Poster of "Mountains and Rivers Izumo Under Rain: A Special Exhibition of Hunan Painting Art in the Late Qing Dynasty and republic of China"
From April 29, Changsha Museum will hold the "Mountains and Rivers Izumo And Rainy Days - Special Exhibition of Hunan Painting Art in the Late Qing Dynasty", exhibiting more than 70 works (sets) of artistic masterpieces represented by Qi Baishi, Chen Shaomei, Cangya, Shen Han, Xiao Junxian, etc., presenting the Xiaoxiang humanities under the brush and ink of modern and contemporary painters for the viewer.
Xiaoxiang is a synonym for Hunan, and in the Tang Dynasty, "Xiaoxiang" no longer referred to Xiaoshui and Xiangshui alone, but was poetically translated into a regional name. Because Hunan has a forest luzhouzhu with smoke and morning, a river village and a stream and a burst of fishing songs, and a piece of Jiangnan in plain and innocent. The land of Xiaoxiang is not only mysterious and beautiful, but also makes the literati and sages since the Chu and Han Dynasties flock to it. They either belittled Yongzhou and fell to the south of the River; or they were eunuchs and jingchu, and they traveled to Xiaoxiang. They not only praise Xiaoxiang's victory, but also express their ancient feelings. Since the fifth generation, "Xiaoxiang" has become the traditional subject of Chinese landscape painting art, starting from the "Xiaoxiang Tu" created by Dong Yuan in the fifth generation to the modern Fu Baoshi's "Pingsha Falling Goose Map". No matter whether the painters of the past generations live in the height of the temple or are far away from the rivers and lakes, they are all happy to see the eight hundred miles of landscapes and rivers in the chest, and uninterruptedly depict the eight best scenes of Jiangtian Twilight Snow, Shan Qinglan, Xiaoxiang Night Rain, Yan temple evening bell, Yuanpu Guifan, Fishing Village Xizhao, Dongting Autumn Moon, and Pingsha Falling Geese in different ways, from different angles, and at different times.
Qi Baishi Double Crab Figure 34x34cm Changsha Museum Collection
When it comes to the painting masters of modern and modern China, Qi Baishi is an art master who cannot be bypassed. Qi Baishi's painting of shrimp is a must in the painting world, and the painter strives to deeply express the characteristics of the shrimp through lifelong observation. The shrimp in his pen are lively, sensitive, alert and vital, and a few strokes, with the shades of ink color, showing a sense of movement. The "Shrimp Diagram" exhibited this time is empty and clear, thick and light, detached from the shape, similar to the shape, and the spirit is full of energy.
Qi Baishi Shrimp figure 34x34cm Changsha Museum collection
Xiao Junxian Fa Zhao Danian Green Landscape Map 47x34.5cm Changsha Museum Collection
Xiao Junxian (1865 -1948) Character 厔泉, 号铁夫,別署天和逸人,斋名清念楼. A native of Hengyang, Hunan. In his early years, he learned to paint from Master Cangya and Shen Yongsun. At the behest of Li Ruiqing, he once taught in the Drawing and Handicraft Department of Liangjiang Excellent Normal School. In the early years of the Republic of China, he lived in Beijing and taught at the National Peking Art College. In his later years, Yuhu sold paintings for a living, and his landscape paintings were majestic, full of charm, humorous and intriguing, with a unique style, known as "Xiao Pai landscape painting". The "Fa Zhao Danian Green Landscape Map" exhibited this time "replaces ink with color, does not need to be outlined, and the essay is dyed, and it is beautiful and vivid, which has never been seen before." ”
Xiao Junxian, Wang Zhen Landscape Map, 19.5x52cm, Changsha Museum Collection
In the period from the late Qing Dynasty to the early Republic of China, there was also a very famous calligrapher and painter in the Changsha calligraphy and painting circle called Xia Shilan, who not only painted landscapes, flowers and birds, and Meilan bamboo chrysanthemums well, but also had characteristics in various books and poems. His paintings of the old Mei Gusong are vivid and natural, and the pen and ink kung fu is a must. The "Cui Yu Tu" on this exhibition depicts a cui feather standing on the back of the plum, the composition is clear, and the color is meticulous.
Xia Shilan Cui Yu Album On Paper Color Changsha Museum Collection
During the Republic of China period, changsha's calligraphy and painting art circles were active with a group of Hunan calligraphers and painters who dared to innovate and accept modern cultural consciousness. However, in the late Qing Dynasty and the Republic of China period, including the early ten years of the founding of the People's Republic of China, the most influential in the field of calligraphy and painting in Changsha was the three brothers Lei Kai, Lei Ke and Lei Yue, who were known as the "Three Heroes of lei". Among them, Lei Yue (1882 ~ 1933), the character Yifu, Yizuo Yifu, the number of virtual gong, gonggong, iron cultivator mountain people, hulu waishi, room name iron cultivation zhai, Changsha people. Gongshan water, flowers and birds, figures, Buddha statues, fine appreciation, rich collection. Lei Yue's "Flower Diagram" in this exhibition is rich in color, and "Plum Blossom Diagram" is written in ink color, with a good shade.
Modern Lei Yue Flower Figure 20x55cm Changsha Museum Collection
Modern Lei Yue Plum Blossom Figure 37x23cm Changsha Museum Collection
It is reported that the exhibition is hosted by changsha municipal bureau of culture, tourism, radio, film and television, changsha museum, Hengyang museum, the exhibition period is from April 29 to May 29.
Find reporters, reports, ask for help, major application markets download "Qilu OnePoint" APP or search weChat Mini Program "OnePoint Intelligence Station", more than 600 mainstream media reporters in the province are waiting for you to report online! I'm going to report it