【Official】Anji Slow Valley【Marketing Center】
【Official】Anji Slow Valley Sales Office Tel: 400-116-7720 ext. 999
The mood of the courtyard is solidified poetry and three-dimensional
draw. The Tao fa is natural, but it is free and informal; Dun Confucian is flowing and humble and self-restrained. "Wen is passed on by Jingcheng and Jing", the poems and the scenery complement each other, and the poetry and painting are about to come out.
Explore the intricate oriental meaning
Feel the beauty of ancient buildings
The oriental courtyard is well versed in the essence of Chinese architecture, landscape and gardening, returning to simplicity and unpretentiousness, taking the way of refinement, restoring highly handmade details and grinding, and integrating the Chinese civilization and the profound historical accumulation between the mansions. Some people say that the yard is "alive". When you understand the courtyard, you can also understand the soul of Chinese architecture. The house is to accommodate the body, and the garden is to send affection.
△ Suzhou garden corner 丨 photo network has been authorized
From ancient times to the present, the courtyard has added a strong stroke to the essence of ancient Chinese architecture, exploring the staggered meanings, feeling the unique poetry of the East, and generating the courtyard of anji slow valley with both form and god. It is the condensation of oriental elements, fine and not vulgar, brilliant but not abrupt, its beauty, rigidity and softness, exquisite, both beautiful natural scenery, but also leisurely and leisurely human fireworks.
© Anji Slow Valley 丨 and Changyuan Demonstration Area Real View
In Chinese architecture, the courtyard is a special existence, which not only contains the soul and roots of traditional Chinese culture, but also has the beauty of intoxicating craftsmanship. And the water pavilion in Chang Garden, the wind and rain gallery, the lotus pavilion, the cornice bucket arch, the carved leaky window, the shadow wall of the cave door, the change of scenery, the small in the big, the four seasons into the painting, the lake stone reflects the sparkling pool water, the floating fish take away the scattered flowers, that is the ingenuity of creating nature without a trace, and it is also the elegance of the Xiangshan Gang masters who are in love with the scenery.
Stack mountains to divert water, build pavilions to look at the distance
Out of thin air, there are more lofty levels
From the sea fairy island "Penglai" to the literati's heart isolated from the world "Peach Blossom Garden", this closed ideal way of living surrounded by mountains and rivers and facing the water and back mountains has gradually given this legendary Chinese dream a rich wing, and with the formation of Chinese gardens, a "spiritual back garden" that belongs only to Chinese has been born.
△ Chinese garden 丨 photo network has been authorized
As an anji slow valley courtyard that inherits the essence of classical Chinese gardens, the South Garden of the Fafa River reveals the dream-making art of the Xiangshan gang craftsmen everywhere. "Ting Shu doesn't know where people are going, and autumn and spring are still letting go of the old shihua." The amorous only carp in the pond is like a departed person protecting the fallen flowers. "Water is an irresistible soft beauty in the garden! There are emerald green plants floating on the water, and under the flowers and leaves, flocks of small fish play and play, which is more flexible and interesting.
Stop and enjoy the garden, every scene contains deep meaning, and everything is random and natural. Digging ponds for lakes, stacking stones for mountains, repairing pavilions and building pavilions, raising fish and species lotus, winding paths and cloisters for the distance, planting bamboo and cultivating forests for the quiet, focusing on changing scenery step by step, focusing on exquisite carving, so that every detail is exquisite or even perfect. And the forest is an alley, the steps are the doors, the twists and turns, the winding path is quiet, so that the composition of Pingyuan has a far-reaching meaning; and the stone is ascended, the pavilion is built to look far, and out of thin air there is another lofty level.
The more hidden the garden, the deeper the environment
The landscape of the world is condensed in the courtyard
Building a slow valley courtyard, the pursuit of small to see the big, the essence of nature condensed in a limited space, to pursue the infinite artistic conception. Ji Cheng's "Garden Ye" said: "Many scenic spots, close to the mountains and forests"; Wen Zhenheng's "Chronicle of Long Things" also said: "A peak is too Hua Qianxun, and a spoon is a thousand miles of rivers and lakes". Rational use of formal laws such as proportion and scale to construct space to achieve the effect of expanding the limited space in the senses.
Architect Portman said: "Curves are more attractive because nature, whether it is the waves of the ocean, the rolling mountains, or the clouds in the sky, where there are no stiff and straight lines." "The unique gardening ideas in Hechang Garden, with its rich feelings and profound artistic conception, through the magic of the masters of the Xiangshan Gang, brick by brick, grass and tree, garden incense paths, carved beams and paintings, everywhere can be seen in the handwriting, everywhere is Seiko.
The design of Hechang Garden continues the Su-style garden landscape gardening technique, creating a modern garden based on the design of traditional gardens, using the traditional garden gardening concept, showing multiple landscape experiences, heavy progression, showing landscape rhythm, and creating a college space with different scenery. Natural scenery such as distant mountains and near water, bamboo forests and flowers are borrowed into the park, half Hidden and half exposed, subtle and far-reaching. Rockeries, flower beds, and bridges share a beautiful scenery, and the mountains and stones are clustered in front of and behind, as if the mountains and rivers under the world are condensed in the courtyard.
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