"Hanmo Guide" Wang Shu

Hanmo Guide

Wang Shu

Wang Shu (王଩), a Qing Dynasty calligrapher and character Ruolin, 篛林, Ruolin , also signed the Erquan Residence, nicknamed Zhuyun. Officials to officials and foreign langs. During the Kangxi Dynasty, he was specially appointed as the chief official of the Five Classics Seal Museum. Gongshu, good at engraving, especially the title of the book. Wang Shu was not only diligent in the practice of calligraphy, but also held the concept of hougu in theory, proposing that the study of books should start from the seal, take the way of passing the seal and the way of subordination as the "first step to entry", praise the inscription, depreciate the law, and oppose the "Bad Habits of the Dong Family" copied by the world in the late Ming and early Qing dynasties. Because he went through the three dynasties of Kangxi, Yongzheng and Qianlong, his calligraphy creation and theoretical propositions reflected the influence of the revival of epigraphy in the late Kangxi period, and was the precursor to the prosperity of epigraphy after Qianlong. Therefore, in the development of Calligraphy in the Qing Dynasty, Wang Shu can be called an important figure in the process of carrying forward the upper and lower levels.

Wrote four

　　The method of writing, the real book is one inch away from the pen head, the line book is two inches away from the pen head, and the cursive book is three inches away from the pen head. The pen is between the ring finger of the middle finger, then two fingers are on the top, two fingers are on the bottom, it is said that the double hug is double, and the pen begins to be powerful. If it is wrapped with a single finger, a single finger is reached, and the pen is powerless.

　　The pen should be shallow, the big finger should be on the upper section of the finger surface, the index finger should be next to the middle section, the middle finger should be on the finger, and the ring finger should be on the side of the first section, then the palm is empty and the finger is alive, turning freely.

　　The five fingers are in phase, like the rotation of the snail, tightly held, not a slit, empty in the palm, you can hold the egg. This is also the law.

　　The lower knuckle of the big finger is strong, and the loose knuckle of the big finger is round. The index finger is second in section but lean on the pen, do not have to bend, then the pen is round, if bent and hugged, the pen is not round and stagnant, and it is difficult to write fast and difficult to do.

Luck refers to two

　　The method of transporting fingers, the lower node of the big finger bone end force, such as lifting a thousand jun, known as the squeeze. The middle of the index finger leans on the pen, which is called the pinch. The middle finger is hooked to the outside of the pen with the fingertip, known as the hook. The ring finger is written on the top of the outer claw flesh, and it is revealed. The ring finger is unveiled and the middle finger is pressed against it. The middle finger hook pen and the ring finger refuse to determine, known as refusal. to the little finger, but lining the ring finger to increase its strength ear.

　　Small characters are only suitable for luck, but they must be practiced in the hand at all times on weekdays, so that the five fingers of the hand are soft and gentle, and the bending and stretching are low and unsatisfactory, then the words can pass the people.

Two wrists

　　The method of transporting the wrist should be used for large characters, the cover wrist is vertical and the front is straight, and the regular is full of four sides. However, the wrist should not be too tight, and the wrist should not be rotated tightly, and the font thickness is uneven up and down.

　　For those who pillow the wrist, rest the right wrist with the left hand. The person who lifts the wrist, the arm is on the case and the wrist is raised falsely. The one who hangs his wrist, hanging in the air, is the most powerful.

Structure two

　　The method of structure must use the Tang Dynasty Nine Palace style, and the interstitial frame is dense, and there is a wonderful seam of bucket shoots. Nine palaces, there are nine small grids in each grid like a well, when posting, remember that a certain point is in a certain grid, a certain painting is within a certain grid, and if you remember it well, you can write from the Xiao Fa Post, and you can stretch and shrink, but I want it. Long, short, wide and narrow, the attitude of the word, the dot painting oblique, the response of the word, the humble one, the Venerable one, the judge its denseness, take its stop evenly, the empty is lined, the lone is supported, the following is carried up, the right should be left, the big bag should be small, the less is attached to the more, and the law is also the degree.

Copy four

The pro-one imitates the Fa-ti. For imitators, use oiled bamboo paper to add to the paste and print the sample. However, the ancients studied books and copied them not endlessly. Zhang Guren wrote a book between the walls, and if he looked into the gods and would understand his meaning, he would have his own advantages in writing. This not only learns words, but also nourishes the heart. Anyone who is familiar with the Books of the Jin and Wei Dynasties will be in their hearts, and the penmanship is naturally different from the vulgar.

