<h1 class="pgc-h-arrow-right" data-track="1" > worldview in anime</h1>
We know that the worldview in animation is very important, often plays a role in constructing the entire animation plot outline, then the general animation plot and world view can be divided into two kinds, one is the small world to tell a big story, and the other is a big world to tell a small story.
Japanese manga often do a better job in the former, if you look closely, you will find that many japanese manga its world view is often not large, in many cases, its set world view is often a city or even as small as a school, can constitute a complete location of the entire anime.
Although these anime plots only take place in a small place, but often the characters are portrayed in a very three-dimensional way, the plot is very cleverly designed, which can bring the audience a very good viewing experience, which is the strength of The Japanese manga. Because they are often good at seeing the big in the small, even if the Japanese comic outlines a huge worldview and the combat system that comes with it, it often collapses in the later stages, because once the worldview is large, it will become a long-form work type.
Many times the author often does not outline the plot at the beginning to get the finale, so there will be a lot of things added in the middle, and even some changes, the effect is not very good at this time. But American comics are different, and audiences who often watch American comics know that the worldview of American comics is often very large.
<h1 class="pgc-h-arrow-right" data-track="11" > the different worldviews of American and Japanese comics</h1>
To what extent, many times it has risen to the universe or the aspect of the situation, and The American comic is very good at dividing such a universe into different anime types, that is, similar to the American comic connoisseurs like Marvel and DC, after establishing a huge world view, they often not only make one anime, but also make many different anime.
Although the protagonists and plots of each anime are different, they can often be linked together to outline a huge system, which is the unique feature of American comics. But just look at one of its works, and you will find such a shortcoming.
That is, the world is very big, but the plot in each small world is often not exciting enough, a bit of a popcorn movie perfunctory feeling. Perhaps it is precisely because they have focused on the outline of the worldview, but ignored the details are equally important, or they have planned to play a big game from the beginning, so simply looking at a single work in the series does not see the whole worldview as a whole.
In this case, it will give the audience a situation where it seems that each piece is not good enough, but the combination is very powerful. Although this is the characteristic of the two kinds of anime, in fact, it is not necessarily the case, for example, there will be two characteristics in both kinds of anime.
For some small-set worldviews, how small can it be, often small enough to happen in and around a house, such as Spirited Away, Hal's Moving Castle, Monster House, and Ghost Mother. Although the story has other scenes, the focus of the story is in a house.
If you look at the proportions of the scene, this kind of anime that focuses on the house, most of the time the house even assumes the background role of the world view. But despite this, the plot can often make a deep impression, and even in the end, the most impressive thing is this house.