Hairy tip
"The cherry blossoms, which have not yet withered, are about to become the subject of people's lamentation. After the moon shone on the earth, it sank again in the mountains. Only the love between the two sexes is endless. And here..."
This is the beginning of Ihara Nishizuru's "Lustful Generation Of Men", concise, direct, three sentences into the topic. The novel chronicles, eight volumes and fifty-four chapters, with a centipede-like concatenated structure, which depicts Seinosuke's erotic career from the age of seven to sixty. Seinosuke's satomira practice, from Nagasaki in the west to the Sendai Shine kiln sakata in the north, "before the age of fifty-four, there were 3,742 women and 752 men", so for a long time, Seinosuke has always been regarded as the originator of scumbags.
The Lustful Generation of Men, Volume VI
Finally, the Japanese shook their heads.
The film "Seinosuke Yokomichi" (2013), adapted from the novel of the same name, is an extremely warm youth film, with a length of one hundred and sixty minutes, and not a minute is inappropriate for children. However, this very Tanabata movie effectively reinterprets the number one playboy Inosuke in the world.
On the surface, the only intersection between "Yokomichi Seinosuke" and "The Lustful Generation of Men" is that both protagonists are called Seinosuke, which also makes Yokomichi Seinosuke, who was born in the 1980s, laugh at wherever he goes, because the lustful generation of men is really a household name. But Seinosuke Yokomichi carried all the laughter in a confused way. He was born to be happy, he ran from the harbor town to Tokyo to study at the university, and at the opening ceremony, no one cared about the long and tedious speeches of the school, but Yokomichi Seinosuke listened with relish. Inexplicably, he joined the school's samba dance club with his friends, and on stage, the one who danced the most silly and hard was Shinosuke. He went to his friend's house to rub the TV and rub the air conditioner, and at night his friend went to the park to date him all the way, and the friend really had no choice but to tell him that my sexual orientation was different from yours, but Seinosuke didn't care at all. Because he is so pure and so cute, the especially innocent Shiratomi Shoko loves him, and the famous dust girls in Tokyo also like him, they are the fruits of Seinosuke's short life, especially Shoko, the first kiss in the snow, and the determination of the relationship, all of which make Seinosuke feel relaxed. At the age of forty, at the last minute of his life, Seinosuke did not hesitate to jump off the tracks to save people, and died on the spot. The news came out on the radio, and the short or long passers-by of Seinosuke's life remembered him, and at the end everyone smiled.
"Yokomichi Seinosuke" reverses the perspective of "Lustful Generation Man", which has passed through the years and the years have fallen, but Seinosuke is a light source that will never be polluted. There are a lot of shots of Shinosuke running in the movie, and the joy of crossing the whole world as Eden is really touching. In this momentum of life, the 20th-century Shinosuke perfectly joined hands with the lustful generation of men of the Edo period. Although one of them has read the spring colors of the world, and the other is a spring bear, they both transcend the old-fashioned morality and ethics in their own way, there is no mask, no excuses, a fierce son plunges into life, seeks color, courtship and love, both, in an instinctive sense, embodies the spirit of the Japanese era. In this vision, whether it is full of excitement or sexual vitality, it is a fountain of life, and it is worth using the night of Tanabata to open any world.
Poster of "Seinosuke Yokomichi"
Turned over the case for the Japanese scum ancestors, to see the British scumbag look. By the way, the scumbag here is not the toothpick man in entertainment news, the latter is just philately. The scumbag man is unable to distinguish between the staple food of life and snacks, and spits out the staple food as slag.
One Day (2011), directed by Basil Shafi, has a flattering structure and is also based on the novel of the same name. On July 15, 1988, after the graduation party, Emma took her crush, Dix, to the dormitory. But before the flash flood broke out, Emma slammed on the brakes, fearing that sex would ruin the future. The two slept purely and met every year on July 15, like a cowherd weaver girl.
On 15 July 1989, Dex helped Emma move her family to London, where he went to India himself. In 1990, Emma, who worked in a restaurant, called Dekkers who was far away, and Dex answered the phone in bed with a perfunctory attitude, and after the phone hung up, Emma said into the microphone: I miss you. In 1991, Dex returned to China to join the TV station, and the warblers and swallows continued. In 1992, they met, emotional moments, Dex said, these years have actually been quite wanted... But then the knife is repaired, and I do this to women. Emma shoved Dekkers' head into the water. In the following years, Dirks became more fancy, and on several phone calls, Dirks had someone around him. In 1995, Emma finally gave up and lived with people. In 1996, Emma famously said to Dix: "I love you very much, but I don't like you anymore." In 2000, the two reunite, but Dex is about to marry Fengzi, and the whole city listens to the heartbreak of Emma, who is back single. In 2003, Dekkers ended her marriage and came to Emma, but at that time, Emma already had a boyfriend, and her writing made her famous. Dex had a meal at Emma's apartment. But turning, Emma ran toward him. In 2004, they finally got married. Three years, God gave them three years. On July 15, 2006, Emma called Dekkers to fix a small quarrel, she rode home, the wind blew her windbreaker and blew her hair, and when she was out of the alley, a large truck passed by.
