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As soon as she debuted, she swept through the major newcomer awards, and the goddess of the hegemonic era was not a figment

author:Mint records

I don't know if you have recently brushed this beauty on a short video platform?

As soon as she debuted, she swept through the major newcomer awards, and the goddess of the hegemonic era was not a figment

This sweet and young girl's face was full of fierce expressions, and her fragile and stubborn appearance caused countless people to exclaim.

As soon as she debuted, she swept through the major newcomer awards, and the goddess of the hegemonic era was not a figment

In fact, this GIF is from the Japanese movie "Hell", and this beautiful girl is The Showa beauty Harada Mieko, born in 1958. In other words, beauty is now old enough to be a grandmother

As soon as she debuted, she swept through the major newcomer awards, and the goddess of the hegemonic era was not a figment

However, this does not prevent us from appreciating her appearance when she was young, and when she was young, Harada Mieko can definitely be called the best of the times.

As soon as she debuted, she swept through the major newcomer awards, and the goddess of the hegemonic era was not a figment

Mieko Harada debuted very early, and at the age of 16, she starred in the movie "Love in the Green Wind".

As soon as she debuted, she swept through the major newcomer awards, and the goddess of the hegemonic era was not a figment

At that time, she was still carrying baby fat, and her face was visible to the naked eye with a sense of youth and youth.

As soon as she debuted, she swept through the major newcomer awards, and the goddess of the hegemonic era was not a figment

When Mieko Harada was 18 years old, she starred in two works, "Lullaby of the Earth" and "The Murderer of Youth", and the roles in these two works were the beginning of her path to the gods.

As soon as she debuted, she swept through the major newcomer awards, and the goddess of the hegemonic era was not a figment

The first is The Killer of Youth, which is the debut of director Kazuhiko Hasegawa.

As soon as she debuted, she swept through the major newcomer awards, and the goddess of the hegemonic era was not a figment

The plot is very raw, and there is a very strong reflection on the original family and the current situation of Japanese society at that time.

As soon as she debuted, she swept through the major newcomer awards, and the goddess of the hegemonic era was not a figment

And this drama is very bold and crazy, whether it is morality, or mirror operation, color, and externalizes the complex psychology of the characters, which is very unique.

As soon as she debuted, she swept through the major newcomer awards, and the goddess of the hegemonic era was not a figment

And the unique film naturally needs strong actors to reflect, the director selected Harada Mieko, who has not been debuting for a long time.

As soon as she debuted, she swept through the major newcomer awards, and the goddess of the hegemonic era was not a figment

She plays the waitress Miko.

As the key link connecting this drama, Mieko is not afraid of the stage, and the complex character personality is also very thorough.

As soon as she debuted, she swept through the major newcomer awards, and the goddess of the hegemonic era was not a figment

Another "Lullaby of the Earth", she is also the heroine, playing the poor girl Ah Ling, who is sold into a brothel.

As soon as she debuted, she swept through the major newcomer awards, and the goddess of the hegemonic era was not a figment

From a mountain girl who yearns for the sea to a prostitute, Ah Ling, played by Mieko, has a primitive and natural, unadorned beauty, and in addition to beauty, there is also a kind of fierceness in the mountains.

As soon as she debuted, she swept through the major newcomer awards, and the goddess of the hegemonic era was not a figment
As soon as she debuted, she swept through the major newcomer awards, and the goddess of the hegemonic era was not a figment

The girl who was rescued after going blind became a pilgrim, and the transformation of the character design was also very strong.

As soon as she debuted, she swept through the major newcomer awards, and the goddess of the hegemonic era was not a figment

Harada Mieko portrayed the character of Ah Ling very successfully, from a naïve girl to a prostitute to a pilgrim, a woman with a strong personality who is wild and stubborn, beautiful enough to be suffocating.

As soon as she debuted, she swept through the major newcomer awards, and the goddess of the hegemonic era was not a figment

Both of the characters in both films are complex and unique, and by virtue of this, Harada Mieko becomes a trophy harvester.

As soon as she debuted, she swept through the major newcomer awards, and the goddess of the hegemonic era was not a figment

She won the Newcomer Award in various film awards such as the Best Actress Award, the Blue Ribbon Award, and the Baozhi Film Award.

