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A generation of filmmakers Hou Shu abandoned the director's husband, married Tu Honggang, 10 years younger, and lived like this at the age of 64

author:Serious aunt

Recently, a photo has been circulating on the Internet.

This is the one below.

A generation of filmmakers Hou Shu abandoned the director's husband, married Tu Honggang, 10 years younger, and lived like this at the age of 64

This person who does not wear glasses is not an ordinary mother.

Instead, it is known as China's Audrey Hepburn, a famous actress, Hua Fangshu of the North Film School.

It turned out to look like this.

A generation of filmmakers Hou Shu abandoned the director's husband, married Tu Honggang, 10 years younger, and lived like this at the age of 64

Zhang Tielin and Zhang Fengyi, who were classmates, had a crush on her.

A generation of filmmakers Hou Shu abandoned the director's husband, married Tu Honggang, 10 years younger, and lived like this at the age of 64

Xie Yuan, an old drama bone who died last year, also admired Fang Shu when he was young: "As soon as you see Fang Shu's smile, you will feel that the weather is so clear, and your mood will be very good immediately." ”

But it is such a person, after experiencing a failed marriage, not only has his appearance changed greatly, but his career has also stagnated.

A generation of filmmakers Hou Shu abandoned the director's husband, married Tu Honggang, 10 years younger, and lived like this at the age of 64

Fang Shu, who was born in Beijing in 1957, came to a prominent family.

Her maternal grandfather served as a senior general in the Northeast Army during the Republic of China period, and later held important positions in the central government of Nanjing.

His father was a bureau-level cadre at the Chinese Ministry of Culture in New China, and his mother was a vocal teacher at the Central Conservatory of Music.

A generation of filmmakers Hou Shu abandoned the director's husband, married Tu Honggang, 10 years younger, and lived like this at the age of 64

Under the careful cultivation of his parents, Fang Shu has an extraordinary temperament since he was a child.

At the age of 8, he was even more favored by the director, and in "Eternal Life in the Fire", he crossed the small radish head.

A generation of filmmakers Hou Shu abandoned the director's husband, married Tu Honggang, 10 years younger, and lived like this at the age of 64

Later, the national college entrance examination system was restored, and Fang Shu was successfully admitted to the acting department of the Beijing Film Academy in 1978 with excellent results.

After that, his life was like an opening, and he performed the TV series "There is a Youth" with Zhang Tielin, and won the first prize of the first Feitian Awards TV series.

A generation of filmmakers Hou Shu abandoned the director's husband, married Tu Honggang, 10 years younger, and lived like this at the age of 64

Chen Bailu starred in "Sunrise", and won many honors such as the Most Popular Actress Award in Asia and the Pacific, the Top Ten TV Drama Stars in China, and the Best Actress Award of Xiaobaihua in Shanghai Film Studio.

A generation of filmmakers Hou Shu abandoned the director's husband, married Tu Honggang, 10 years younger, and lived like this at the age of 64

In 1986, Fang Shu hosted the Spring Festival Gala with Zhao Zhongxiang, Wang Gang and Jiang Kun.

She was the first female host to host the Spring Festival Gala in English.

A generation of filmmakers Hou Shu abandoned the director's husband, married Tu Honggang, 10 years younger, and lived like this at the age of 64

That year, Fang Shu changed from a goddess of movies to a goddess of the whole country.

To this end, the Central News Film Studio also specially filmed a feature film for Fang Shu - "From Child Star to Movie Star".

Under such circumstances, Fang Shu was naturally indispensable to suitors.

In the end, she chose alumnus Chen Guoxing.

A generation of filmmakers Hou Shu abandoned the director's husband, married Tu Honggang, 10 years younger, and lived like this at the age of 64

Chen Guoxing was born in Shuxiangmendi, his father was a construction engineer, and he himself was a famous director.

For example, that "Kong Fansen" won the Best Film and Best Director Awards at the 1995 China Film Huabiao Awards.

Now he is also active in the film industry and has directed many films with main themes.