　　To learn from Henan, we must seek its vigor. The rate of learning is even higher, and it is necessary to seek its round sum. Taking anger zhang muqiang as Ou and Qi Jing as weak as Chu, they are all lost.

　　Beginners have to copy, but also to save their hands, easy to achieve. However, it is easy to get the position of the ancients, and most of them lose the meaning of the ancients. Linti is prone to lose the position of the ancients, and more than the ancients write. It is easy to enter the post, and it is easy to forget the copy. Book Spectrum Cloud: Beginners learn to distribute, but seek peace and integrity, both can be leveled, ordered to indulge, both can be indulged, return to peace, then the work of the word begins.

　　The pro-post is not expensive but expensive, and the ink is not still thick but still fresh. Go crazy and angry, and tend to be plain and elegant. In these four languages, careful thinking and dedication, although it has not been able to surpass the Jin room, it can also stand on its own.

Raw and cooked two

　　The book will be cooked and then cooked, and it will be reborn after it is cooked. Those who are born at the beginning have not yet reached the learning ability, and their hearts and hands are also contradictory. Familiar and born, do not fall into the path, do not follow the world, new ideas come out, the bottom of the pen with chemical industry also.

　　Writing should be skillful, and familiarity is complete and has afterglow.

Four strokes

　　The pen is regular and hidden, and the pen is sharp. One is right and one is hidden, one is exposed, and the magic is out.

　　Calligraphy is a single Tibetan front, nor is it the right way, it must be hidden and hidden, when it is exposed and exposed, it will naturally enter the mysterious also. The flanking is taken, so the flanking is also indispensable.

　　The ancients painted sand like ink mud, and the words used the pen to hide the front. Such as folding stocks, the corners of the words are round and powerful. If the house leaks, the words and pens will not end the traces. When the pen edge is dropped, it should be turned to the left, and the sharp turn is turned back to the right.

Two rules of muscle and bone

　　Writing a book without bones, is called an ink pig. However, the plaque and the eight points of fat can also be dense, but the fat cannot expose the flesh, the thin cannot be exposed, the pure bone is not beautiful, and the pure flesh is weak.

　　With the pen should not be too fat, fat is turbid, do not want to be too thin, thin is shaped dry. Tai Lu Feng is not heavy, and Tai Lu Gui Angle is less abundant. It will not be fat or thin, there are muscles and bones, so this Eutheism is perfect.

Square circle two

　　There is a circle in the square, and there is a square in the circle. If the square is not round, it lacks abundance, and if it is round but not square, it has no bones and bones. Therefore, The European law and the law are the most wonderful.

　　The body of the real grass is used in the square circle, the true desire is square, the grass wants to be round, the square is involved in the circle, the round is involved in the square, the square circle cannot be revealed, and the blending of nature is a good ear.

One on the side

　　Where the edges are not proportionate, you have the method of stretching and expanding the virtual reality. The empty one stretches out the dot painting to be real, the suffocating person shrinks the dot painting to the virtual, the too complicated one subtracts it, and the too sparse one makes up for it, but the ancients must have the same kind of ear.

Three points

　　Although the points are small, they have the tendency of leaning back, or vertical like lotus petals, or sleeping like melon seeds, or round like millet seeds, or pointing like rat teeth, each suitable.

　　For example, qingjiang and other characters next to the three points, the upper point side, the middle point, the lower point upwards. Cold and cool two points next to the word, covered on the upper side, leaned down, must be reciprocal. The dots are shaped with the word, there is a direction and a back, and we must take care of the spirit.

　　One point wants to correspond to the painting, two points want to correspond to itself, three points are one point, one point is belted, one point should be, four points are from the previous point, the middle two points are belted, the latter point should be, and the four points should not be straight. If Yan Wu is equal to the four points under the word, the left and right should be eight characters, the middle two points can be up and down, if the four points are even, it is vulgar.

Two rules of the long painting method

　　Painting expensive and late, Zuo Gui went to kiss. Painting should not lie down on the pen, but must be sharp first. Horizontal drawings must go straight into the pen edge, and vertical paintings must cross into the pen edge. Horizontal and straight painting wants to be long and short, starting and ending, and ending evenly. The horizontal painting has three methods of yan yang ping. For example, the second painting of the shi character should be up and down, the three characters and the third painting should be looked up, the middle should be flat, the lower should be covered, and the words spring and sheng are also the same.

