Author / A pen
Princess Ai, you see, this is the country and mountains laid for you
You look at the four of them, and you don't have to hand over the manuscript
Look at people's hairlines, look at yours, bald...
Endless scripts, unfinished films, and cameos...
The inner OS of contemporary social animals successfully attracted the attention of historical relics, "what he said, I thought for a long time", between words, the four figurines of Great Qin "lived" in situ. The picture, there is no sense of violation.
The above, derived from the latest issue of the documentary "Fresh Museum Attack on Daqin", this cross-time dialogue between modern and Daqin is still wonderful.
After punching in four episodes of the program in one breath, the entertainment industry (id: yulechanye) sorted out the three major points of view of "Attack on Great Qin": First, the historical protagonist of the documentary is no longer obsessed with the emperor Qin Shi Huang, but the military generals, civilian officials and soldiers; second, the historical story told has both a fierce battlefield past (soldier figurines) and a lot of Great Qin entertainment behind the hundred drama figurines; combined into one, the entry perspective of the theme of "Attack on Great Qin" breaks the macro perspective of previous historical documentaries. It no longer focuses on the dimension of the big people who determine the direction of history, but through the perspective of the little people. In this way, the audience's sense of substitution and historical penetration surge, so as to achieve the greatest resonance and transformation between the content and the audience.
Third, the unique documentary style and mode, on the one hand, skillfully combines the mode of cultural relics scene + fantasy small theater + authoritative interpretation; on the other hand, through the analogy of today's social system and the use of modern hot stem interpretation, the audience can immediately get the historical knowledge conveyed in the program, thus forming a set of edutainment documentary style.
Entertainment sir believes that the innovation and uniqueness of "Fresh Museum Attack on Daqin" not only makes the program harvest the favor of the audience, to some extent, its emergence also provides more possibilities and greater imagination space for the documentary market.
"Fresh Museum Attack on the Great Qin":
Interesting and interesting as well as historical expertise intake, "no loss in the stock"
The duration of each episode of about 30 minutes is the first reason why "Fresh Museum Attack on The Great Qin" attracted a considerable part of the audience, including entertainment sir, to successfully enter the pit. It can be said that it is very suitable for the fast-paced lifestyle of today's young people. This has to be put aside before, I can't imagine, you know, the current variety show is at least one hour per issue, 2-3 hours become the norm. The innovation of duration not only successfully breaks the stereotype of historical documentaries, but also shows with practical actions that the quality of the content has little to do with the length of time.
Specifically, "The Attack of the Fresh Museum of Great Qin" sets up two key roles: "Naturalist" Tian Jing (vice president of the Qin Shi Huang Emperor Mausoleum Museum) and "Fresh Master" Liu Muzi (actor), Tian Jing escorts the professionalism of the documentary, liu Muzi is more from the perspective of the audience, and through the interpretation of small theaters (stage plays) and other ways closer to young people, understand the mysteries of cultural relics, and pass on the history and culture of The Great Qin.
Bamboo Jane, knife, stone, brush and ink, the standard of The Great Qin office workers is indeed many, the latest issue, "Fresh Museum attack on the Great Qin" puts the focus on the daily life of the Qin office workers. And Liu Muzi, as usual, changed into equipment and incarnated as a small clerk of the Qin Kingdom to find out. Following her perspective, it seems that the entertainment sir is also going through the morning meeting of qin officials and feeling the social animals of the great Qin staff, no, it is the rules of the workplace.
"Xiao Li, when he was on a business trip last week, he illegally brought an entourage, did not bring his own rations, and was fined the second class"
"Xiao Zhang, who did not get off the bench when listening to the day before yesterday, was fined the second class, and was dismissed from his post and never hired"
"Xiao Wang, after work yesterday, secretly went to an illegally operated tavern and demoted to the second level to see the after-effects."
And Liu Muzi, who is watching from the sidelines, is like you and me in front of the screen: do you have to bring your own rations on business trips? So you're unemployed? After work, drinking must be managed, the pipe is really wide ~ the voice has not fallen, Xiao Liu was named: he even rushed to secretly spit on the leader below, and was dragged out in an instant. One thing to say, this is too difficult to touch the fish in Great Qin.
Back in the back, the theme and content of the first three episodes of "Fresh Museum Attack on Great Qin": In addition to the qin kingdom busy unifying the six kingdoms, there is also entertainment culture (the third episode), a wonderful "Great Qin Talent Show" is wonderful and intuitive; the second episode, directly integrated into the modern popular way of bringing goods to the audience amway Great Qin for more than 2,000 years of black technology, focusing on the most hard-core cultural relics - weapons in the Qin Shi Huang Emperor Mausoleum Museum; the first episode, is Qin Xiaobing's counterattack journey, Qin Bing is also an ordinary person, through a unique documentary form, Restore how they realized their dreams in Daqin and became winners in life.
