movies, such a crossover, don't want to watch? Not curious? impossible.
Jiao Rui as Junxi. Jiao Rui became popular overseas with the cos animation "Your Name", known as the "Salt Man", a very refreshing and Japanese hanging, and the image of the painter of Junxi Literature and Art seems to be very similar.
Xu Kai plays Han Tai, Han Tai's image in the film is confident, neat, full of personality, Xu Kai's facial features are three-dimensional, the eyebrows give people a very cold feeling, and the temperament of the little evil charm is the same as that of han Tai, the son of the rich family.
As we all know, the story of "Blue Life and Death Love" began with the child holding the wrong one, when the naughty Joon-hee and his parents went to the hospital to see their sister, they threw eun Hee and Shin-mi's name tag on the ground, and the nurse randomly reset the name tag, resulting in the two children being mistakenly hugged, and the dramatic beginning set the tone of the whole story of "abuse".
Eun Hee suffered a car accident, the curtain of his life was slowly unveiled, and all the contradictions were stimulated at this moment. Eun Hee's parents feel guilty about their biological children, her brother Joon Hee's protection of Eun Hee, Shin Hee's eagerness to leave the dilapidated health care family, and the kind Eun Hee doesn't want her biological mother to become nothing.
Eun Hee, 14 years old, is very sensible.
Faced with his brother and adoptive mother Jinghe, who wanted to keep Eun Hee by his side many times, Eun Hee finally decided to give up following his wealthy parents abroad and returned to his original family where his father died early, his brother was idle, and his mother was thick and thin.
Because she knew that if she left too, her mother would really have nothing.
8 years later, the male protagonist Joon-hee and the female protagonist Eun-hee met at the seaside.
After a long absence and reunion, the two find that their feelings for each other are no longer the brother-sister affection of childhood, but from each other's hopeless concern to a strong love.
And the shackles of fate have once again come.
If eun Hee and Joon Hee were separated before because blood is thicker than water, then this time, the love of the two people is not allowed, mixed with complex social relations.
Parents object:
The identity of brothers and sisters for many years has made Joon-hee and Eun-hee very confused, and considering their parents, they also try hard to be brothers and sisters.
But "love" cannot be hidden, and this love is finally exposed to parents.
After Joon-hee's father knew about it, he did not hesitate to threaten to break off the parent-child relationship, and the will of the elders was pressed on Joon-hee and Eun-hee, which also became the first barrier between the two people's feelings.
Joon-hee's fiancée Yoon-mi's emotional hijacking:
In 8 years, Joon-hee returned to China after completing his studies, became a well-known painter, and was also engaged to Young Mei, who had been in contact for many years.
Faced with the barrier of his parents and the bondage of his fiancée, Joon-hee loses everything and elopes to the ranch with Eun-hee, where he spends a short time in the world of two.
However, no matter how beautiful it is, how bad it will fall.
After his fiancée Yoo-mi learns about it, she can't stand the blow and attempts suicide, and also deceives Joon-hee that her hands are crippled and incapacitated.
Feeling guilty and responsible, Joon-hee decides to return to Yoo-mi.
I remember that there is a very classic scene in the drama version, Eun Hee, who is seriously ill, loses his attitude for a while in the bitterness, and asks Joon Hee: "Can you stay with me for six months?" "
Joon-hee, unaware of Eun-hee's serious illness, replies with tears: "Yoo-mi may commit suicide, can you do this?" "
After calming down, Eun Hee and Joon Hee both understand that they can't bear the guilt in their hearts and the persecution of conscience, "their own suffering" is better than "others' suffering", and they choose to compromise.
Hankook's intervention:
The bohemian Han Tae falls in love with Eun Hee, and after learning of Eun Hee's tragic life, he is determined to protect Eun Hee for the rest of his life and ignores the unrequited love of Shin Mi.
Eun-hee agrees that Yoo-mi will leave Joon-hee and accept Han-tae's feelings.
For eun Hee, Han Tae decides to "reinvent himself" and be a down-to-earth person.
Knowing that Eun-hee's true love is Joon-hee, Even though eun-hee is used, rejected, and deceived, Han-tae still loves Eun-hee.
Later, Eun Hee becomes terminally ill, and Han Tae is desperate to help Eun Hee cure his illness.
In order to keep Eun Hee going, Han Tae even said, "I want you to elope with Joon Hee." "
HanKook's love is deep, even humble to the dust. Perhaps this is also the core of "Blue Life and Death Love" - the ultimate love.
In the final moments, Han Tae transcends his own desires, reveals the essence of true love, and silently withdraws to bless Joon-hee and Eun-hee.
The whole story, all the dramatic conflict, stems from class inequality, fate by man, and the kidnapping of social relations. In all these collisions, Eun Hee becomes the White Moonlight, a being that is the complete opposite of the roughness of reality, and it is doomed that she does not belong here.
Under the oppression of many parties, the exhausted Eun Hee fell seriously ill and died, which seemed tragic but was actually the best ending, sublimating the whole story.
Angels do not belong to the human world, and Eun Hee's departure will take away all thoughts, feelings, and lusts, and return the world to absolute peace.
And do not judge whether the film version of "Blue Life and Death Love" can match the original version, the classic can not be surpassed, this is beyond doubt. But as Wang Xizhi said: "Although the world is different, so it is happy, and it is also the same." "It should also be interesting to watch your favorite idol play an unforgettable character."
Classic IP, memory killing, open Korean drama, phenomenon-level plot, coupled with Meng Meiqi, who was born in 101, and Fucha Fu Heng Xukai, think about it.
In addition, "Blue Life and Death Love" will become Meng Meiqi's screen debut, and the entire film production is an impossible combination, which stimulates the audience's curiosity and voyeurism.