A short drawing method

　　Horizontal and long paintings are both lower and middle and high, horizontal and short paintings are both high and middle, such as Fu Tian and so on are short paintings.

Four rules of vertical law

　　Vertical should not be straight, straight is weak, slightly left and below the momentum.

　　The first horizontal into the pen, upward and less stationed, compound lead downward, to the end of the compound stationed front upwards, this hanging dew method also. The end of the edge is exhausted and not collected, like a hanging needle, this hanging needle method is also. It is also known that it wants to restrict, such as hanging dew, the upper and lower ends are like a rope, and the end is like a needle sharp, so it is called a hanging needle.

　　Those who fall two vertically and vertically should be divided into backs, to the pen and to the pen, and to the back of the pen. The Right Army began to use the hanging needle method. Always when the word is straight on the head, it is advisable to go up and down to the front.

Hook law two

　　The middle hook should be straight, the next pen should be picked, and it is not appropriate to stop the pen. Straight edge hooks are expensive and short, hooks are dry and expensive, and hook tips are expensive. The straight hook is divided into three bodies, the left such as the long word of the clan is long and its culling should be right, the right such as the mendan character is short and its culling should be left, and the middle such as the east multiplication word must face the upper hook also.

Corner hook method

　　The four corners should not be steep and have edges, such as guogu and other words, the corners are expensive and rounded, and it is not appropriate to be edged and angular. The left wants to kiss, the right wants to go to the shoulder.

The Law of Defection

If you use the middle finger to the end, and use the ring finger to push back and lightly remove it, then the front is hidden. Slightly vertical up, curved down.

Bent foot hook method

　　If the word B is also nine, if you want to pick and stop, stop the pen and then pick it, then the sharp is short.

Spread your wings and hook method

　　Words such as the wind and phoenix, its momentum is like flying, it should be straight and curved. The calligraphy is still astringent, but the hook method is still sick.

Long apostrophe

　　The left is out and the edge is light, the long apostrophe is quick, and the gesture is sent to the turn. Left-handed guili, but also slightly curved, send the pen to the front, then the strength and even, halfway skim out is weak and thin. If the heavens are big, they must be straight and bent. Probably the left-handed whiskers are obliquely hard, and the right whiskers are also gentle. Skimming changes as appropriate, and the degree of expansion and contraction, such as shark fin bird wings, has the shape of dancing and self-satisfaction.

Short apostrophe

　　Such as a sharp sword cutting rhinoceros horn ivory, short skimming is better than disease. The side skimmer is narrow and long, and there is room for the right. Standing next to people like birds perching on pillars. Multi-word four-stroke, one shrinkage, two lesser, three also shrink, four out of the front.

Two rules of the law

　　The words "slightly oblique", such as "great debt" are also. Across the wave, the word "way far away" is also. Then drag, the momentum should not be slowed down.

　　The pen or the hidden edge, or the front, do not have to be restrained, but must fly. It is not too late to be hurried, it is inevitable to come out, and it must be written and then released. Halfway through, if you have less to eat, then you will have a steep momentum when you pull out. Ten rules of the layout method

　　Large characters are difficult to be dense and seamless, and small characters are difficult to be more than wide. Real books are difficult to flutter, and cursive is difficult to be serious. If the big characters are not dense, they are lazy and spiritless. The plaque must be written in response to each other, hanging naturally stopped evenly, and must be well-worn. Small characters are expensive and open, avoid cramped, and must be made clear and tidy, with a body section. The so-called big promotion of the long history is small, and the small exhibition order is also.

　　Do not be light on the head and heavy in the tail, do not make the left short and the right long, oblique as a person, up and down.

　　Word of flesh, pen is also. The sparse places are full, and the secret places are lightly packed. Flat places are full, dangerous places are lightly loaded. When full, it is fat, and when it is light, it is thin. The pen is written and the words are written, the top is covered, and the bottom is carried on, so that the situation is reflected in the belt, and there is no contradiction.

　　The shelves between the books must be clear and clean, and the pen should not be disturbed, and the noble and elegant show will always be the mainstay. The next stroke is out of power, and the slow is bone-demented. With the Right Army as the ancestor, the second jin people Zhu Ti and Huai Ren Sheng's order.

