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A brief review of the characters in the play "No War in Peking" (2): Cheng Xiaoyun - calm and introverted, elegant and dignified

There are four female characters in the play "No War in Peiping", He Xiaoyu, Xie Mulan, Cheng Xiaoyun, and Ye Biyu. He Xiaoyu and Xie Mulan, the performance in the play is mediocre, or disappointing. Cheng Xiaoyun and Ye Jasper are very colorful, each with its own advantages. If you say Ye Jasper Wu Nong soft language little girl, then Cheng Xiaoyun is the upper class of the Republic of China.

A brief review of the characters in the play "No War in Peking" (2): Cheng Xiaoyun - calm and introverted, elegant and dignified

Cheng Xiaoyun, Fang Buting's wife, meng wei and Mulan in the play call her little mother.

She knows the classics of poetry, knows how to use Xie An's story to enlighten her husband Jun, and the phrase "little children are big thieves" makes Fang Buting feel extremely relieved. She has a good voice, which can not only Tsing Yi "Mei long town", but also Zhou Xuan's "Flower Good Moon".

She is gentle and virtuous, dignified and generous. Whether it was to her husband Fang Buting, or the two sons of the Fang family, or to her uncle and two fathers and daughters, she was always soft-spoken and never saw the color of anger. Even if the president of the house invited herself to go to xishan prison, when she was angry and hurt, she only said" I went to the small courtyard. Even anger is born so gracefully and dignified.

She is calm and introverted, tolerant and tolerant. Married to Fang Buting, but lived in the courtyard for more than ten years, during which he lost two children. If nothing else, only for fear of hurting Meng Wei's heart, afraid of arousing Meng Wei's nostalgia for his deceased mother, and afraid of the rejection of the two sons of the Fang family. She was a kind, virtuous stepmother, and as she said, "There is hope in pain, and we all bear it with our children." When Meng Wei finally said that she sang the song better than his mother, the touch seemed to freeze in her heart.

A brief review of the characters in the play "No War in Peking" (2): Cheng Xiaoyun - calm and introverted, elegant and dignified

She got out of the hall and into the kitchen. Meng Wei made a big fuss at the police station, and Cheng Xiaoyun said, "Minister Kong Xiangxi, President Song Ziwen, and President Liu Jingyun have all been to the palace. When Cheng Xiaoyun said this, I didn't think there was anything remarkable about her having seen so many big people. But when she took over Xu Tieying's words in time, the sentence "Unfortunately, Director Xu's wife is in Taipei, if I have the opportunity to come to Taipei, I am honored to meet Mrs. Xu." Her words came out slowly, and there was another pause in the middle, such gentle words, but there was a thunderous momentum. I think that's really what makes it out of the hall. When Xiao Yu, Mulan, and Meng Ao were ready to go to the kitchen to help, Cheng Xiaoyun said, you don't have to move, no matter the Chinese and Western food, none of you can do me.

Such a near-perfect woman, on the merits of morality, impeccable. But he was confined to the shackles of male superiority and female inferiority, and lived such a stoic life. Even the ambiguous clip of her getting along with Vice Principal He in the play, I also felt sorry for her humbleness in lowering her body. Deep inside, was she screaming again and again. If not, why take Meng Wei to the police station. Maybe this is only a little bit of a release of forbearance.

A brief review of the characters in the play "No War in Peking" (2): Cheng Xiaoyun - calm and introverted, elegant and dignified

Cheng Xiaoyun, played by Chen Lina, is almost impeccable like the character himself. The most is the attack on the cheongsam, wearing her quiet elegance, dignified and generous, intellectual but without losing style. It seems that few people have yet to win.

It's just that the silence, too quiet, is so quiet that it makes me feel sad.