It is an indisputable fact that the history of Great Qin was mostly overshadowed by the great achievements of "Qin Shi Huang unifying the Six Kingdoms". And "Fresh Museum Attack on The Great Qin" chooses the daily perspective of the small people of the Great Qin as the entry point of the content, and the line text abandons the set of preaching, which is also the core favored by the audience after its broadcast. First, the angle is novel, triggering the audience's curiosity; second, starting from the perspective of small people or ordinary people, successfully narrowing the distance with young people, the audience's sense of substitution and resonance is obviously stronger, which is more conducive to the reach of historical expertise, to borrow the words of the netizen "Guan Ba Agent" on Douban: up to the civil and military officials, down to the Pingming people, in this documentary show the vivid, experience a Qin life and death.
It is also worth mentioning that when the entertainment sir checks in to watch, he notices the small details in the film, which is definitely a plus. For example, in each episode of the documentary, the subtitle will be named after the current popular song, "No Ideal Person Is Not Sad", "Long Time No See", etc.; and the theme song "Attack on The Great Qin", which is probably the most acclaimed documentary theme song, the music sounds, and the bullet screen begins to brush: Listen well ~ I don't want to skip ~
Interesting and interesting as well as the intake of historical relics expertise, Yu Sir can't help but want to say, "Fresh Museum of the Great Qin", into the shares do not lose.
A documentary that doesn't look like a documentary
If the unique content entry angle is the core of "The Great Qin of the Fresh Museum Attack" to win the favor of the audience, then the clever combination of cultural relics real scenes, vivid interpretation of the documentary mode of the fantasy small theater, film-level audiovisual standards, will help a lot in the shell. In addition, the documentary appropriately compares the daily life and rules of the Great Qin to the modern social system, and integrates many popular online vocabulary to assist in understanding, which is very punchline (the finishing touch).
From the perspective of figuration, "The Great Qin of the Fresh Museum Attack" is mainly divided into three major sections in terms of image structure: cultural relics scene + fantasy small theater + authoritative interpretation.
Authenticity is undoubtedly the foundation of a documentary, in whatever form. "Fresh Museum of Attack on the Great Qin" Vice President Tian Jing led the audience into the "Qin Shi Huang Emperor Mausoleum Museum", the camera captured a piece of real cultural relics, and then through dialogue, small theater restoration and other authoritative historical interpretation. By the way: if you don't watch this interesting documentary, you don't know that the Mausoleum of the First Emperor of Qin took 38 years to build, an area equivalent to 78 Forbidden City.
Based on real and authoritative historical information, "Fresh Museum Attack on The Great Qin" and then use modern technologies such as special effects and animation to make cultural relics come alive. The warriors in the first episode directly Chinese rap; the second episode originally told about hardcore cold weapons, but at the beginning of the sentence biubiubiu, it was not so cold in an instant; the restoration and new angle of the scene of the Yue King's hooking allusions were also very fresh; the third episode also integrated the interpretation of modern hot stems such as the court Livehouse, and the bullet screen instantly floated by: I actually wanted to see the live roadshow of Youxu (the hottest person in the Great Qin Palace) ~ (laughs)
Innovations such as this focus on forming a visual sense of crossing, as if the audience and cultural relics are in the same time and space, improving the degree of historical restoration and enhancing the audience's sense of participation and resonance ability. In turn, enabling the viewer to immediately get the historical knowledge conveyed in the images, a set of edutainment documentary styles that are more suitable for dissemination in the context of the new era are born.
At first glance, "The Attack on the Fresh Museum of Great Qin" is a documentary that does not look like a documentary, but in the eyes of Yu Sir, this is precisely the core reason why it has won the favor of the audience.
Today's fast-paced lifestyle makes people more and more enthusiastic about "fast food" reading. Moreover, it is an indisputable fact that historical readings are full of scholarship and obscure, and are gradually being abandoned by young people. Based on this background, documentaries represented by "The Great Qin of the Fresh Museum Attack" (especially historical documentaries) began to take the initiative to attack.
"The Great Qin of the Fresh Museum Attack" chooses to spend time on content and mode, experiment, make breakthroughs, and successfully capture the love and recognition of a considerable number of young people. Up to now, the documentary has been read by nearly 300 million+ on related topics on Weibo, #If the Terracotta Warriors are resurrected##How difficult is it for the ancients to go to work and touch fish##How much the ancients can play# and other topics have aroused netizens to enthusiastically participate in the discussion.
Back to the industry level, "Fresh Museum Attack on Daqin", as the first person to eat crabs, has its own new documentary style, which is very suitable for the new context of current image dissemination, which not only successfully makes history enter the vision of more young audiences of the new generation, but also gives the documentary market and practitioners more imagination and possibilities.
Entertainment sir or that sentence: interesting and memes and historical expertise intake, "Fresh Museum of attack on the Great Qin", into the stock is not a loss!