<h1 class="pgc-h-arrow-right" data-track="2" > symbols spread to present the image of Japanese national culture</h1>
Symbols are the communication intermediary of national culture, from the dissemination of national culture can be seen in the cultural image of different ethnic groups, Miyazaki Hayao's animation will be Japanese bath, kimono and other national culture into the scene setting, so that the whole picture is full of Japanese national culture style. In Japan, greed is everywhere, and in Japanese culture, water has the effect of decontamination and cleaning, and it can also absolve people of the evil in their hearts. In Spirited Away, the place where Chihiro works is where the witch bathes the gods, which is dedicated to washing the stains on the body of the adults, and when the old river god in the movie drags the oil-stained body into the house, Chihiro returns to his original appearance after washing it. The setting of this plot reflects the connotation of Japanese washing and regeneration. Japanese-style shojimon also appears repeatedly in Miyazaki's films, it is an important symbol of Japanese architectural culture, "Totoro" Xiaomei's shojimen appearance is simple, almost without any embellishment, reflecting the style characteristics of Japanese architectural spirit show. In addition to the interior design of "Totoro" in "Spirited Away", such a barrier door is also used, and in Miyazaki's film, the music master Hisaishi Madeo perfectly integrated the piano melody with traditional Japanese instruments to form a unique distinctive feature, which reflects the unique aesthetic mood of traditional Japanese folk music and adds a lot of style to the spread of the film.
<h1 class="pgc-h-arrow-right" data-track="4" > lens language reflects the Japanese national aesthetic</h1>
Lens language refers to the use of different picture shooting angles, shooting methods, picture processing techniques in the film, to narrate the story, according to a certain rhythm to determine the aesthetic style, so as to express the thoughts and emotions contained in the film. For example, the American Disney animation board uses push-pull and-shake to represent the extremely smelly story rhythm, while Miyazaki's films, many of which are static or slow-paced shots to show the subtle personality of natural landscapes and characters, also reflects the Japanese trend of pursuing cleanliness, restraint, and rich aesthetic taste. In the film "Spirited Away", the first thing that comes into the picture is the water world in the distance, which makes the whole environment quiet and makes people can't help but think. In the film "The Wind Rises", when HorigoeJiro eats fish, he thinks about whether he can make an airplane with fish bones, and uses detailed close-up shots to highlight the micro-expressions of the characters and express the protagonist's personality in great detail. At the same time, Miyazaki is also good at the mixing of a variety of shots, for example, in "Totoro", Xiaoyue and Xiaomei went to the countryside, the camera slowly moved with the car, and the switching of the camera back and forth showed the natural scenery of the countryside and also reflected the innocence and cuteness of the sisters.