Self-written
□ Zhu Guoliang
1. Personality fusion under the law
A student once asked me how to write calligraphy works with personal style characteristics. I think the origin of personal style is not obtained from painstaking meditation in the study, but after a lot of ancient and borrowing, it is naturally generated through pen and ink. As the saying goes, "everywhere in a hundred homes, self-contained." I often remind myself that a young book writer cannot prematurely solidify a certain creative state, and the staged creative style is determined by the different styles of the objects taken in this period.
Zuo Zongtang minglian
2. The mutual nourishment of epigraphy
This special form of calligraphy has given Chinese characters a new language for writing, and through calligraphy, craftsmanship, and erosion of time, it has put a veil on the modern writer. Linbei is not only to experience the golden stone qi of the stele, but more importantly, to "see the pen through the blade", to experience the state of the booker's book, and at the same time to take into account the golden stone qi of the stele, so as to better grasp the true meaning of the stele. The state of Shudan can be directly borrowed through theology of thesis, and the brushstrokes of the dot paintings in the posts, the starting and closing, the priorities of the strokes, and even the changes in ink color have been perfectly interpreted in the ancient classic thesis. For example, those who study Chu Suiliang's "Sacred Order of the Wild Goose Pagoda" cannot escape the "Big Character Yin Rune Sutra" and "Ni Kuanzan".
Skylink
3. The theoretical convergence of Chinese calligraphy and Chinese flower arrangement
The six rules of traditional Chinese flower arrangement: high and low, dense and dense, combination of virtual and real, pitch echo, light and heavy, up and down, up and down. In the teaching of floral art, I suddenly realized that the "Six Laws" are not exactly the principles that a calligraphy work should follow! Many scholars are hesitant to think of the phrase "Chinese calligraphy is the core of Chinese culture", but it is undeniable that Chinese calligraphy plays a pivotal role in Chinese culture. Since it is "Chinese culture", then opera, dance, tea art, flower arrangement, Chinese gardens, etc. are not the specific embodiment of "Chinese culture"? Therefore, I tried to absorb nutrients and nourish calligraphy from my favorite Chinese opera, tea art, folk music, flower arrangement, etc.
Xu Jie's "Spring Tour Zhang Tiju Garden Pool"
A touch of delicacy under the strong character
□ Xu Nengjun
Yang Xiong's "Fa Yan Qing Shen Volume V" has a saying: "Words, heart voices also; books, heart paintings also." "Zhu Guoliang's calligraphy is like his person, although he takes the Fabei Stele, but under the majestic face is an elegant Jiangnan literati temperament. I'm curious how this was fixed.
Liu Xizai's "Outline of Art" is copied
During the weekday conversation, it was learned that Guoliang liked piano, chess, calligraphy, painting, playing and singing since he was a child, and he studied gardening at the university, and has been engaged in the teaching and research of "Floral Design" after graduation, and these learning experiences have accumulated a rich traditional cultural heritage for him. Chinese classical music, gardens, traditional flower arrangement and other arts provide a good reference system for their calligraphy, they have the same artistic principles as Chinese calligraphy, and the forms of expression and means of expression are similar. The convergence of many artistic languages has made the appearance of his calligraphy works distant from the calligraphers of today.
Tao Yuanming's Biography of Mr. Goryū
Guoliang has a deep foundation in Tang Kai, and his Wei stele works, starting with the Northern Wei royal epitaph, are the nutrition of the "first mouthful of milk", which determines the tone of his current works is the standardized Wei stele system route. While learning Wei Bei, he also learned to appreciate the writing of Tang Stele and the fluency of the book, so that the work not only did not lose the golden stone atmosphere of Wei Bei's sword and axe, but also pursued the agility and grace of the Book Dan.
Pro "Li Mou's Epitaph"
The form of the work pursues a large blank space and a large block of noodles, forming a strong contrasting relationship, but no matter how the blank space is, it can always pinch the black just right. Large-scale works take this role of blank space to the extreme, making his large works often unexpected but also unexpected.
Hard work pays off
In order to perfectly reflect the fresh and elegant style of writing, his works use the best cooked paper, batik, gilded, gold, clay silver, etc. on the paper, and the choice of delicate paper also determines the display of the writing effect.
Years of tireless pursuit have brought him a series of achievements in return. His works won the Excellence Award (Highest Award) of the 6th Biennale of Zhenjiang City in 2018 (Zhenjiang Municipal Literary Association), the first "Crane Ming Award" Calligraphy Exhibition in Zhenjiang City in 2019 (Zhenjiang Municipal Party Committee Publicity Department, Municipal Literary Association); the 12th National Calligraphy seal engraving exhibition in 2019 (China Federation of Literature and Literature, China Book Association); and the highest award in the calligraphy category of the 14th "Five Star Project Award" of Jiangsu Province in 2020 (Provincial Department of Culture and Tourism).
Mengjiao "Wandering Ziyin"
Zhu Guoliang is currently engaged in calligraphy education and training, and has contributed to the cause of calligraphy education in Jurong, and his students have achieved remarkable results in various competitions, which is worthy of recognition.
On the road to study in the future, I personally have two small suggestions. First, dosing. Add some wild game to the yazheng of the royal epitaph, and draw nourishment from the innocent and spontaneous flavor characteristics of the Northern Dynasty Cliffs and folk stone carvings. Second, expand. Broaden the study of the book style, the true grass is combined with the seal, take each other's laws, infiltrate each other, guard against arrogance and impetuosity, and go further.
Come on, bro.
Childlike
Zhu Guoliang
【About the Bookmaker】
Zhu Guoliang, born in 1989, Jurong, Zhenjiang, Jiangsu, is a member of the Communist Party of China, a member of the Chinese Calligraphers Association, a member of the New Literary and Art Group Committee of the Jiangsu Calligraphers Association, a member of the Calligraphy Committee of the Jiangsu Young Calligraphers Association, and the director of the Creative Committee of the Jurong Calligraphers Association.
【Awards】
2018 Zhenjiang 6th Biennale Excellence Award (Highest Award) (Zhenjiang Literary Association, Book Association)
2018 The 11th Newcomer Exhibition of Jiangsu Province (Jiangsu Book Association)
2019 Zhenjiang City's first "Crane Ming Award" calligraphy exhibition award nomination (Zhenjiang Municipal Party Committee Publicity Department, Municipal Federation of Literature)
2019 Zhenjiang Young Calligraphers Nomination Exhibition (Zhenjiang Literary Association, Book Association)
2019 China Anyuan "Three Hundred Mountain Cup" National Book Fair (Jiangxi Provincial Book Association)
2019 The 3rd Young Artists Exhibition of Jiangsu Province (Jiangsu Young Artists Association)
2019 Jiangsu Province "New Song and Ink Rhymes to China" Celebration of the 70th Anniversary of the Founding of New China Contemporary Famous Calligraphy Invitation Exhibition (Jiangsu Provincial Party Committee Publicity Department, Provincial Federation of Literature and Literature)
The 12th National Exhibition of Calligraphy and Seal Engraving in 2019 (China Federation of Literature and Literature, China Book Association)
2020 "Jiangzuo Wind Flow Award" Jiangsu Province Ninth Youth Calligraphy Seal Engraving Exhibition (Jiangsu Youth Book Association)
2020 Jiangsu Province 14th "Five Star Project Award" Calligraphy Category Highest Award (Jiangsu Provincial Department of Culture and Tourism)
2020 Jiangsu Provincial Fine Arts and Calligraphy "Fighting the Epidemic with One Heart" Theme Works Exhibition (Jiangsu Provincial Party Committee Propaganda Department, Provincial Federation of Literature and Literature)