　　The shelves between cursive books should be clear, and the dot paintings should have rules, and the party is the Law of Jinren. The next pen is easy to be sick, and it is necessary to let the order be slow, and it is better to slow down. However, it must not be too late, and it is slow and spiritless.

　　Cursive has those who undertake the above, those who pull the following, and those who are sick at first, and they are suddenly repeated. Slow to antique, anxious to surprise. There is a sharp spirit, no front to contain a smell. Horizontal and straight, hook and loop coil, Jin is dominated by potential. Don't be too long for horizontal painting, and if it is long, the conversion is sluggish. Don't draw too much straight, and more is obsessed. Use a hanging needle straight, if you use a hanging dew, you can also have a pen meaning, and the most taboo is straight and clear.

　　For example, the dragon character is divided into two stops on the left and right, the chong character is divided into three stops on the left and right, the cloud character is divided into two stops up and down, and the plain character is divided into three stops. All the dot paintings on all sides are arched in the center, the left short one is up, and the right short one is down. Repaint up and down, heavy up and down. Heavy words up and down should be small and large, and left and right heavy words should be left and right.

　　Wordless four straight, should be opened up and down, four points up and down open. Standing character two paintings, three paintings of the characters, when you know the method of looking up. One point and one painting, the independent person is a big book, the so-called loneliness will be big. Words such as Lü Changyao should be small, and words such as Lin Zhiyu should be left-wing, and the so-called equal emphasis on different forces should also be. There is a distinction between yin and yang at the upper and lower points of the word, and if it is not divided, it is not matched. The three verticals of the word are punched, and the middle vertical must be outstanding and the middle is right, and there should be a feeling of arching left and right.

　　The middle and lower horizontal paintings on the top and bottom of the characters must be completely flat, and there should be a difference between the upper and lower levels. In reverse, the upper is long and obliquely narrow, and the lower difference is short and gentle. Lu Duo's two skimming, first tactful and then obliquely hard. The two words of the mouth, the lower painting should be straight, the end should not be long. Subjects and giants, first straight left and right side short painting should be. Xun and Ju inside the word, and Gou Qi Fang called. Long horse horizontal and short drawings should not be glued to the vertical. The coat is slightly flatter than the left hook. Mo Ya's painting should be long, and the left hand should be straight and thin, and it should be in line with the right point. The short painting of the shell page should not be glued with the right long vertical, the left hand is expensive and short, and the right point should bear the vertical end. Also far-reaching words, small on the big, square called. Use the left-handed head and tail slightly outward, and the right hook head and tail are slightly outward. The line is left short and right long. Yu Jia is left long and right short. The left vertical of the self-trapping should be short, and the right hook should be slightly longer. Also the point of the word horse, it must be divided into flexion and extension transformations, otherwise it is like a chessboard. The vertical of the Sichuan character book must be bent and stretched to the back, otherwise it is like a cloth calculation. If the border characters are too complicated, they should be reduced. The upper and lower characters should be short vertically, and the dots should be close to the upper. Wind word on both sides of the song. Soft under the wooden word two points or so must be aligned. The next Japanese character should not be facing the earth character. The right side of the word is thin, and the dot on the left is easy to draw. Seven-character paintings should be long, and it is more appropriate to be left and right. The jujube characters are overlapped, and the upper half of the stroke must converge. Painting nine horizontal, should be densely stopped and evenly taken care of.

Thirty-four calligraphy miscellaneous words

　　The pen at the end of the finger is weak, the movement is appropriate, there is a trend of leaps and downs, and the business is out. If the pivot does not turn, the pen is not free, but it is angular, and the word is dead.

　　Whoever wants to write a book first contemplates and meditates, anticipating the size of the glyphs vibrating straight up and forth, connecting the veins. Chang Ling intends to be in front of the pen, Si Shan Yi.

　　Those who are good at learning books do not have to spend much ink at the beginning, but take the books of the ancients and look at them well, close their eyes and ask for them in their hearts, if there is a written word in front, and then raise the pen and chase it, they will get one or two, they will get four or five, and then many books will be extremely large, and they will not go to the ancients.

　　The right army is a book, the twilight years are better, Gai is thoughtful, the ambition is peaceful, not exciting, and the wind rules are far away. The son respectfully went down, did not exhaust his energy, worked hard and advanced, and the work of the pawn was clumsy, and he was also different in temperament.

