The glorious period of costumes of Hong Kong opera began in the 1970s and was at its peak until the 1990s.
I remember that since I became sensible, Hong Kong's costume dramas have occupied a lot of childhood in the 80s and 90s, so for the audience in front of the screen today, the most impressive is the group of costumed beauties in the 1990s.
For the ancient 70s and 80s, people only remember Zhao Yazhi and Chen Yulian, who are famous and classic goddesses.
In the same period of the ancient early actresses, there are many rarely mentioned costumed beauties, and the appearance is also amazing.
<h1 class="pgc-h-arrow-right" >01, Huang Xingxiu</h1>
Due to years of retirement, the name Huang Xingxiu has gradually been forgotten by the new generation of audiences.
In fact, in Hong Kong in the 1970s and 1980s, Huang Xingxiu's title of "the first beauty in ancient costumes" was difficult to shake, her ancient costumes were dignified and elegant, and her performance was delicate and calm.
Although the appearance is delicate, but the bones reveal a stubbornness that does not lose to the boy, so Huang Xingxiu is very in line with the image of a chivalrous woman who is soft on the outside and tough on the inside.
In the 82nd edition of "Tianlong Babu", she played two roles by herself, playing the sisters Hua Aju and Zhong Ling with similar looks, respectively, the two characters have a big difference in personality, but they are also pinched by Huang Xingxiu.
In "The Amorous Swordsman of Xiao Li Flying Knife", Huang Xingxiu changed the image of the former pure love woman and transformed into the charming and enchanting wulin first beauty Lin Xian'er, wearing a pink gauze skirt, with her head tied in a bun, and a little bit of soul-catching flattery hidden in Yingying's shallow smile.
By the time of "Thirteen Sisters" broadcast in 1983, Huang Xingxiu created a gentle and heroic heroine He Yufeng, who can be called the most classic role in film history.
Nengwen can be martial, rigid and soft, Huang Xingxiu is really a rare classical beauty.
<h1 class="pgc-h-arrow-right" >02, Deborah</h1>
Deborah's beauty is captivated by her, and there are two important labels on her, one is the first Hong Kong sister champion in the seventies, and the other is Nicholas Tse's mother.
The delicate and delicate Deborah has a slightly mixed-race appearance, the bridge of the nose is straight, the small mouth is not point but red, the eyes are black and bright like grapes, the cheeks are plump like peonies, and there is a trace of foreign atmosphere in the classics.
From her debut to the film, Deborah has only five years, but during this five-year period, her film experience is quite rich, and she has joined Li Tv, Jiahe Film Company, Shaw Company, and Hong Kong Wireless.
Most of the roles played are gentle and beautiful beauties, and the most impressive is Yu Ruyi, played in "Book of Swords and Vengeance", although there are not many scenes, but the glimpse of the appearance of the pipa is unforgettable.
Due to the experience of frequent performances with the song and dance troupe in the early years, Deborah has trained a skill of singing and dancing, not only with outstanding appearance, but also with dignified and elegant manners, and a smile is very charming.
<h1 class="pgc-h-arrow-right" >03, Feng Baobao</h1>
Feng Baobao has been a beautiful billet since he was a child, starting to make cameo appearances in movies at the age of 3, becoming a starring actor at the age of 7, and participating in more than 200 films before the age of 15, becoming the most filmed child star in Hong Kong movies at that time.
Born in a drama family, Feng Baobao's father is a Cantonese opera artist, and she grew up under the influence of culture since childhood, and she is destined to be born for costume drama.
In addition, she looks beautiful, elegant in stature, and the charm and classical flavor exuded between her hands and feet, with her superior appearance, she has almost played out the beautiful women of ancient times.
In the 1984 TV series "Wu Zetian", 30-year-old Feng Baobao starred as a generation of empresses, and the transformation from a green girl to a charming emperor was interpreted by her meticulously.
Feng Baobao's plump and delicate face, paired with the golden and gorgeous court clothes in the play, is simply beautiful.