As soon as she debuted, she swept through the major newcomer awards, and the goddess of the hegemonic era was not a figment

With appearance, acting skills, and works, how can such a girl with aura not be hot?

As soon as she debuted, she swept through the major newcomer awards, and the goddess of the hegemonic era was not a figment

Many directors saw the plasticity of the beautiful branch and threw an olive branch at her.

Shindai Tatsumi invited her to star in "Hell", which surprised everyone at the beginning of the article.

As soon as she debuted, she swept through the major newcomer awards, and the goddess of the hegemonic era was not a figment

Shindai photographed the beautiful branches too beautifully, and there was a sense of vulnerability that filled the ground after the flowers had bloomed.

As soon as she debuted, she swept through the major newcomer awards, and the goddess of the hegemonic era was not a figment

Akira Kurosawa also took a fancy to her and invited her to star in "Chaos" and "Dreams".

As soon as she debuted, she swept through the major newcomer awards, and the goddess of the hegemonic era was not a figment

Here I would like to mention "Dream", the visual impact and composition of this film is absolutely master level.

As soon as she debuted, she swept through the major newcomer awards, and the goddess of the hegemonic era was not a figment

At the same time, there is also a strong Japanese culture, which makes people wonder that "the original movie can be made like this".

As soon as she debuted, she swept through the major newcomer awards, and the goddess of the hegemonic era was not a figment

In addition to being favored by Akira Kurosawa, director Shinji Fukasaku also issued an invitation to Mieko Harada.

The female star she played in "The Man of the Fire House" is really full of charm.

As soon as she debuted, she swept through the major newcomer awards, and the goddess of the hegemonic era was not a figment

At this time, as the beauty of the branches increased, the baby fat on the face had faded, and the sense of bones began to be revealed.

As soon as she debuted, she swept through the major newcomer awards, and the goddess of the hegemonic era was not a figment

The slender eyebrows are like blades, and the smiles seem to open up the wind dew of the vengeance, which is in the world.

As soon as she debuted, she swept through the major newcomer awards, and the goddess of the hegemonic era was not a figment

Hideyuki Hirayama tailored "Beggar" for her.

In it, Mieko Harada plays two roles, one is the mother of the past, and the other is the daughter of the present.

As soon as she debuted, she swept through the major newcomer awards, and the goddess of the hegemonic era was not a figment

In that dire and chaotic era, Terue and her mother, Toyoko, were poor people created by the times.

As soon as she debuted, she swept through the major newcomer awards, and the goddess of the hegemonic era was not a figment

Where is this drama?

In the movie, two lines unfold in parallel and intersect each other.

Although Mieko plays two roles, her acting skills are really too good, her temperament is completely different, and she switches freely between gentleness and hatred.

As soon as she debuted, she swept through the major newcomer awards, and the goddess of the hegemonic era was not a figment

Of course, Mieko, who played two roles in one person, won 10 best actresses with "Beggar" and directly won the Grand Slam.

As soon as she debuted, she swept through the major newcomer awards, and the goddess of the hegemonic era was not a figment

There are many works of Mieko, can not be repeated one by one, her acting skills are recognized as good, and it is really her daily life to get awards and get soft hands.

Probably too powerful, Mieko is very indifferent to the matter of beauty.

She will show her wrinkles generously and will not be bothered by age.

As soon as she debuted, she swept through the major newcomer awards, and the goddess of the hegemonic era was not a figment

Gracefully aging, her aura is still strong.

As soon as she debuted, she swept through the major newcomer awards, and the goddess of the hegemonic era was not a figment

The goddess has three children, two of whom are daughters, all of whom have entered the entertainment industry.

As soon as she debuted, she swept through the major newcomer awards, and the goddess of the hegemonic era was not a figment

The younger daughter Ishibashi Shizukawa is also a very powerful newcomer, and the first movie "The Night Sky Always Has the Greatest Density of Blue" won the Blue Ribbon Newcomer Award.

As soon as she debuted, she swept through the major newcomer awards, and the goddess of the hegemonic era was not a figment

Sure enough, there must be a mother and a daughter, looking forward to the next development of Ishibashi Shizukawa, and also hope that Mieko will be healthy and produce more beautiful works for us

As soon as she debuted, she swept through the major newcomer awards, and the goddess of the hegemonic era was not a figment