At the end of this October, the broadcast of "Octagonal Pavilion Mystery Fog" starring Hao Lei Duan Yihong has come to an end.
And Hao Lei Duan Yihong's version of the HD restoration version of "Rhinoceros in Love" was also launched on a certain station.
The same starring role, different looks, compared to Duan Yihong's face that is just blackened and wrinkled, Hao Lei in the two periods, whether it is appearance or figure, the vertical and horizontal contrast has changed the score obviously.
Of course, it's not just "Octagonal Pavilion Mystery Fog", in fact, as early as a few years ago, some people wondered why Hao Lei couldn't come out to shoot more scenes when she was young and beautiful, but she had to come out to "spicy" everyone's eyes when she was no longer beautiful.
Therefore, the actor must not be able to lose shape and decline in appearance?
Maybe not.
At this point, I am sure that many people want to say peach double standard.
Why did you criticize Pan Yueming's version of Hu Bayi a while ago, and then change to Hao Lei and start to excuse her?
Don't be impatient, and listen to Peach to analyze it carefully.
We criticize Pan Yueming definitely not because of his "fat", but the "fat" of this appearance is a drag on the role he plays, so being fat is not the original sin, and the image is not close to the face.
Because Hu Bayi's character setting determines that he cannot be a middle-aged Guyue Bayi image with cheeks all flesh and three layers of neck folds, even if Teacher Pan's acting skills are magical, it is difficult to make up for this gap with the role image.
And what is the identity of Xuanzhu played by Hao Lei in "Octagonal Pavilion Mystery Fog"?
Because of his sensitive and introverted personality, he is an invisible person in the family since childhood.
Both her mother and the second sister Xuan Min liked her clever and beautiful twin sister Xuan Zhen more, and even did not hide this preference, so that Xuan Zhen was so spoiled that she did not look down on her own sibling sister at all.
After Xuanzhen's death, she left home at the age of eighteen and became a factory sister in a foreign trade processing factory in Shenzhen.
She worked part-time during the day, studied english at night, obtained a self-examination university degree with her efforts, and went from proofing to director in charge of quality control.
The sum of all these factors will create an image of being lonely and inferior in the bones but not being strong in appearance.
Although she already has a partner in life, she still maintains an underground relationship with her boss, but this relationship is not due to money or status, and even she herself does not know what she wants.
From her attitude of alienation and indifference to all feelings, we can see that she is not a person who is very pursuing material.
Therefore, such a middle-aged woman generally maintains a state of "love to dress up" in appearance. For example, she has not been living in the house for a long time, but she has brought several sets of clothes to change, and she is guaranteed to change her appearance every day. And she remembers to match different hairpins and earrings for everyday clothes.
But although it is to dress up, her dress from a small vision is not very advanced aesthetic, or even overcooked. So you can see that she has an aesthetic but not fashionable, and her outfit is more chaotic, such as inexplicable contrast, strange earrings and stubborn lipstick colors.
The transition from proofing to director status is not only a change in identity, but also a manifestation of economic strength, so in this transformation, it is also possible to be in good shape.
When she was a child, the thin and unnoticed little daughter of the Xuan family has now become a plump middle-aged woman, and even without talking about anything else, the topic of figure alone is enough to show the vicissitudes of these ten years.
But some people may also ask, the same middle-aged women, why are several other actresses not so fat?
We can still analyze it from identity.
The second daughter, Xuan Min, played by Wen Zhengrong, is married to a local policeman. Because of the husband's profession, the couple should usually gather less and leave more. And because there are no children, so do not pay too much attention to the nutritional collocation of meals, in addition to going to the mother's house, usually when eating alone should be able to cope with it.
Coupled with the problem of not being able to get pregnant for many years, the body and psychology are constantly being tormented, so Wen Zhengrong's bone feeling is compatible with the role of Xuan Min.
Zhou Yamei, played by Wu Yue, is a Kunqu opera actor, and maintaining his figure is of course the self-cultivation of the actor. And even if you retreat to the second line and only teach and don't act, your body should not change too outrageously.
Nian Mei's mother Xiuyuan is the most common family all-round paying type woman in the TV series. She has to run a breakfast restaurant and take care of the family, so women who maintain this state all year round should be well-proportioned and comfortable to wear.
It can be seen that as a sister-in-law of the Xuan family, she usually has no time to take care of her hair, but just takes a colored hair band and pulls her hair up.
Therefore, these representatives are actually middle-aged women with different experiences, and in this comparison, it is actually reasonable to see hao Lei's image of a middle-aged woman with a sense of richness.
She is a middle-aged woman image that can be seen everywhere around us, and may be praised for her beauty, after all, the definition of "beauty" after a woman is old is no longer so thin and beautiful.
Relatives and friends think that beauty may be because she has not raised children, has not been consumed by trivialities, so she looks more energetic than her peers.
Children may feel beautiful because of a worship of elders. After all, a sister-in-law who dares to leave home for many years is a confident, beautiful and brave image in the eyes of a child who longs for freedom.
So why would everyone only be angry about Hao Leifafu?
Because Hao Lei used to be a great beauty who belonged to the aura type, the characters who made a deep impression had a unique temperament.
For example, Yu Hong, who wears a double ponytail and tilts his head to smoke;
A bright and inexplicable red dress;
There is also the beautiful but fragile and loveless Concubine Jing.
Everyone can't accept the visual gap, so it will produce the feeling that she is ridiculously fat. And this sense of contrast in Wu Yue and Wen Zhengrong, the feeling will not be so strong.
Just like when I was a child, I would never think that Gu Yiluo of "Wrong Love For a Lifetime" was beautiful, and I only remembered that she looked like a bad look. Even now she is thinner than Gu Yiluo, but no one says that she is in good shape, but instead says that she is Zhang Yishan wearing a wig.
Wu Yue and Hao Lei have also played Ming Ming in "Rhinoceros in Love", but no one laments that Wu Yue's version of Ming has become a boring and tedious bad woman who robs people's husbands, but simply hates this bad woman who destroys other people's families.
Everyone misses the lipstick writing drama between Duan Yihong and Hao Lei.
But there is no way to accept that the two people who have become relatives are nagging in the octagonal pavilion.
This is the regret of time, and of course it is also our regret.
But we can't miss the real life of previous episodes while at the same time requiring the actor's image to conform to aesthetics, which is itself contradictory.
Since the ancient beauty sighed, no one wants to grow old, but the actor's life wants to be long and has to compromise on age and the side effects of age.
But as long as the actor's appearance respects the role, why should the image in life be discussed.
After all, actors are ultimately in the service of the plot, not simply in the service of beauty.
Article source: Beidaihe Peach Canning Factory Film Monk Association