"The Forerunner" 5 people acting skills can be written into the spy drama textbook, the most admirable thing to me, or Huo Qing 1, Zhao Yang played Chen Lie: Pingkang Baixue, moisturizing the silent 2, Huo Qing played the traitor Pei Ruhai: this is called spy war face 3, Cao Weiyu played Lao Wu: changing face acting, pure fire 4, Wang Cong played Chen Hengli: color li inner, into the wood three points 5, Zhang Fan played Yu Solo Awakening: full of aura, forward-looking and backward Gu wrote at the end: really good acting skills, no need to explode

To be honest, I was recently fascinated by a spy drama that quietly started broadcasting.

No hot search, no overwhelming publicity, no top stream blessing, the official announcement of the day, the fixed file on the same day, the premiere of Beijing Satellite TV, as a result, the ratings quietly exploded.

On the night of the opening broadcast, it rushed to the second place in the soaring list of a certain platform, and the latest ratings ranked second, directly approaching the hot drama "Breakout".

More critically, although Douban has not yet opened a score, the comment area has been full of praise. In the tone of many netizens, there is a burst of "finally let me dig up the treasure again" snickering joy.

What's up? The original work, "Party Group", is from "Latent" author Ryuichi, in this play, he is also a planner.

The main actor found Zhang Lu and Nie Yuan, one is a recognized spy face, and the other is a beautiful acting school that has turned over with acting skills. Plus Han Xue, this lineup, enough to see.

So, this play depends on them? Unexpectedly, after 15 episodes were broadcast, the comment style became more and more "crooked"?

Starring smashed? Not really.

As a double male drama, the confrontation between Ma Tianmu and Tang Xianping, the two characters, runs through the whole process, and the wave of unevenness rises again, and the acting skills can definitely support it.

Nie Yuan plays a character who is both good and evil, and is recognized as stable enough.

And Zhang Luyi, who received rare bad reviews in his actor's career in the last drama "Dress Tender", was unanimously evaluated by netizens this time as an actor whose acting skills were stable, and even, he was an actor born for spy dramas.

But why, the audience is all talking about Cheng Hengli, Yu Duxing, Pei Ruhai, Lao Wu?

After seriously chasing the drama, I figured out that this silent spy war drama, if you are not careful, you will make a spy war drama to hide the master tiger out of the cage -

In addition to the tense rhythm, the plot of IQ Online and the exciting narrative, the most useful thing for the audience to be "The Forerunner" is the actors' soaring moments.

In particular, when the supporting roles and protagonists can be acted one by one, soaring dramas, one after another, without stopping, and also pushing the "spy drama acting skills" to the front of the stage again.

Why did the silent "Forerunner" actually reach the collective acting ceiling of this year's spy drama?

What exactly is the spy face that the audience discusses? What exactly is a really good acting? You may wish to take the low-key acting school of "The Forerunner" and talk about things.

Come on, open the whole!

<h1 class="pgc-h-arrow-right" data-track="19" >1, Zhao Yang played Chen Lie: Pingkang white snow, moisturizing silent</h1>

Who still recognizes, this is the gentle and jade-like Gongsun Ce in "Young Bao Qingtian 3",

The Pingkang Baixue Zhu team in "The Silent Truth"? If you don't recognize it, you can't recognize it.

In "The Forerunner", the real underground workers are to be unrecognizable.

In "The Forerunner", he is a chaotic Shanghai, and he does not hesitate to sacrifice his underground party member Chen Lie for the sake of lofty ideals.

Chen Lie in the play is in a Tibetan character.

Cover identity, antique dealer, look honest, wooden, in fact, meticulous, calm and calm.

This role must be hidden, hidden, and there can be no excessive physical movements and few words.

In the performance, it must not be too much movement, even when in prison and Ma Tianmu joint, the heart has been turned upside down, the surface must not be revealed, which will test the actor's expressiveness, appeal and emotional communication.

A high-standard performance, the audience knows at a glance what the character has experienced, what the current emotions and state are, and a good performance will also infect the audience in an instant, so that the audience's emotions change with the changes in the actor's mood.

Watching Zhao Yang's performance, although the mood is not colorful, it comes with a sense of tension that makes people sweat and stand upside down.