In the 1987 broadcast series "Xi Shi", Feng Baobao starred in Xi Shi, one of the four beauties, with a simple and exquisite appearance, and the big eyes full of water were like a spring water, with a love pulse and delicate and pitiful.
<h1 class="pgc-h-arrow-right" >04, Wang Mingquan</h1>
Wang Mingquan looks dignified and dignified, has a vulgar temperament, and is a classical beauty who is proper after putting on ancient clothes.
As the hottest "TVB sister" in the 1980s, Wang Mingquan can't say how unpopular, but today's audiences only remember the image of her teacher's grandmother, and few people have seen her ancient costumes when she was young.
Broadcast in 1975, "The Purple Book" was Wang Mingquan's first costume debut, in which she played the gentle and infatuated singer Huo Xiaoyu, often wearing blue and lotus purple clothes.
The back of the neck is coiled with a low and medium bun, the bun is embellished with white pearls, and a fringe hairpin hangs from each side, and the tuan fan in the hand is lightly pressed against the chin, and the appearance of the slight petite is fascinating.
A year later, tvacross the filming of the first Jin Yong martial arts drama "Book of Swords and Enmity", starring her and Zheng Shaoqiu together.
This time, she played Huo Qingtong, a shrewd and capable Huijiangqi woman with high martial arts. When he appeared on the scene, he was dressed in a goose-yellow robe, wearing a small gold wire hat, a long emerald green feather on the side of the hat was erected high, and the leather shoes were green horses, and the heroic posture was refreshing, like Jin Yong's "green feather yellow shirt" Huo Qingtong.
Later, in the "Chu Liuxiang" broadcast in 1979, Wang Mingquan and Zheng Shaoqiu cooperated for the second time, playing the heroine Shen Huishan and the prodigal son Chu Liuxiang respectively, a pair of mandarin ducks who love each other but cannot keep each other, which once made the audience heartbroken.
<h1 class="pgc-h-arrow-right" >05, Wei Qiuye</h1>
Wei Qiuye's last character who left the most impression on the audience was the role of Huang Rong in the 95 version of "Divine Eagle Hero".
A wise and beautiful middle-aged beautiful Huang Rong, she played it beautifully.
Wei Qiuye's facial features are gorgeous, her figure is bumpy, and when she was young, she was full of charms.
In many costume dramas, she is a graceful and colorful beauty, the most famous masterpiece of which is "The Fish Mystery of the Strange Women of the Past Dynasties".
In the play, Wei Qiuye plays the late Tang Dynasty talented female fish Xuanji, who is unrestrained and yearns for freedom, from the original literary and artistic young woman to a "bold woman" within the Daomen, living a debauched life in the game world every day.
Wei Qiuye, who looks gorgeous in appearance, paints a light and suitable makeup in the play, and the white coat on the left side slides down to the arm, revealing a snow white fragrant shoulder, and the blush is extremely feminine when smiling, just like a plump beauty picture of living color and fragrance, which makes people see the spring heart.
<h1 class="pgc-h-arrow-right" >06, Lu Youhui</h1>
Lu Youhui, who graduated from the first artist training class of wireless, was originally one of the TVB bosses, and only because of his premature marriage and children, he gradually became a supporting role.
She is tall, her facial features are atmospheric, and her pavilion is round and round, which is the face of blessing.
Fashion Royal Sister Fan, a domineering fan in ancient costumes, most of the roles participated in in the early years were shrewd and strong noble ladies, and the first time I saw her was Li Moxuan, who played in the 83rd edition of "Divine Eagle Hero".
When she played this role, she was already in middle age, but her temperament and beauty were still not reduced, and a simple black and white Daogu costume was worn on her with more of a unique fairy spirit.
In the TV series "Xue Gang Anti-Tang", Wu Zetian, played by Lu Youhui, is mighty and domineering, dressed in fragrant sideburns, and surrounded by green beads, which sets off her already atmospheric facial features more gracefully and luxuriously.
