Women in the entertainment industry are afraid of thirty years old, and the year of establishment seems to have become a watershed in their acting careers.
A woman who has entered her thirties is no longer young and bright, her girlishness is gradually drifting away, and middle age has not yet come, which is an awkward and sensitive age.
But there are a very small number of women, who are getting older and more attractive, who turn freely in different roles, and the film and television dramas taste timeless because of them.
For example, Yuan Quan.
Yuan Quan has passed the age of confusion and has long been a wife and mother.
But she has been filming continuously, has been busy filming, acting in a play that is more deeply rooted in people's hearts than one, and can always stir the emotions of the audience.
Her own life, on the other hand, has always been light and breezy.
Marriage in the entertainment industry is the most volatile. Red men and green women, chasing joy and buying drunk; because of the drama of love, fake drama really do; gathering less and leaving more, feelings are weak, and finally break up and divorce.
Such drama is even more exciting than film and television dramas.
But Yuan Quan's love life is too bland.
She and Xia Yu are married and have had a stable marriage for more than ten years. The couple were busy with each other, and there was no crisis because of the gathering of less and more.
They are dedicated, respectful of the duties of actors, concentrated on acting, and do not hype up private lives.
There are few shows of affection such as their husband and wife in the same frame on the Internet. They do not show affection because their normal behavior is very loving, and love is their own and does not need to be presented to the public.
They gave birth to a daughter in the second year of their marriage haha.
Many artists are keen to passively dry dolls, but Yuan Quan's daughter has hardly entered the so-called star second generation topic.
Occasional appearances are also photographed while traveling.
In one popular variety show after another, there is no trace of their family. They seem to live outside the entertainment circle, do not brush the sense of existence, do not compete for fame and profit, and do not sensationalize.
As we all know, Yuan Quan initially performed without Peking Opera, and perhaps the experience of studying opera in those years laid the foundation for her lifelong attitude towards the world.
She is like the big green coat in Beijing opera, dignified and beautiful, although she is in the entertainment circle, she is not swayed at all.
In the bustling red dust, she is not disturbed by the world, and quietly guards her heart.
Even her body shape is still slim and slender when she was young; her dress has always been a clean and elegant style.
In her, she has a real character of idle flowers blooming and falling, and life is not shocking.
Yuan Quan is as famous as her, she is like a clear spring, reflecting the clouds of the sky, swaying with ripples.
Such artists, in today's entertainment industry, are really too few.
She interprets love and hate in the play, and she dedicates the magnificent waves to the role. And her real life is only plain, plain like a sentence in "Dream of the Red Chamber": light poles know that flowers are more colorful.