In recent years, sweet pet dramas have become popular and have become a popular "wealth code", and many stars have achieved double explosions because they starred in sweet pet dramas.
The stars who tasted the sweetness were angry, and the producers and platforms that smelled the wind direction also turned on the "copy and paste" mode, triggering a wave of sweet pet fever.
However, the 4 small sweet dramas that have recently been broadcast in succession are not as good as expected in terms of word-of-mouth and popularity, is the era of sweet pet dramas over?
A few days ago, "Programmers Are So Cute" starring Xing Zhaolin and Zhu Xudan, "Guozijian Came a Female Disciple" starring Zhao Lusi and Xu Kaicheng, "When Love Meets Scientists" starring Zhou Yutong and Liu Yihao, and "My Babylonian Lover" starring Bu Guanjin and Feng Xiaoyue have been launched one after another.
Although the characters of these four works are different, they are basically the stories of men and heroines coming together after going through various bridges.
Idols and sweet pets are important elements, and they are also the key to the explosion of such works.
However, the results after the broadcast of the four works were not satisfactory.
Xing Zhaolin and Zhu Xudan's new drama is accused of lowering the audience's IQ, and the works of Zhao Lusi and Xu Kaicheng are slightly better in the plot, but the female protagonist's acting skills and the male protagonist's appearance have caused controversy.
Zhou Yutong and Liu Yihao's new works have been labeled as old-fashioned bridge sections, and various coincidences have been accused of being slightly deliberate.
Bu Guanjin and Feng Xiaoyue starred in "Babylonian Lovers" is very novel in setting, and with mysterious elements, and even some netizens compare it with the previous blockbuster drama "Si Teng".
But more is still complaining, first of all, the plot of the play is somewhat exaggerated and brainless, and some of the three views of the bridge section have caused controversy.
Secondly, it is not very satisfied with the appearance of the male protagonist and the male match.
If Zhu Xudan has always been ridiculed for having a "villain face", Zhou Yutong always gives people a feeling of being a royal sister, and some viewers who play the heroines in the little sweet drama may not be comfortable.
But Zhao Lusi is known as the "sweet drama sister", and there are many credits for her in the popular sweet pet drama.
Although Bu Guanjin's fame is not as good as Zhao Lusi, she is a typical baby-faced actress, which can be called the standard face of sweet pet dramas, and she and Bai Yu have also cooperated in big hit dramas.
The two also "failed", and the starring work is still not big, and the bad reviews are one.
However, the success or failure of a work obviously cannot make a person "carry the pot".
However, the four small sweet wind works broadcast continuously all present "fluttering", which should be a big shock for the sweet pet drama market.
Different configurations are moving towards the same fate, is there a problem with the quality of the work, or has the era passed?
We may wish to analyze the problems on a case-by-case basis.
First of all, "Programmers Are So Cute" starring Xing Zhaolin and Zhu Xudan, compared with the head-to-head confrontation between men and female protagonists, the setting of women dressed as men has a certain novelty.
But success is also new, failure is also new, this kind of setting is good in ancient times, and in modern times, it is all kinds of logic far-fetched.
For example, the most basic common sense such as looking at the ID card to enter the job was simply ignored in the play, and the netizens complained that the IQ was insulted.
Once the big setting is difficult to be recognized, no matter how much sugar is followed, it will become "industrial saccharin", making it difficult for the audience to swallow, let alone snort CP.
The second is Zhao Lusi and Xu Kaicheng's "Guozijian Came a Female Disciple", which belongs to Zhao Lusi's consistent "sweet sister" style.
However, her works have indeed been many recently, and the problems in acting skills are easy to be magnified.
In the new drama, she was accused of having obvious traces of "Korean-style" acting skills, and even her hair color did not escape questioning.
As the male protagonist, Xu Kaicheng's own appearance is not low, but unfortunately, the appearance in the play has not been able to convince the public.
The audience of sweet pet dramas is mainly women, and the appearance and acting skills of male protagonists are the key to whether they will have a sense of substitution.
Once the sense of substitution is difficult to establish, the audience's enthusiasm for chasing dramas is naturally greatly reduced.
In addition, Zhou Yutong and Liu Yihao's "When Love Meets a Scientist", the setting is tall, and the male and female protagonists are both high-value, which can be called the standard of sweet drama.
However, this kind of career setting is often easy to cause resentment among passers-by.
Because there are indeed too many "dog blood" love dramas cloaked in this professional guise, the audience is prone to bring a colored filter for those works with strong professional nature and starring handsome men and beautiful women.
At present, the drama is being broadcast, and I don't know if I can get rid of this kind of "cliché".
Finally, Bu Guanjin and Feng Xiaoyue's "My Babylonian Lover", the fantasy setting makes the drama full of romanticism, but such a plot is not acceptable to all audiences.
Low intelligence and funny are the two most intuitive feelings of the audience after watching the play.
The male protagonist Feng Xiaoyue belongs to the handsome guy of the thick face, the aesthetic wind direction is niche, and the male supporting tour belongs to the type of leper handsome, in this somewhat nonsensical work, the charm cannot be played out, and the appearance value seems to be a bit dragging its feet.
A drama of three pairs of CPs, but each has its own groove points, so that the audience is a bit bumpy.
The reason why sweet pet dramas have become popular, and even many stars are rooted in them and are unwilling to extricate themselves, in the final analysis, is because this type of work is easy to fire and explosive.
As the name suggests, the word sweet pet has sweet and pet.
It can not only meet the audience's CP to eat "sugar", but also conform to the psychological needs of female audiences to self-substitute.
In fact, it is not that the audience's taste has changed, but that many works have obvious groove points and advantages that are not outstanding enough.
Today's audience is not easy to fool, want to be recognized, actors and producers are more dim sum.
What do you think about that?