In the face of Tang Xianping's interrogation and psychological warfare, he also carried a calm that was different from ordinary people, as if there was no expression, but in fact, it was a static brake, which could still make the whole scene full of tension. Therefore, such a trick is more enjoyable.

And before being shot several times by the traitor Pei Ruhai, you can see the expression of the character, you can feel the kind of determination, indomitability and fearlessness that he penetrates the screen.

What did you find?

Yes, whenever the character is closer to the sacrifice, the audience is also closer to the heart of the character.

In the end, without a single line, the actor's subtle and restrained performance has brought to life the image of a revolutionary hero who has been fascinated by tens of millions of people.

The highest state of performance lies in empathy!

Make the audience feel empathy. After the white snow of Pingkang, Zhao Yang did it again.

<h1 class="pgc-h-arrow-right" data-track="136" >2, Huo Qing played the traitor Pei Ruhai: This is called the spy war face</h1>

The hand blade Chen Lie is the number one traitor in "The Forerunner", Pei Ruhai, who plays his actor named Huo Qing.

It was precisely because of Pei Ruhai's rebellion that our Shanghai underground party organization was almost overthrown overnight.

And his arrival also made Ma Tianmu rely on intelligence and friendship to completely change the situation of Tang Xianping, who was very affectionate and righteous.

With ease, it has become like walking on thin ice.

Document Zero secretly killed Chen Cang's plan of killing three birds with one stone, and because of the arrival of this traitor, it suffered a complete failure, and Chen Lie was heroically sacrificed!

This traitor really made the audience want to rush into the screen and beat him violently.

However, it is this kind of villain that makes the audience hate it to the bone, which is the most test of acting skills.

Because there are too many such villains, how bad there is a sense of layering, so that the audience can never forget, it is Huo Qing's good play.

And Huo Qing's performance can also be called face-changing acting.

Who remembers that this is Mr. Lu Su in the new "Three Kingdoms",

Or Ma Baoping in "Big Rivers 2"?

Most of the time, Huo Qing plays a positive character, and he actually looks like a standard decent face.

However, once he plays a traitor in a spy drama, Pei Ruhai, who he plays, instantly brings out a shadowy gloom in his expression and posture, and this emotional breath overflowing outside the action expression has become one of the most striking features in this drama.

It should be said that the method of creating this emotional momentum is the source of the character's charm.

The villain is easy to face, but Huo Qing firmly grasped the suspicious and sensitive psychological characteristics of this character after the defection, and deduced the psychological state of the character through meticulous performance.

Although his body is not trembling, the audience can see the fear, uneasiness, pressure and panic in the depths of the character's heart.

It has to be mentioned that he and Ma Tianmu, who has successfully joined the newly formed Revival Society, have a rivalry.

On the first day of the revival society, the traitor Pei Ruhai experimented with Ma Tianmu under the guise of showing the effect of hypnosis, but in fact, he deliberately tried to hypnotize Ma Tianmu through the teaching, but the result triggered a performance that both people knew.

One knows you have ghosts, the other I know you know I have ghosts, but the play still has to be played.

Finally, at the juncture when Ma Tianmu is about to tell the secret, the male protagonist played by Zhang Luyi pretends to be hypnotized and breaks out of the window to complete the whole play.

This high-level acting duel is too exciting.

Zhang Luyi can be called an explosion of acting skills, the whole time his eyes are distracted, the corners of his eyes are tearful, and his expression is sluggish, as if he is really hypnotized.

And Pei Ruhai's side, carefully lured, step by step ambush.

Between you and me, although there are only two people and a classroom, the two of them have performed the feeling of thousands of horses.

That's the power of acting.

On Huo Qing's same "face", two different people split.

One was a smiling Sven gentleman.

One is a cunning and ghostly traitor.

From Fang Jinfu in "Aiming" to the traitor this time, although they are all villains, different character psychological states and different role states have been played clearly.

To put it simply, Pei Ruhai hated it ten times more than Fang Jinfu, because the former was at least loyal to his own faith, while the latter betrayed his own faith.

So this time, Huo Qing performed a sinister and cunning walking dead.

