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There is no need to evaluate the opening ceremony in this way, and the cultural output and national heritage inheritance run through the beginning and end

author:Five-Star Sports

Tokyo Olympic Games Opening Ceremony,

Our evaluation seems to be only

"Worst",

"Hades"...

There is no need to evaluate the opening ceremony in this way, and the cultural output and national heritage inheritance run through the beginning and end

Chen Danqing once said that there is no absolute right or wrong in art.

Internet writer Gu Zimu also said that art is not good or bad, there is only the difference between being appreciated and not being appreciated, even if you can't look at the work again, there may be people who really feel that it is priceless.

There is no need to evaluate the opening ceremony in this way, and the cultural output and national heritage inheritance run through the beginning and end

Yangyang is a big country, majestic China, with five thousand years of art appreciation vision, the atmosphere is majestic, simple and feminine is also beautiful, this point of arrogance should be there.

There is no need to evaluate the opening ceremony in this way, and the cultural output and national heritage inheritance run through the beginning and end

Moriyama Mirai is known as a ghostly performance with many shadows of dance steps – a modern dance genre that originated in Japan and is gradually accepted by the world;

There is no need to evaluate the opening ceremony in this way, and the cultural output and national heritage inheritance run through the beginning and end

The background song of the athletes' admission, all composed of the theme music of the console game - this is the memory that Japan has brought to the world's teenagers over the past three decades;

There is no need to evaluate the opening ceremony in this way, and the cultural output and national heritage inheritance run through the beginning and end

Everyone thinks that the old Edo carpentry performance, led by Makoto Miki, was once the TOP of Takarazuka's Hana group - this represents the peak of the Japanese song and dance troupe;

There is no need to evaluate the opening ceremony in this way, and the cultural output and national heritage inheritance run through the beginning and end

There is also a Kabuki performance by Ichikawa Kairozo – one of Japan's most gorgeous traditional performers.

Of course, it is not without praise.

The interpretation of the earth composed of 1824 drones, and the interplay of "super change" and the stadium afterwards, are all praised.

There is no need to evaluate the opening ceremony in this way, and the cultural output and national heritage inheritance run through the beginning and end

But whether it's this part, or the part you find bad, they're all creation.

Easter eggs that are not understood

There is no need to evaluate the opening ceremony in this way, and the cultural output and national heritage inheritance run through the beginning and end

Some of the Easter eggs in the opening ceremony are actually not understood by us, but they contain a lot of meaning. Three huge wooden rings were pushed to the center of the stage by the actors, and eventually evolved into the shape of the Olympic rings. This seemingly "shabby" wood product was actually a tree species brought by athletes from all over the world during the 18th Summer Olympics in Tokyo in 1964.

There is no need to evaluate the opening ceremony in this way, and the cultural output and national heritage inheritance run through the beginning and end

Today, 57 years later, these seeds have long grown into a big tree, which has been used to build multiple venues for the Tokyo Olympic Games and the wooden five rings of the Olympic Games, and as the five rings are gradually lit, the two Tokyo Olympic Games have completed the connection across time and space.

There is no need to evaluate the opening ceremony in this way, and the cultural output and national heritage inheritance run through the beginning and end

Such a legacy is worthy of respect.

This kind of inheritance is also the persistence of the Japanese.

Traditional arts, including Kabuki, may not be suitable for the fast-paced modern society, but they should not die.

Making a big appearance at the opening ceremony of the Olympic Games is a good way to do it, and it's not the only one.

Let's say that Kabuki, including Ichikawa Kailaozo, who is also famous in a large number of Japanese film and television dramas, usually plays a role in a large number of Japanese film and television dramas, so that the general public is familiar with them. The exaggerated facial expression performance, which is one of the characteristics of Kabuki, is in "Naoki Hanzawa 2". Such "yan art" is widely used.

There is no need to evaluate the opening ceremony in this way, and the cultural output and national heritage inheritance run through the beginning and end

Such a circle is actually worth learning, after all, we also have so many "national essences" that are also dying.

In any case, the opening ceremony has passed, let's go back to the game itself and feel "higher, faster, stronger, more united".

There is no need to evaluate the opening ceremony in this way, and the cultural output and national heritage inheritance run through the beginning and end