聱聱,◆ elephant sound word. Describe the crowd of miscellaneous works. ○ [Song] [Su Shang] "Rat Endowment": "There is a hollow bridge, a sigh, and a sound in the bridge." ”
Take, ◆ 1. Crowd voice miscellaneous. ◆2. Fish and birds. ○ [Song] [Qin Guan] "Tang Quan Fu": "Jiao Xi lacks the ornament of The Man, and the boiling pond Xie Yun takes the tour." ”
聱耴,◆1.Miscellaneous works of all voices. ○ "Anthology of Literature and Zuo Si<吴都赋>": "Fish and birds are stupid, and all things are stupid." ○ [Li Shan] Note: "Deaf, the voice of the crowd also." ○ [Tang] [Tortoise Meng] "BongHe Attack on the United States taihu lake poem: the first time into the taihu lake": "The mountains and rivers cover each other, and the fish and birds are empty." "◆2. Fish and birds. ○ [Song] [Ouyang Xiu] "Xinying Xiaozhai Chiseling Ground Furnace" poem: "Floating and sinking in the middle, it is appropriate to be as if it were a stalk." Although my dwelling is ugly, what I have gained is not one. Press, "Guangyun Pingyu": "Yun, fish and bird-like." ”
Awkward, hard to read. ○ [Qing] [Sun Mei] "Four Six Cong Words" Volume 32: "Its voice is cut without a word, and its pumping is dry without a word." ”
Stubborn, ◆ refers to the style of ancient Ao peculiar, flexed teeth. ○ [Qing] [Zhao] "Xiaoting Miscellaneous Records , Zhu Wenzheng " ( [ Zhu Jue ] ) was eight years old, that is, cao yao was a writer, and the style was stubborn and ancient. ”
Teeth, ◆ 1. Adjectives are difficult to read. ○ [Tang] [Han Yu] "Jin Xue Xie": "[Zhou] "诰" [殷] "Pan", 佶屈聱牙. ○ [Song] [Liu Kezhuang] "Late Calligraphy" poem no. 3: "Fortunately, I did not know the word "Fangya", and I saved idle people from carrying wine." ○ [Ming] [Li Dongyang] "Book with Qian Ruqian": "But the words are long-winded, it is difficult to choose carefully, and when you make a tooth language in the middle, you will lose the danger." ○ [Qing] [Zhao Yi] "Oubei Poetry: Han Changli Poems": "These words and phrases are useless, but they are meaningless, and it is inevitable that the hero deceives people's ears." ◆2. Also known as "聱龃-聱龇". Obedient, resistant. It is also said that it differs from people's opinions and does not follow the world. ○ [Tang] [Yuan Jie] "Self-Interpretation Book": "Pi [Shu Shu] is not ashamed to be in the neighborhood, and I am safe to be ashamed of the waves in the world?" [Song] [Su Ren] "Book of Emperor Shangshenzong": "The selection of people to change the capital official often takes more than ten years, recommends more dangers and obstacles, calculates and analyzes everything, and in the meantime, one thing is weak, and it is often abandoned for life." ○ [Song] [Fan Chengda] "Qingxiang County suburban miscellaneous flowers blooming with Huaishi Lake" poem: "Hometown and official body, chisel fang fang fangs." ○ [Yuan] [Chen Geng] "SendIng Ma Xin Nei Xiang Shan Ju" poem: "Mo greedy Li Lu is jealous when he moves, and he must learn to be with the world." "◆3. Uneven. ○ [Song] [Su Rui] "Hezi Zhan Title Feng Shui Cave": "The earth sac is beginning to disperse, and the stone teeth are not moving forward." ○ [Song] [Hong Mai] "Yi Jian Jia Zhi Woman Triple Teeth": "Tianming sees it, and has given birth to triple teeth, and extremely deaf teeth are terrible." "◆4. The branches of the trees are beautiful. ○ [Song] [Zhu Xi] "The Rhyme of Dead Wood Second Choice": "A hundred years of old wood with teeth, yan chuan chun wind refuses to flower." "Tooth and nail mouth, ◆ adjectives are difficult, difficult to read. ○ "Ming Shi Wen Yuan Chuan III Li Panlong": "It is a poem, and it must be won by tone, and the proposed music house, or more ancient numbers, is his own work, and the text is a tooth and a mouth, and the reader cannot finish it." ○ [Guo Shaoyu] "History of Chinese Literary Criticism" 56: "If you want to use the ancient hard and strong style to invigorate the impotence, but you don't know that only from the formal point of view, you will inevitably embark on the road of the mouth of the fangs." ”
聱龅,◆ see "聱牙".