　　The line grass must be suspended on the wrist, and the large cursive must be cantilevered, and the gesture is infinite. The top of the five-finger pipe can be large cursive.

　　The actual knuckle force is even, and the palm is weak and easy to move. Or idyllic and graceful, containing bones and bones, or folding and flowing, and shining sharply. The dot painting is skimmed, bent and turned, and must be transported with all your might. The words have a slow urgency, such as birds and horses and other words, horizontal and straight painting must be late, the next four points should be urgent.

　　Chung, Wang, Yu, and Yong used the seal body, Ouyang, Chu, and Xue used the li body, and Zhang Qian used the partial whisk method.

The study of the book is both a matter of learning and the beginning of the school. If you take it apart to learn its structure, and take it apart to learn its brushwork, then the characters are easy to learn.　　The letter is short and the intention is complete. Glyphs are inherently uneven in length, width, narrowness, size, and simplicity, but it is better to be able to do their part and do their best, and it is unnatural to force them to be together.

　　Cursive writing has a response, and those who start like this should respond to it, and each has its own righteousness.

　　In the book of the ancients, there is no need to learn its situation, but to seek to show its bone strength. And with its bone strength, the situation is self-generated.　　The ancients used pens with meaning, although the real letters, and often in and out of the seal eight points, sometimes used flying white chapter grass, so its calligraphy can change unpredictably. The small characters of the book should be three points with pen and ink, not deep immersion, and deep immersion is weak and weak.

　　If you want to dry it, you must not be too dry. The grass is moist and dry, moist to take the yan, dry to take the risk. Ink is thick and the pen is stagnant, ink is dry, and ink is lacking. If the water is too moist, the meat will be scattered, and if it is too dry, the meat will dry up. Dry ink, wet dot pen. Wet ink, dry pen.

　　Whoever writes a book must not grind ink by himself, and it is a big taboo to make the hands strong. The ink grinding should not be used in the middle of the water, so that the pen is stagnant, and it is better to draw water.

　　The yanchi is wide and thin, and every night when it is washed, the ink is evenly adjusted, and the flesh and bones are obtained. Duanshi takes the fine moist water, and the she yan only takes the ink, and the combination is especially wonderful. Soft pen for shugang paper and hard pen for shugul paper. Minang Gong said: There is no hanging, no shrinkage, there is a going back, then the front is hidden in the stroke.

Picky is expensive for length. The Jin people are picky or with oblique whisks, or lead outwards horizontally, to Yan and Liu began to use the positive front, although the words are strong but less ethereal. To the principle of turning, do not leave the square circle, really use more folds, grass more use of rotation. Less desire to stay, but more powerful. Turning is not wanting to stagnate, and stagnation is not delayed. However, if you really turn to get yan, and the grass is folded and strong, you must know it.　　The books of Chung and Wang are elegant and horizontal, and the rate of Zhi Ou is even more flat, so the world is always accustomed to it.

　　Dongpo Yun: True life line, line raw grass. Truth is like standing, walking is like walking, and grass is like trending. There are no ones who have not been able to stand and can walk, so the study of books must first begin with the Kaifa. Scholars must be fine seals, and the pen should be able to round and be ancient.

　　Learning words is always in the ability to move the pen, can transport the pen can change the pen, and there is no way to go to the center of the front. There are often half strokes and half strokes in a stroke, such as the square of the national characters and the circle of the nine characters of the wind word. If you don't understand the change of pen, the upper half of the center and the lower half are biased. Change the pen, said to be the big finger micro-twist pen is sharp from the middle also.

　　Ou multi-use fold, Yan multi-use turn. Folders, rapid lifting interruptions to the outside of the fold, its momentum is used quickly. Turning is to lead the pen to expand outward, its potential is xu, easy to fold and difficult to turn also.

　　To make a fly-head book, it must be flat overhanging the elbow and a high pen, which can be wide-ranging. As the words grow larger, the wrist whiskers are lowered, the wrists are low and the arms are high, the pen is solid, and the qi is strong. If the pen is written with a large and high word, the pen is weak and cannot be strong.

Writing a book must have courage, boldness is hanging on the wrist to be self-sufficient, timidity although the elbow is not enough. Instead of hanging the elbow and disloying, it is better to hang the wrist and adjust it.

