Although there are many Korean dramas at the beginning of 2021, there are not many high-scoring dramas. At present, in addition to "The Penthouse", "Goddess Descending" is very popular, and there is a Korean version of the Princess Promotion Record "Queen Jeonin", but these are not high-scoring dramas.
Today, let's talk about the highest-scoring Drama "Hush/Boo" of Korean dramas at the beginning of 2021, which was played by South Korea's first-line traffic star Lin Yun'er and the old drama bone Huang Zhengmin.
As a high-scoring drama, there are naturally reasons for high scores, watching 6 episodes in one breath, have not found out the reasons for the high scores, many viewers said that if it were not for Lin Yun'er's appearance, they might not even be able to watch 4 episodes.
But as the only high-scoring drama with a 9 point in 2021, and has maintained a high score of 9 points since its inception, I believe that this drama must have something outstanding.
Sure enough, when I saw episode 10, I saw the meaning that the director and screenwriter wanted to express, and the foreshadowing was really buried deep enough that many people almost abandoned the show. Let's take a look at why this show has a high score?
<h1 class= "pgc-h-arrow-right" > everyone in the play exists all around us</h1>
Regarding this drama, the director and screenwriter should want to shoot the workplace drama that is closest to reality, there are not so many plot ups and downs, there are not so many contradictions and conflicts, of course, it may be that the technology is not in place, and the dramatic effect cannot be filmed.
Everyone in the play, you can find the prototype in reality, no one is completely bad, there is no perfect person. The director's inner entanglement, the minister's desire for promotion, the female team leader's helplessness in addition to business and family.
Everyone has more or less flaws, there is helplessness and sadness, there are entanglements in the face of morality and self-interest, there is a trade-off between keeping the job or insisting on justice, each of us is the protagonist of this drama, but also a small person in life.
In this corner of the workplace, everyone performs their duties, but each "has a ghost fetus", has the best effort, excellent ability, but because of the academic background has been rejected by the unit.
There are those who enter the unit because of personal grievances and ideals, and those who are targeted everywhere; there are those who have worked for more than ten years, who were originally full of ambition, but who were finally knocked down by reality and passively slackened off.
There are those who understand the work of their subordinates, but they are bent on climbing up and have to deal with their superiors; there are those who only want to get a salary, do not want to work, and desert the yin and yang... I dare not say that all the prototypes of our reality are here, but I can say that we are all in it.
<h1 class= "pgc-h-arrow-right" > abandons the previous korean drama workplace laws and expresses an extraordinary thought in the struggle of small people</h1>
This drama abandons all the previous laws of scripting that can be used, as if it really only wants to tell a story that happens around us around a corner.
The director is keen to refract the connotation of each episode from food, each episode has no major ups and downs, and all start the episode with a kind of food, and the climax of the whole episode is basically concentrated at the end.
So far, there is no emotional drama, no cp, no dog blood plot, and the few points that can cause the topic of jumping off the building and suicide are only pointed out in relative obscurity, and most of them appear in the memory after a stroke.
As the introduction, the male and female protagonists do not have the aura of the protagonist like most TV series, all the way through the thorns, dig out the truth, uphold justice, and become heroic characters...
The show has not yet been broadcast, and it cannot be said that the show must want to express something, only by watching 6 more episodes can we know what the director and screenwriter want to express.
<h1 class= "pgc-h-arrow-right" > look at them in the workplace in the play, why should we not be among them</h1>
In "Hush/Shhh", Huang Zhengmin and Lin Yun'er, as a pair of teachers and apprentices who know each other and cherish each other, do not have thrilling stories, but teach carefully and carefully to their descendants. Such teachers have also been encountered in my work.
But thankfully, when you have entered the workplace, when you have gone to society, one day you are tired of life, bored with your family, bored with work, unfair to justice, there is a mirror of reality here, let you calm your mind, let you reminisce, in fact, this is also very good isn't it?
There are enough TV series that stimulate dog blood suspense costumes and so on, not bad for this one. But "Hush/Shhh" is closer to our lives, and it is also a surprise that there is a drama that resonates with you.
Like Korean dramas, like Lin Yun'er and Huang Zhengmin's attention!