It's amazing.

<h1 class="pgc-h-arrow-right" data-track="137" >3, Cao Weiyu plays Lao Wu: face-changing acting, pure fire</h1>

Good actors can always change their faces and become unexpected.

If I hadn't looked at the cast list, I wouldn't have recognized that this classmate of Chen Jianbin, Li Yapeng, Wang Xuebing and others at the Central Academy of Drama, the calm and low-key old Wu in this play, was actually Luo Laowei with a mouth full of explosive mouths in "Angry Qing Xiangxi".

This time, Wu Zhongxin, who he played, is the head of the Shanghai area of my underground party, and his behavior must be low-key and his aura must be strong. And Luo Lao's crooked personality, it can be said that the opposite is true.

But Cao Weiyu completely held the characteristics of the character, the eyes were sharp, the tone was calm, the speed of speech was not hurried, and the characteristics of an underground worker naturally appeared.

However, he did not treat the character as a face-made "underground party leader", but tried to penetrate the internal psychological logic of the character according to the plot setting, and portrayed his inner journey of encountering the sacrifice of comrades step by step.

There is a scene where Chen Lie dies to cover up "Document Zero".

Although Lao Wu had expected this ending, when the news really came, he still could not suppress the pain in his heart, but in the performance, all he could give was a look, but it was this look, Cao Weiyu's emotions were very full, without saying a word, but it seemed to be like crying, making people cut off.

This is the "unity of human drama".

When the actor completely integrates with the role he plays through performance, in the eyes of the audience, he is the role, the role is him, then even if he is silent, the audience can still feel the joy and sorrow of the role through the screen.

Because good performances do not need to be "acted", as long as they go anywhere, they have become people in the play.

This is a high-level performance.

<h1 class="pgc-h-arrow-right" data-track="139" >4, Wang Cong plays Chen Hengli: Se Li inward, into the wood three points</h1>

At the first glance of this actor, my reaction is the same as many viewers: Xiao Zhanwu, the iron-blooded man in "Top Secret 543",

Changed to "little white face"?

According to the reason, a role like Chen Hengli is not a core character and is easy to act as a cutscene.

However, Wang Cong insisted on playing the face of the "first brother" of the French Concession Patrol House who saw money open, saw the needle in the seam, and saw the wind make the rudder come to life.

His role and several main roles have opponent plays, especially the male protagonist played by Zhang Luyi, so there are quite a lot of emotional changes, which is actually a very big test for the actor, if you use too much force, it will appear to be too strong, and also steal the scene, but it is too bland and will appear to be out of state.

But Wang Cong interpreted the character like a fish, extremely natural, and it can even be said that there is no trace of performance, such as how to perform bargaining? Nod, pout, laugh, everything in silence.

Pay attention to Wang Cong's eyes, compared to Xiao Zhanwu's fixed eyes, Chen Hengli's eyes are fluctuating from beginning to end, revealing the strength of a chicken thief!

Such a highlight performance is the best supporting role performance, not grabbing the protagonist's play, but with Zhang Luyi and Nie Yuan's opponents in the play without falling behind, in the end, it can also shine its own brilliance.

<h1 class="pgc-h-arrow-right" data-track="140" >5, Zhang Fan performed Yu Solo Awakening: full of aura, forward-looking and backward</h1>

Yes, you read that right, this is the Xiuzhi father of Jiang Xin's unit in "Meritorious Service", actor Zhang Fan.

But in this drama, he plays Tang Xianping's boss, a figure at both ends of the old Shanghai Jiang-Wang tug-of-war and the various factions.

There are not many scenes in Yu Duxing, but many viewers can't forget him.

The reason is that this role is really eye-catching, the setting is a leader with full aura, and he shows a burst of courage between his hands and feet, and even stands there a feeling of not being angry and arrogant.

But in addition to the superficial domineering, it is actually a "chicken thief" persona.

Actors should have such a skill, even if they only appear for one minute, they can let the audience build an impression of the role.

He embodies the solemnity, majesty, watertight talk, and just right behavior of the leader, all of which are exquisite, but small in their bones, and this contrast is dramatic.

What a great actor.