　　The pen can be folded, the starting and stopping force is enough to undertake up and down, the pen is broken, but it is felt to the back, and the outside of the pen is intentional. The trend is reversed, the fun is broken. Not against the grain, is for the vulgar pen. Liberation and breakage, and the body is hard, there is no magic of parade freedom, is for dry bones.

　　The pro-thesis must be transported to my will, and the different people of the past must be sought for the same, just as the famous masters are all in the Lan pavilion, there is no one who is the same, and the differences are by nature, and their commonalities are passed on from the right army. Thinking of it in this way, there is an entry.

　　Those who are near the Lan Pavilion must have a clear atmosphere, a favorable wind and a smooth meaning. Linxi Garden Yaji reporter, must have the flavor of the forest, without a little dust gas to get.

　　Dongpo Cloud: Short, long, and thin. Youyun: Dignified and fluent, strong and graceful. Counting is the key to writing a book.

　　Painting should not be like splitting bamboo, and vertical should not be like flat wood.

Six rules of the School of Calligraphy

　　Qin used to be a seal book, and the two Han dynasties were subordinate to the book. Qin Seal was the most important of the Li SiYi Mountain Stele, and the Sect Leader was Li Yang Bingye of the Tang Dynasty. Han Li took the ceremonial stele as the most important, and the zongzhi was Chu Suiliangye of the Tang Dynasty. There are many Hanli stele plates, most of which are mutilated, and almost cannot be re-recognized, but the Cao Jing complete stele is still intact. The Han Li Shi Chen Monument is also good, and Ouyang Inquiry learned it when he was young. Han li is multi-bian, Tang is subordinate to many parties, and zong han is the top of the scholars.

　　The Book of Wei Chung, whose source is the Han LiHua Mountain Stele. Wang Yishao first learned from Lady Wei, and later became too blue. Yang Xin also got the right military body. His seventh generation, Sun Zhiyong, passed on the family law and was the ancestor of the Scholars of the Sui and Tang Dynasties. Yu Yongxing, Zhiyong Senior Brother also. Yu used his method to grant Ouyang inquiry, inquiry, his son Tong inherited the mantle of his father, and a little miscellaneous body was still domineering, and he was not as good as his father's inquiry. Chu Xue ceremonial instruments were transformed into a family, and later he was awarded hedong Xue Ji with his method. Ouyang Tong used his method to grant Lu Gong, but he became longer and squarer, the edges and corners were more sharp, but the fire qi was not removed, and there was a strong morale, and it was not as if the rate was more peaceful and upright. Liu Ze learned from Yan and rarely changed his method. Yan Fa is broadened, Liu Fa is convergent. Xu Hao also studied in the plains, and did his best to get his secrets, Xiao Qishen. It is not empty of monks' monuments, but it is also a treasure and a long seat. Pei Xiu was privately shu Ouyang, and later hung with Liu Cheng, preaching day and night, and the book was exquisite. Gui Feng Dinghui, its extreme work also. The Jin and Tang dynasties are multi-functional books, and Zi Te cites its greatest ones, and Yu cannot be satisfied with them.

The Jin people's book takes rhyme, the Tang people's book takes the law, and the Song people's book takes the meaning. At that time, there were Ruo su mei shan, Cai Junmo, Minang Palace, and Huang Gu generation. Su Kai learned to be beautiful and very xiaozhi, and the grass was heavenly and national, and Meishan Washiru was also xiangye. Mi Xing also learns the plains, and more steep and jumpy, eclectic, such as the uninhibited release of the Maxima, the elegance of the book, but the fire is still not gone. Cai Junmo learned Chu Shu and slightly fatter. The Yellow Valley is unique and does not imitate its predecessors. If he is Cai Jing and others, his character is not enough teeth, calligraphy and eloquence.

　　The Yuanren Book is dedicated to the work of posture and beauty, and the Zhao Wuxing Patriarchal Right Army is quite generalized, and it is also the three penmanships of Samzi Jing, Yongxing, and Henan. If it is rare in the generation of Bo Ji, Mi Kangli, and Rao Jie, the book is not bad, but there are few circulators, and the world is not common, so it is said slightly.

