Cross-talk is a traditional art, and since it is a tradition, it is inheritance. The Third Intangible Cultural Heritage Cross-Talk Conference has completed all four days of performances, and it should be said that it has achieved a complete success from the perspective of the program scene. Moreover, on the closing night, Miao Fu, Wang Sheng, Jiang Kun and Dai Zhicheng appeared in the finale, which showed that the organizers were also well-intentioned. At the same time, Jiang Kun and Dai Zhicheng also put on long-lost coats, adding a bit of attention to the cross-talk conference.
This session of the Cross-Talk Intangible Cultural Heritage Conference, it can be said that the mainstream cross-talk industry can come to the people. Among them, there are many older generation cross-talk artists such as Jiang Kun, Feng Gong, Li Jindou and Dai Zhicheng, as well as a new generation of cross-talk practitioners such as Miao Fu, Wang Sheng, Li Ding, and Jin Fei Chen Xi. From the perspective of age structure alone, these people can be said to cover audiences of all ages. This can also be seen from the audience at the scene. Four days of performance time, it can be said that every day is full. After all, many of the cross-talk actors who participated in the performance were actors who participated in many CCTV Spring Festival Galas. To be able to see these "star celebrities" at the doorstep of their homes, the audience is naturally happy.
On the last day of the performance, the program team still adopted a combination of old and young performance methods, young actors in Miao Fu carried the banner, he and Wang Sheng performed "Learning Qin Cavity", as a representative of Shaanxi Cross-talk, Miao Fu's program is very grounded. At the same time, learning to sing Qin Lu can also cover up the shortcomings in Miao Fu's own cross-talk very well.
Another group of young cross-talk actors, Jin Fei, Chen Xi and Bai Kainan, said that the cross-talk was "New Pickpocket Coat". Unlike previous shows, this time the "horse coat" was replaced by a modern version of the suit. Otherwise, it wouldn't be "New Pickpockets". The three people use the baggage and rhythm of "Pickpocket" to integrate into the elements of the new era, which can be regarded as a number of innovations and reforms of crosstalk. After watching the whole program, the audience was still relatively satisfied.
If the biggest highlight is the show "Happy in It", it should be the show "Happy in It" performed by Jiang Kun and Dai Zhicheng. Jiang Kun, the cross-talk inheritor of the new era, wore a horse coat this time and changed the style of the previous suit. After all, since it is said to be an intangible cultural heritage, wearing a coat is the inheritance and development of tradition. As for the performance effect of the cross-talk program "Happy in It", in the words of the official micro, it is "the endless applause and cheers of the audience", and it seems that the audience is still very recognized for their performance.
So, is the attitude of netizens at such a cross-talk conference supportive?
Not quite, especially some netizens pointed out that such a very distinctive cross-talk conference why can't it be live or recorded? After all, crosstalk belongs to the whole society, not the only audience on the scene. Since it is known as a non-hereditary inheritor, the good or bad of the inheritance should be judged by the vast audience. Looking at the performance of the entire cross-talk conference, in addition to the audience at the scene, the rest of the people know very little, which also violates the original intention of cross-talk as an intangible traditional art?