<h1 class="pgc-h-arrow-right" data-track="141" > written at the end: Really good acting, no need to explode ah</h1>

Some viewers rated "The Forerunner" as the strongest spy drama in recent years, whether it is really better than "Rebel", do not evaluate.

However, as far as my feelings are concerned, compared with the acting highlights of "Rebels", it is too focused on several protagonists such as Wang Zhiwen, Wang Yang, Zhu Yilong, etc., and because the performances of individual actors are relatively weak, the overall performance level is lowered.

The advantage of "The Forerunner" is that there is hardly a weak point at the actor level. Especially the supporting roles, almost all of them are brilliant, the villains have their own characteristics, and the positive roles make the audience sincerely admire and miss it.

In the final analysis, it is the actors who give the play extra points.

In spy dramas, it's important what kind of story the creator tells, but the acting performance is also important— if not more important.

Because it's about whether the audience is in the play or not.

Watching Huo Qing's group of old drama bones act, every performance of them has depth and content.

I think this is due to the actor's careful speculation and understanding of the character. Even if it is only to play a supporting role, the actor has thought out every scene clearly, and he is not lazy at all, so that he can shape the character so flesh and blood, real and credible.

In fact, there are too many excellent supporting roles in the whole drama, including Fan Yiting, the chief inspector of the concession played by Du Gonghai, who is very wonderful from the majesty and character contradictions of the "gangster" boss to the magnate.

There is also Wu Xiaodong, who played the 87 version of "Dream of the Red Chamber" Jia Yun, who played Wang Jingwei's envoy Lu Youxiang, and a look brought the character's gloomy performance.

It is difficult for these supporting characters to have a very complete performance paragraph, and there is no yelling emotional outburst, and there is no line that particularly reflects the acting skills, but just a few expressions and actions can see the actor's acting skills.

It is also because of their existence that the smell of the long-lost spy drama is back at once!

The real classic espionage battle, in the final analysis, is a duel between people's intelligence and faith, and it is a real high-IQ confrontation.

What I saw was a group of old drama bones polished with their acting skills, and the performance level of spy dramas was constantly improving and upgrading.

How do old bottles make new wine? The key is acting.

It is also under the background of this group of old drama bones that Zhang Luyi finally washed away the performance decline of "Great Qin Fu" and regained his peak acting skills.

Good performances inspire each other.

Finally, let's talk about the title, what is the soul of "The Forerunner"?

The first layer, spy war cool drama.

High IQ duel, watch the male protagonist defeat the strong enemy, kill the Japanese Kou, remove the traitor, get intelligence, cool.

The second layer, the double male drama.

The former brothers, because of the difference in faith, finally confronted each other and burned.

But there is a third layer, faith.

What is a forerunner? The survival of the country is the responsibility of the puppet, and the more difficult the moment, the more there is a group of pioneers and heroes, generously moving forward.

Some, such as Chen Lie, fell before the dawn of victory came, and some, with their last wishes, continued to move forward until the darkness broke and the dawn blossomed.

Watching "The Forerunner", I not only feel the tense rhythm, the refreshing fire of the sword, and the steps on the tip of the knife, but through these vivid characters, I also feel what is faith and what is the glory of human nature!

It is also in this play that you can see that the choreographer is trying to pursue an aesthetic, such as light and shadow, mirror movement, and tone, with a style like oil painting.

The director's self-description, once referring to Rembrandt's oil paintings, is indeed wonderful.

But what moved me the most was actually a group of excellent actors, regardless of the protagonist and supporting roles, all used performance to present this high-level aesthetic.

There is no need to explode the acting skills, just in the places we can't see, meticulously sculpted, trying to raise the lower limit of each part of the work, and in the end, the shortcomings of the whole play become very high.

Even if the role is so small, so inconspicuous small supporting roles, but also a character's heart to lively, so that the characters are so vivid, in the end, the audience is still only infected by his performance, remember the name of the character, but did not remember their name.

But it is such a performance that proves once again that a really good actor need not be said.

Acting, own voice.

Speaking with works is the profession of the actor, and it is also the actor's greatest respect for the audience.

In a sense, this kind of good actor who treats every performance as a work is also a forerunner.