In the Ming dynasty, Wen Zhizhao and Dong Zongbo were the most important. Wen Hengshan first learned Yan and Liu, followed by Ou and Chu, and Xiao Kai wanted to be inferior to Zong Boshang. Wen Peng, the son of Hengshan, has a Yi Lao Tang record, which is quite respectful of the letter of the King Virgin Brick Pagoda inscription. Dong Ti has the most, and the advantages and disadvantages are half. His books were first learned from Wang and Chu, and they were mostly due to Zhao. He is like Zhu Zhishan and Wang Mengjin, books can also be written, and people are still secondary.

　　Scholars of this dynasty such as Shen Quan of Xuantang, then Su and Dong Tiye, Mi Hanwen are Mi Faye, Sun Shufeng is pure Dong Ye, and Cha Tan Yuan is also pure Dong and poorly defeated Sun Ye. Chen Liuqian Qishu almost? The Huairen Sacred Sect has gained the body, and Wu Xing's thirteenth body Xiao has been obtained. All the families are involved in a little bit, but they must rely on Wang and Zhao Juduo, and their kung fu is pure, and they are outstanding to become a family. Jiang Ximing is the most refined right military law, He Yimen is extremely good at beauty and Chu law, and Jiang and He are more advanced than liu modest. From where it comes down, there are many people who can write, but those who can bend have not heard of it. Yu Yu has been writing for more than fifty years, and since the Jin Dynasty and the Yuan and Ming Dynasties, the wonderful deeds of various celebrities have been copied all over the place. The outside world is quite respectful of the Yushu, and the three-foot boy has no ears and false boats, or can he follow the dust after the princes? The doormen Watson, Xue Sheng, etc. entered the list: Mr. Yu Shugong is deeply learned and pure, and can directly take over the Wu Jin Tang and Xi Ji Yuanming. The void boat retreated and told him: Evil, what is the word! If I am an apprentice with jin and tang, I dare not. The depth of the power, the breadth of copying, do not let the Six Qian, XiMing, Yimen mr. only dare to know that they can step on the list of Yuanming!

The Golden Stone Text must be recorded

　　Chunhua Pavilion Thesis Xingfeng Lou Thesis Baojin Zhai Theo Yun Guan Ti Huai Ren ShengJiao Order Xingfu Temple Stele Actual Temple Stele Jingyang Zhong Ming Tongzhou Chu Shengjiao YanTa Chu Shengjiao Brick Pagoda Inscription Han Cao Quan Stele Guifeng Stele Translation Temple Stele LiQuan Ming Emperor Fujun Monument Huadu Temple Stele Yu GongWen Gong Fu Zi Temple Stele Duo Bao Pagoda Xuan Secret Pagoda Sacrifice Nephew Literature Sitting Manuscript Yan Family Temple Stele Xiping Wang Stele Not Empty Monk Stele Yunli General Stele Feng Gong Shinto Stele Tang Wen Emperor Lamentation Han Shi Chen Monument Ceremonial Instrument Stele Yi Shan Stele Mengying Fuzi Temple Record Moral Scripture Tianma Fu Jiu Doubtful Mountain Stele Great Zhou Liangjun Tomb Inscription Thirteen Elements Anguo Temple Stele Gu Bai Xing 　Huang Ting Jing Si Gu Zhai Stone Carving Xiao Xian Tang Record Zhang Ji Lao Epitaph A Fang Gong Fu Xiyuan Ya Ji Ji Ding Wu Lan Ting Drunken Weng Pavilion Record Tianguan Mountain Poetry Lan Ting Thirteen Trek Tang Double Hook Seventeen Posts Great Jade Smoke Hall Thesis Xiao Yu Yan Tang Tie Chen Gong Shinto Monument

　　From the Qin and Han Dynasties to the Yuan Ming Dynasty, the stele plates have been tens of millions, and scholars can look at them all, and Zite has made a brief example of its essence, so that scholars know that these fifty kinds of cloth and millet must be indispensable. Although it is not necessary to learn enough, it will also benefit its courage. To this dynasty, the famous stele editions are not recorded, and the time is recent, and the theory is also determined in the future generations. There are about 3,000 kinds of Yu Yumu's posts, which cannot be fully loaded. Scholars who can study this are enough to become a family, and there is no need to take pan-qi also. If these fifty kinds have been prepared, then search for and collect from the side, and also do things smoothly in the ink field. The old man of the empty boat in July is recorded in the East Shrine of Jishu rock.