A generation of filmmakers Hou Shu abandoned the director's husband, married Tu Honggang, 10 years younger, and lived like this at the age of 64

At that time, a talented person, a beautiful woman, and a friendship with the same window, soon, the two came together.

In order to avoid gathering less and leaving more after marriage, Chen Guoxing also managed to transfer from Changsha to Beijing to accompany Fang Shu.

A generation of filmmakers Hou Shu abandoned the director's husband, married Tu Honggang, 10 years younger, and lived like this at the age of 64

But unexpectedly, as love became marriage, the passion was gone, and quarrels and contradictions began to appear.

Chen Guoxing is passionate about directing, so in those years he devoted himself to his career.

After Fang Shu got married, she often did not see the shadow of her husband, which made her feel lonely and lonely.

Finally, the two escalated from a quarrel every three to five to a separation.

Then, just when the relationship between the two was the most fragile and sensitive, Tu Honggang appeared.

A generation of filmmakers Hou Shu abandoned the director's husband, married Tu Honggang, 10 years younger, and lived like this at the age of 64

At a banquet, Fang Shu met Tu Honggang, a famous singer who was ten years younger than her.

Tu Honggang's warm and considerate greetings soon made Fang Shu, who was in a cold war with Chen Guoxing, feel the warmth of the long-lost again.

Especially after Fang Shu suffered a car accident, Tu Honggang rushed to accompany him at the first time, and also borrowed forty thousand yuan from his friend Na Ying and bought a new car to give to Fang Shu.

Young and handsome, he will take care of people, he will hurt people, and he is willing to spend money for himself, Fang Shu was completely captured by Tu Honggang.

A generation of filmmakers Hou Shu abandoned the director's husband, married Tu Honggang, 10 years younger, and lived like this at the age of 64

At that time, surrounded by gossip, Fang Shu did not care, Chen Guoxing repeatedly pleaded with her, and did not turn back.

Even Fang Shu's mother did not hesitate to threaten her daughter by severing the mother-daughter relationship, to no avail.

In fact, not only the family is opposed, but the outside world is also very unoptimistic about the sister-brother love.

A generation of filmmakers Hou Shu abandoned the director's husband, married Tu Honggang, 10 years younger, and lived like this at the age of 64

Because, at that time, Tu Honggang was just a newcomer and had divorced, and Fang Shu was already a famous big star.

Many people have speculated that Tu Honggang is just using Fang Shu.

However, no matter what others said and how they persuaded, Fang Shu just couldn't listen to it and married Tu Honggang without hesitation.

A generation of filmmakers Hou Shu abandoned the director's husband, married Tu Honggang, 10 years younger, and lived like this at the age of 64

In 1994, Fang Shu took his daughter out of the house and formed a new family with Tu Honggang.

At that time, Tu Honggang faced Fang Shu's deep affection and also released the ShanMenghai oath:

A man who faces the woman he loves, especially a woman who has gone through a lot of hardships for love, I have a responsibility to give her a complete sense of happiness.

However, after the marriage, the two immediately had contradictions and quarrels.

A generation of filmmakers Hou Shu abandoned the director's husband, married Tu Honggang, 10 years younger, and lived like this at the age of 64

In order to be able to walk for a long time, and in order to get along more harmoniously in the future, Fang Shula Tuhong just went to Putuo Mountain to worship the Buddha.

The monk said, if you want to be reconciled, you should have a child.

So in order to be able to keep Tu Honggang, but also for them to be able to love and harmonize in the future, 38-year-old Fang Shu, regardless of his poor physical condition, risked giving birth to a daughter obediently.

A generation of filmmakers Hou Shu abandoned the director's husband, married Tu Honggang, 10 years younger, and lived like this at the age of 64

Not only that, Fang Shu also used his connections in the circle to pave the way for her husband Tu Honggang to find resources.

With the help of Fang Shu, Tu Honggang's career gradually reached its peak and set up his own cultural company, successively launching classic songs such as "Farewell to the King", "Chinese Kung Fu", and "Jingzhong Baoguo".