佶聱,◆ see "佶屈聱牙". Traverse your teeth, ◆ describe the sentence as difficult, not smooth. ○ [Tang] [Han Yu] "Jin Xue Xie": "[Zhou] 诰 [殷] plate, 佶屈聱牙." ○ [Wang Boda] Yin Shi quoted [Sun Ru listened] to say: "All the teeth are difficult and astringent. ○ [Yuan] [Liu Qi] "Hermit General Discussion: Article III: Fan Zongfu Wen": "[Shang] Pan [Zhou] 诰佶屈牙, then in addition to the [Qin] fire, out of [Fusheng] dictation." ○ [Qi] language is fixed, and the situation is ninety years old, the teeth are open and the sound is weak, and it is mixed with dialects, and Ande does not bend the teeth. ○ [Zou Taofen] "Experience" IV: "For example, some texts, especially the so-called literal translations, are written with crooked teeth. Also provincially known as "佶聱-佶聱". ○ [Qing] [Jiao Xun] "Treatise with Wang Qinlai": "Wuzi's thesis, taken in ancient times [Han Changli], in the present take [Zhu Meiling], is not happy with trivial words and sentences, and the style of writing is exquisite, which shows the high level of talent." "○[Guo Shaoyu] cloud, Tsutomu as a "cliff". ○ [Liu Shipei] "On the Changes in Literature in the Modern Era": "The text of [Gong] is self-effacing, the language is similar, the style is elegant, and it cannot be read." "诘诎聱牙 (诘诏聱牙), ◆ same as "诘曲聱牙". [Lu Xun] "Collection of Collected Remains supplements: Breaking the Voice of Evil": "And day by day to encourage the newspaper, to assist in the book, the words in the middle, although the edicts are difficult to understand, gu zhen also imports the weapon of civilization." "Traversal teeth (诘屈聱牙), ◆ same as "traversal teeth". ◆◆[Qing][Xue Fucheng] "<出使四国公牍>Preface": "[Middle] Western grammar, completely different, quite suspicious of bending teeth." ○ [Qin Mu] "Yihai Shibei • "Shangwei":"But reading those works that are good at everything and the text is partial to 'bending the teeth', it is very headache." "诘曲聱牙 (诘曲聱牙), ◆ describe the text as difficult and not smooth. ○ [Ming] [Song Lian] "Wen Yuan": "To steal the strange world as a writer, not for a few, a novelty, a hook to steal, a change of vulgarity, even a sentence can not be read, and it is known: do not question the quya non-ancient text." "○ [Qing] [Qian Qianyi] "Epitaph of JiangMu Jinruren": "[Wen Zhao] of the text, the interpretation of the teeth." ○ [Qing] [Wei Yuan] "Preface to the ZhangJiao"<强恕斋书>: "Examine his correspondence and traces, in order to detect the [Zhou] [Summoning] Ergong Chen's false heart, and hear his accusations in the midst of his teeth." See "Quail-Flex teeth". Flexion of the teeth (聱牙诘屈), ◆ Describe the words as difficult to read. ○ [Qing] [Qian Qianyi] "Title Gui Tai Servant Anthology": "The meaning of the Tui Gong, it must be based on the yiya song of the illiterate sentence as Gu Ye? [Qing] [Zheng Xiangru] "The Four Biographies of Hanlin and the Biography of the Enlightened Emperor": "[Emperor Wen] li, who recommended [Fusheng] Gong "Shang Shu", shangzhao zhongfu [Chao Wrong] to his home, from the age of seven good dictation of books, teeth and songs." "The Rakshasa (聱牙诘曲), ◆ see "聱牙诘屈". 聱牙诎曲 (聱牙诒曲), ◆ see "聱牙诘屈".
聱叟, ◆[Tang] [元結]. ○ [Yuan Jie] calls himself [Lang Shi], and has an official, and is called [Man Lang]. After the guest house [Fan], there are fishermen on the left and right, less long drama, and also called [聱叟]. See New Book of Tang and The Biography of Yuan Jie. ○ [Song] [Lin Kui] The fourth poem of the "Miscellaneous Xing": "[The second mountain] has the title of [聱叟], [Lu Wang] and the legend [scattered people]. "○[次山],[元結] character; [Lu Wang], [Tortoise Meng] character, human number [Jianghu Sanren]. ○ [Jin] [Ma Jiu Domain] "Gift Yuzhi" poem: "The ancient sound of the sage music is still there, and [Shu Shu] Wen Gao Shi knows." ○ [Qing] [Chen Weisong] "Water Tune Song Head: After Reading Dong <苍梧词>Shunmin's Inscription", the words: "Pressure Gu [聱叟], Qi Intimidate Wan [Fang] slave." ”
磽聱 (硗聱\磽磝), ◆ rocky, uneven. ○ [Song] [Ouyang Xiu] "PanChe Tu" poem: "The mountain stone is stalking the car, and the mountain is obliquely followed by the valley." ○ [Qing] [Naran Zhide] "Miscellaneous Knowledge of the Water Pavilion" Volume I: "Holding peaks and stacking walls and pans, the ground is more than a plain." ”