Poster of "One Day"
This movie is made like a PPT, a model implanted in Europe and the United States, and at the end of the film, the warm details of July 15 are presented one by one, and life is magnificent and short, sixteen years, but only sixteen days. Even in those sixteen days, Dex spent most of his time in his heart. But after Emma's death, Dekkers truly received the punishment of life, and he felt that he could not live. The film ends on July 15, 2011, when Dex is visibly aging, and of course he has accepted his fate.
After "One Day" came out, there was a big discussion on the Internet, is the male protagonist too scummy, and the female protagonist is too stupid? The answer is yes. Interestingly, the audience is not too harsh on the choreographer, still feel that this is a Valentine's Day movie, and, looking back at the youth movies of the past decade, a large number of them are in this format, and it is estimated that this is also a literary and artistic cause for the global scumbags to live endlessly. And I thought later, this thing, on the one hand, may be able to fill in the gaps of the movie with their own blocks, everyone can also implant their own heartbeat into the beautiful protagonist, on the other hand, more importantly, this annual and day-to-day structure, innately has romantic attributes. I checked, and basically every country that has a movie has a movie called "One Day", the main line of love story, ranging from one minute to a hundred years, the timeline is buckled within the day, similar to the petty bourgeois Bible "Love In" series (1995, 2004, 2013). This is also the reason why festivals like "Tanabata" have an unexplained charm.
Stills from "Love Before dawn breaks", "Love at sunset and dusk", "Love before midnight"
However, I would like to ask, who is to thank Tanabata for becoming a contemporary hormonal festival?
Many people will thank the Queen Mother, one period and one meeting to ensure eternity, but this is the saying of literary scum, unwilling to go all out, only literary and artistic responsibility. Let's look at "Lustful Generation Of Men". The cherry blossoms of this book begin, and the second verse is Tanabata, "On the morning of Tanabata on the seventh day of July, the old copper sitting lamps, oil pots, small tables, and stone stones are cleaned, so the shoals of the Mustagawa River, which are usually clear, have become dusty places." On the north side of the Wasagawa River, there is a temple called Golden Dragon Temple, and the bell rings in all directions in the evening", and Seinosuke's parents heard the bell and remembered the song, "When there is no end to twilight, every evening bell is heard by The Bell is thought of as well".
Shinosuke's Tanabata opened the cherry blossoms and the meaning of traditional Tanabata, and even, with this precise point in time, Nishizuru completely took "Lustful Generation Men" away from the medieval view of nature. For example, Matsuo Basho and Ihara Nishizuru are completely contemporaries, Matsuo Basho's time view is basically the natural timing of flowers blooming and falling, and people's seven passions and six desires also rhyme with the four seasons of inflorescence, but Ihara Nishizuru kicked away this kind of people and nature who saw the cherry blossoms bloom and saw the cherry blossoms fall, and from then on, nature is my final say, or that vigorous desire occupies the upper hand of nature, and the wild and endless passion makes the cherry blossoms bloom undefeated in spring. In this way, people want to inject time, and with the power of its birth, transform the timing transformation ethics and also transform literature and art, just as Ximen Qing's desire has completely changed the Chinese novel and folk program.
"Jin Ping Mei" is the contemporary pioneer of "Lustful Generation Man", and also changed the order of heaven with manpower, and swept away the plant wind of poetry and song in the same period with the logic of people's desire to win the heavens. In the discussion of "Jin Ping Mei", a very small and fresh topic is: Why is there so many solar terms written in "Jin Ping Mei", but it does not depict Tanabata? The righteous gentleman concluded that the lascivious Ximen Qing were not worthy of Tanabata.
Ximen Qingpan Jinlian must have been happy to hear this conclusion. Not to mention that there are many casual Tanabata symbols in "Golden Plum Bottle", such as the traditional Tanabata procedures of "Bai Dou" and "Sugar Noodles", the most important scene of Ximen Qing and Pan Jinlian is not the "grape rack", and the grape rack is not the most important link in the legend of Tanabata: if you hear the whisper of the cowherd weaver girl under the grape rack, you will be pleased.
The second time in "Golden Plum Bottle"
Therefore, in theory, I can also say why "Jin Ping Mei" does not specifically depict Qixi, because Ximen Qingtian celebrates Tanabata every day, and the liberation force that erupts from within Tanabata is not a cowherd weaver girl, but Ximen Qing and Pan Jinlian. Of course, when I say this, I am looking for death. How can such a pure love festival as Tanabata go after Ximen Qing and Shinosuke, but at a time when the world's youth literature and art are becoming more and more powerless, I really miss Ximen Qing from the bottom of my heart. Especially recently, I have participated in two consecutive youth literary and artistic reviews, and I have not seen a single fierce work, while I am glad that the work of sweeping away pornography and cracking down on black is indeed effective, I also sigh that human kidney organs are becoming more and more monotonous. Taking stock of the love movies of these years, the real brave things are often done by middle-aged and elderly people and disabled people, such as South Korea's "I Love You" (2011), like Ireland's "Mo Di" (2016), and our "Country Love" (2006-present).
Stills from Country Love
I would like to pay tribute to Bigfoot Xie with this article. The goddess of ivory mountain. With the beauty of the great rivers and the generous desires, she changed the Chinese youth films that fell in the new century, and she wanted to hear her say again on the screen: Come and see me, you can pull it down.
Editor-in-Charge: Ding Xiongfei
Proofreader: Luan Meng