This kind of love is such a sensitive topic, the story is told well is the ancient strange fate, and the bad is the dog's bloody head. The music of the film "Big Fish and Begonias" and the Chinese painting style are very beautiful. I also think that the film can still be counted as the upper middle and lower level, my requirements are very high, this work can be given a very good level, on the current level of China, personal views If you have an opinion, we will not argue.
The movie "Big Fish and Begonias" adds a lot of points to the picture and music, but the plot has hard wounds, which is beyond reproach. Many people who scold this work are estimated to be old fans, after all, they have waited for 12 years, waiting for a plot hard work, I can't accept it, so I am only paying attention to this work when the movie is out.
Hard injuries are mainly reflected in the following points. Why do so many people comment that after waiting for 12 years to come to a green? Obviously, the heroine just went out to see the male second (it should be regarded as the male second, the whole movie has been a fish that can't speak) a few eyes, accidentally killed the male second, the female protagonist has a sense of guilt can be solved, but in any case, the reason for the development of love is not reflected at all. The audience sees the most is the good feelings of the male and female protagonists, as far as the audience is concerned, they have paid so much but cannot get love, in exchange for a 'brother'. If you are a male one, you must be very angry to hear this sentence.
To tell the truth, if the film wants to match Tsubaki and the big fish, it should let the audience see the efforts between each other, and here with a great deal of ink to show the man's efforts, the audience will naturally expect him to be rewarded, but Tsubaki rejected the brother who let the audience where to put this expectation? Above is the biggest hard wound, and this kind of thing is inherently mysterious and cannot be explained clearly. However, Tsubaki killed the whole village in order to save the fish, which is naturally unacceptable, although Tsubaki ended the disaster with his life.
To sum up simply, because of the guilt, I want to save the carp, but the reason for the love with the carp in the end is not described in key ink, but uses a lot of plots to show the kindness of Tsubaki. Can this be understood as official malice? (If, I say, if the plot were changed to Tsubaki and Tsubaki ended up walking together, the two would face Tsubaki's guilt and impending disaster together.) Originally, the name was a couple! ）
Although right and wrong are other people's business, you can't do anything because of this! Hurt other people. If you watch this work and then go to see a drama "My sister can't be so cute". You will deeply understand the plot problem of this movie.
Although this work certainly does not represent the highest level of Chinese animation, it is certain in terms of sincerity, because I have not waited 12 years, so this work is already very good compared to those 5 cent special effects works. Although this movie cannot be the end, it is more than enough as a milestone. If future movies can come up with such sincerity, coupled with good CV and plot, the peak work is just around the corner.