A generation of filmmakers Hou Shu abandoned the director's husband, married Tu Honggang, 10 years younger, and lived like this at the age of 64

Tu Honggang in 1994 and 1995 was red and purple, but Fang Shu was in tears.

It turned out that after becoming famous, Tu Hong had just begun to drift, and he kept going out to socialize and began to not go home.

From 1996 to 2000, Tu Honggang failed to do business twice, lost everything and was saddled with huge debts.

At that time, Fang Shu had long been away from the acting world, her husband's career suffered a serious setback, and the two people's living conditions took a sharp turn for the worse.

A generation of filmmakers Hou Shu abandoned the director's husband, married Tu Honggang, 10 years younger, and lived like this at the age of 64

But this is not the key, what really crushed Fang Shu was a paparazzi report:

Tu Honggang and Hu Ke spread a scandal.

A generation of filmmakers Hou Shu abandoned the director's husband, married Tu Honggang, 10 years younger, and lived like this at the age of 64

In 2002, the two ended their 8-year marriage.

In the days that followed, Chen Guoxing became a famous director, and Tu Honggang married his wife Yue Yue.

Fang Shu, 45, is left alone to raise two daughters.

A generation of filmmakers Hou Shu abandoned the director's husband, married Tu Honggang, 10 years younger, and lived like this at the age of 64

Because he did not pay his daughter's obedient maintenance, Fang Shu also sued Tu Honggang.

Afterwards, when the reporter asked Tu Honggang, he explained:

Good villains are also famous actors, and there are many rich friends around them, so they will not be in debt.

She loves to take her daughter with her, to take any scene with her, and what can I do. My alimony was given, and the time to do it, I didn't owe her anything.

Don't owe her anything.

I don't know, how Fang Shu felt when he heard these words.

A generation of filmmakers Hou Shu abandoned the director's husband, married Tu Honggang, 10 years younger, and lived like this at the age of 64

The beginning of the impulse and the scrawled end not only exhausted Fang Shu's life energy, but also disrupted her original splendid career.

A good hand, a bad game.

A generation of filmmakers Hou Shu abandoned the director's husband, married Tu Honggang, 10 years younger, and lived like this at the age of 64

I have to say that we always believe in desperate love, but the women who seem to walk together for love have lost.

It is not that emotion is not good, but a major drawback of romanticism is that it only pays attention to the occasional wind and snow, but ignores the normality of chai rice oil and salt in life.

A generation of filmmakers Hou Shu abandoned the director's husband, married Tu Honggang, 10 years younger, and lived like this at the age of 64

Women who uphold romantic ideas often have high expectations for love.

Just because of a few sweet words and a momentary drama, it is easy to fall in love with a man.

But the consideration of love utopia and practical stakes is doomed to go in the opposite direction.

A generation of filmmakers Hou Shu abandoned the director's husband, married Tu Honggang, 10 years younger, and lived like this at the age of 64

As Zhang Ailing said, life is a gorgeous robe, but this gorgeous robe is full of lice.

Life is like this, and so is love.

Easily entrusting one's life to a person is a game of fire, and it is a gamble that is extremely likely to lose.

Once you meet someone who is unladylike, you may be on it for a lifetime.

Therefore, instead of putting all your expectations on the other half, it is better to be down-to-earth and take responsibility for yourself.

This is the best state of mind in a relationship.

And love is not an experiment of right or wrong, its only result does not point to marriage, it is most important to you and me, it should still point to the awakening and growth of the self.

Whether I have love or not, I have myself, and I am the center of gravity of my whole life.

In short, there is nothing wrong with loving someone, and it is inevitable to pay.

But never forget that if you love someone who loses himself, he will be tormented and frustrated.

It's like flipping through a book in an airport bookstore, turning too fast will be missed, can't remember anything, and read too seriously, will burst into tears.

Don't take it too seriously, don't be too perfunctory.

May you spend the rest of your life, not easily giving everything for a person, and see if he is worth it.

May you spend the rest of your life and use the time you wait to be nice to yourself.

The image originated from the Internet and was deleted in an infringing manner

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