The shape of this drama is also very powerful, although Lu Youhui is not the protagonist, but the matching costumes are extremely varied, each set is luxurious and extraordinary, all of which show the proud nature of a generation of empresses.
<h1 class="pgc-h-arrow-right" >07, Ouyang Peishan</h1>
When she was a teenager, Ouyang Peishan had a rounded face, beautiful features, and a sense of femininity when her eyebrows were tightened.
The impression of Ouyang Peishan is mainly derived from the middle-aged Huang Rong played in "Divine Eagle Hero", compared to the version played by the latter Wei Qiuye, Ouyang Peishan is even worse.
She interpreted the resourceful, dignified and virtuous, but realistic and mean personality of the middle-aged Huang Rong into three points, as if she were Huang Rong's own figure.
After watching the 83rd edition of "Divine Eagle Hero", you will feel that Ouyang Peishan is almost like a character who came out of the book.
Looking closely, Ouyang Peishan and Wei Qiuye looked a little similar, and there was a sharp stubbornness in the eyebrows, so the two could shape the same classics at different times.
<h1 class="pgc-h-arrow-right" >08, Zhuang Jinger</h1>
Melon zi small face, big eyes, solemn and looks exactly like Guan Zhilin, but not as aggressive as Guan Zhilin.
With a beautiful and lovely appearance, zhuang Jing in many film and television dramas is a beautiful role that plays the role of stars and moons, and as soon as he debuts, he partners with big-name movie stars such as Chow Yun Fat, Andy Lau and Miao Qiaowei.
In the 1983 broadcast of "Lai Buyi Magic Calculation Machine", playing the beautiful, brutal and wayward Kong Ci, she fell in love with Lai Buyi played by Miao Qiaowei at first sight, but she was jealous of the other party's fame, so she teased Lai Buyi everywhere.
Two years later, Zhuang Jing and Miao Qiaowei once again cooperated in the martial arts drama "Green Blood Sword", starring in the heroine Wen Qingqing, with a cool and neat appearance, compared with the previous beauty role, there is more of a heroic and cold posture.
<h1 class="pgc-h-arrow-right" >09, Liang Wanjing</h1>
Liang Wanjing, as its name suggests, is delicate and slender, especially stunning, and the elegant celebrity style emitted from her bones is particularly attractive.
Liang Wanjing, who debuted in the 80s, mainly based on fashion dramas, participated in only a few costume dramas, and the most classic role was Bao Xi weak played by Zhu Yin's version of "The Legend of the Eagle Hero".
Bright eyebrows, gentle and dignified, Liang Wanjing version of Bao Xi weak has a cold and fragile soft beauty, I think that the Bao Xi weak who made Yan Honglie fall in love at first sight, should be Liang Wanjing's beauty.
The Princess Tianmei, played in "Full Moon Curved Knife", appeared in a white cape, only a few minutes of scenes, but this glance alone made people remember.
<h1 class="pgc-h-arrow-right" >10, Xue Jiayan</h1>
Audiences who often watch Hong Kong dramas must be no stranger to Xue Jiayan, and she has always been an amiable grandmother.
The swollen body and the eyebrow heart are extremely recognizable.
Xue Jiayan is a child star, debuted on stage at the age of 8, entered the film circle at the age of 9, and officially served as the heroine at the age of 17, shooting many martial arts films such as "Seven Sons, Eight Daughters and Nine Champions", "Bunny Girl", "Flying Girl" and so on.
Perhaps many people can't imagine that such an obese and kind-looking old man today was also a beautiful person when he was young.
Before the blessing, Xue Jiayan's facial features are exquisite and beautiful, her figure is slender, and she has learned Cantonese opera culture since she was a child.
The above 10 grandmother-level early actresses, in that era of no plastic surgery and no beauty, are all naturally beautiful and comfortable. Most of them have also been on fire, but because after many years, today's audiences rarely witness their youthful appearance, and it is still amazing to look back now.