First show out the playlist:
1. "I Waited until the Flowers Were Thanked & Melody" (Sung by Xue Zhiqian, Hammer Na Lisa)
Remarks: "I Wait until the Flowers Are Thankful" Lyrics, Chen Shaoqi, Wu Qingkang; Composer, Li Weisong; Original Singer, Jacky Cheung. Included on the album This Winter Is Not Too Cold.
"Melody" lyrics, Tao Zhe, doll; composer, Tao Zhe; original singer, Tao Zhe. Included on the album Black Willow.
2. "Interstellar" (Sung by: Xiao Jingteng, Zhang Bichen)
Note: The song is an adaptation. Lyrics, Zhang Bichen; Arranger, Zheng Nan; Zhang Bichen first singing. Included on the album Time.
3. "Those Years" (Singers: Lin Zixiang, Hu Xia)
Remarks: Lyrics, Nine Knives (real name Ke Jingteng); Composer, Mitsutoshi Kimura; Original Singer, Hu Xia. Included on the album "Those Years, the Girl We Chased Together".
4. "Love That Never Loses" (Sung by Miriam Yang and Zhou Xingzhe)
Remarks: Lyricist, Rao Xueman; Composer, Zhou Xingzhe; Original Singer, Zhou Xingzhe. Included on the album If After the Rain.
Of the four songs, the oldest is 1994's "I'll Wait until the Flowers Are Gone." This is a poignant and moving song with high difficulty in singing. At that time, after Jacky Cheung's affectionate interpretation, people felt the deep pain and helplessness of repentance from the song, especially at the end of the song, "Do you know, do you know, I waited until the flowers have been thanked", as if the sentences in the opera were pushed continuously, and the emotions went straight into people's hearts. This song is a classic that has accompanied the growth of a generation.
"Melody" was born in the peak era of original music in Hong Kong and Taiwan, especially in the environment where entertainment commercialization is in full swing, Tao Zhe combined his own experience, created with heart, refused to go with the flow, and expressed the concept of creation beyond entertainment with a rare musical style. This highly sung "Melody" is also a portrayal of Tao Zhe's own emotional experience, similar to "bitter love songs", it is different from other works in the album "Black Liuding", taking the route of angry rock and American blues, but it is a very "Tao-style R&B" style, which should be regarded as a rare and excellent work in the Chinese music scene "bitter love songs".
Xue Zhiqian and Hammer Na Lisa chose these two songs to sing, which also expressed their admiration for the classic masterpiece. Inheriting the classics and telling a story with a song is exactly the theme that Group A needs to complete in this issue. Combined with the theme of the two songs, it seems that the emotional setbacks can also be a driving force in adult life, and the road to true love will never stop, even if the flowers are thankful, they will not give up the attachment of love.
However, Xue Zhiqian's experience of vicissitudes of voice and hammer Lisa's "hammer song" habit has added a painful ordeal to the two classics. It seems that Xue Zhiqian is classified as a senior singer, he is no longer the humble who soared in the past, the previous breath, strength, and momentum are shocking and simple, but today's singing is always permeated with a false component of technical exaggeration, unlike himself. Hammer Na Lisa needless to say, singing is based on feelings, with a piece of strength, the smooth and delicate places that should be handled are all passed by, and the theme is run. Although the arrangement used a lot of heart, but before and after the two songs, the emotions in place technology is not shadowed, although the first song also did enough sensational preparation, but can only say that Xue, hammer heart, but the ability is not satisfactory, it seems that R&B is really not anyone can play. Sigh of regret!
The singing of "Interstellar" is something I am looking forward to. After all, there are too many things in this song that I don't understand, I don't know why Zhang Bichen wrote such lyrics back then, I don't know if it was inspired by emotional setbacks, and I don't know if it was from Hans Florian. Zimmer's "Interstellar" found some secret, or the ex-boyfriend had another side of the unknown that angered her. It can be said that this "Interstellar" is full of expectations. However, last night's arrival of the "Rain God" completely ended all my thoughts. The mystery of the interstellar has disappeared, as if a heavy rainstorm suddenly fell in the world, Zhang Bichen's feelings are gone, the sense of anger is wet, the unique fancy music rap of the first half of the song is extinguished by the rainstorm, Xiao Jingteng's rain is too strong, the posture, shape, brightness all show that he is here to shower the field, he is not only the predecessor singer who succeeded the little brother, but also the top ecological spokesperson of "Our Song". I don't know if it will rain in Shanghai in October, but the wet and cold air must have been filled. The stage of the two is beautiful enough and high-tech enough, but what they can sing and what they want to sing is unknown. And Zhang Bichen has been looking forward to everyone to evaluate this song that he personally wrote the lyrics, no, no comment. Sigh of regret!
"Those Years" is Hu Xia's famous work. Ten years ago, when I was full of youth, it was also an old song. How to say that? Should this song be counted as a Taiwanese campus song or a mainland campus song? Like "You at the Same Table", "Brother Sleeping on My Top Bunk" and other types? Not yet, this song is not a folk song nor a mouthful, because the composer Kimura Mitsutoshi is Japanese, and he attaches the rhythm of Japanese love songs to the song, making it a long love song with Taiwanese style and Japanese style. Hu Xia used this song to sing status and identity labels, people look white, their voices are clear, and their songs are in harmony with people. However, when the 74-year-old Lin Lao appeared on the screen, I didn't feel good. Is it a blind date show? The old father watched his son sing a period of regretful misses, missed sorrow, what will it be like in his heart? The surprise of the shooting case is that Elder Lin actually sang along with it! He plays Hu Xia seventy years later. Oh my God, what is the program team going to do? Our country is very ethical, father and son sing together to youth, to the girls who have been chased in those years, I really can't convince myself, so I rushed to the barrage and typed fourteen words" "When we meet again, I will hug you both tightly." Sigh of regret!
"Love That Never Loses" is so sad that Zhou Xingzhe should not recommend this song. Because the lyrics are not important, the audience pursues a pleasant enjoyment, everyone looks forward to another Shan Yichun appearing, whether male or female, the rhyme of singing must exceed Shan Yichun to slowly accept. Yes, the original person sings his own song with a sense of anticipation, but the details and empathy ability will still be unconsciously compared. Don't be angry when you say it, but everyone who has heard this song will listen quietly to show respect for the original author, but this show is not a review of the "The Voice of China" cover award, but a tribute to the classic new and old singers on the stage, too many people have heard this song. In fact, it should be better to take out another song, such as "Don't Be a Friend in the Future", because Yang Qianwei, who is good at Cantonese songs, can completely add color to this song, and translating it into Cantonese in the second singing will definitely bring different effects. Unfortunately, although the two of them worked hard, especially Teacher Yang Qianwei, who was almost almost exhausted, the result was not the best, and the ranking was the lowest. Sigh of regret!
The criticism of these four songs is not out of personal preference, but feels that inheriting the classics is a science, solo repertoire adaptation of the duo chorus or need to be carefully chosen, not necessarily the classic song is translated into a two-person chorus will definitely be brilliant or icing on the cake. Breaking the rules is okay, but it doesn't hurt the audience's aesthetics.