For calligraphers, writing well is the last word. And this is related to the calligraphy of the calligrapher himself, the calligraphy literacy is not strong, the calligraphy copy is not solid, and the calligraphy understanding is not thorough, and so on. All of this is about the tip of a calligrapher's pen. These are all related to a calligrapher's nib kung fu. In a word, calligraphy literacy is the sum of comprehensive cultural literacy.
Su Shishu
However, xiaobian feels that the cultural literacy of calligraphers here is the most influential. As the great calligrapher Qi Gong said, calligraphy is simply the comprehensive quality of competition culture. Indeed, Mr. Qi Gong's words have vividly lifted the fig leaf of some calligraphers and exposed the embarrassment caused by the lack of culture of some calligraphers. However, because of the temptation of some things, some calligraphers ignore the original value of calligraphers, and pursue some flashy things, or let calligraphers lose the vanity of their creative pursuit.
Today, I would like to share with you the calligraphy works of a calligrapher. Squinting his eyes, he thought that the most attractive thing about this calligrapher's calligraphy work was not how radiant his pen and ink were, but that his calligraphy work was full of typos, which was embarrassing. He was the calligrapher Su Shishu.
Su Shishu calligraphy
Presumably, many netizens have some understanding of Su Shishu. Su Shishu's fame in the book world is not small, such as thunder, and he was once the chairman of the China Book Association. With high authority, it is bound to have some ability. However, netizens turned out the calligraphy works that Su Shishu had written, and carefully examined the dots of ink in them, whether it was a line of words or a delicate paragraph, giving people a feeling of extraordinary momentum.
But the unbearable place also appears in this handwriting, many calligraphy works inscribed by Su Shishu have typos in different ways, or lame and broken arms written in traditional characters, or randomly replacing normal poetry sentences with words and words, and so on. The key point is that many of these calligraphy works are given to others and are open to the public.
The impact caused naturally goes without saying, especially Su Shishu, as the chairman of the China Book Association, and the negative impact he has brought is not only that his own identity as chairman is questionable, but also that the prestige of the Book Association is no longer the same as before. Netizens also complain that the circle of the book world is too chaotic, and anyone can also take the position, so they are no longer optimistic about the China Book Association, but the reason for this has to be said that the negative behavior of some calligraphers has to be generated.