Hello everyone, I am the D sister who is physically back to work and my brain is still touching the fish.
What I remember most about this holiday is the "National Style Ceremony".
The concentration of beautiful women is super high, and the exquisite costumes are also a must.
In this ceremony, there was a "Lin Sister falling from the sky" money.
A smile can remind people of the 87 version of the Dream of the Red Chamber, the audience's surprise glimpse of Lin Daiyu.
Hanfu beauty in April, graceful and luxurious, like everyone show out of the pavilion around.
When the mountains and seas were foggy with a red coat and a red plum, I knew what a "dream lover" was.
She is gorgeous but not tacky.
Among the beauties, Sister D saw a familiar face.
Ancient doll heroine childhood version of the professional household - huang yangdian sweet.
She smiled and looked forward to being cute, and the light gauze man danced delicately, as if my family had a female first grown.
Zhao Liying's childhood actor in "The Biography of Chu Qiao"
To talk about familiar faces, naturally can not forget the ancient beauty of Kitagawa. This time she was dressed in light Zen and fairy spirits, no wonder fans said:
"If there are female bodhisattvas, that's probably it."
This time, the national style ceremony has immortals on the top and demons on the bottom.
Nine Wells Appears Like a demagogic little goblin, captivating characters through the ages.
After seeing the shape of the National Wind Award, many fans have sighed, obviously there are so many good-looking costume shapes, and the costume beauties on the screen are getting less and less?
There are even many netizens who say:
"Otherwise, arrest them and give them styling instructions to the costume crew."
You can also save this dying costume costume."
Netizens are right, costume dramas are less and less "true beauty".
Today, Sister D is talking to her sisters about how the costume drama beauty was destroyed.
Empty has its table
Don't talk about acting, just look at the appearance.
The most intuitive.
The heroine of the costume drama is not beautiful.
The shoddy fabrication of a water has fooled things.
Uniform long-haired Qi Bangs, ChuChu moving pitiful dress, wholesale fairy qi long pendulum mop skirt.
As well as the shape of the kidnapped to not be stained with dust, plus a treasure color filter.
No matter the appearance or behavior, it is not in line with the temperament of the costume.
In stark contrast to shoddy fabrication is the excess of vision and the dryness of aesthetics.
When Guan Xiaotong came out of the screen of "Phoenix Prisoner Phoenix", it was inevitable that people would think:
"How many years has this sewing machine been refined?"
When Tang Yan was in "Splendid Wei Yang", she wore the acupuncture bag of the tuina master on her head, and her eyes wore false eyelashes and 14mm black and brown beautiful pupils.
My white eyes are really turtle checking out and can't hold back!
Today's costume dramas, with rough aesthetics and inferior textures, are all 5 cents studio style.
In contrast, 20 years ago, "On the Wrong Flower Palanquin to Marry the Lang".
Beauty is different, thousands of faces.
Li Yuhu is mischievous and cute and full of spirit, and Du Bingyan is as quiet as A gentle atmosphere.
Although the wedding dresses of the two are similar, the headdresses are very different.
One is agile, one is classical, and when two people lift the red hijab, I don't know how many people are fascinated.
Each appearance of the characters in the play is accompanied by a different shape.
Pink costumes with a fancy face, Li Yuhu, who married into the Qi Mansion, responded to that sentence:
The peach is dying, scorching its glory.
Compared with the tassels on Li Yuhu's head, Du Bingyan's hair is decorated in a regular manner, and the eyes flow between his eyes, and he looks at everyone who has never stepped out of the boudoir.
And the cute mute sister, the rich Princess Changping.
The shape is not only the shape, the makeup, the color, the appearance, each has its own attitude, telling the story of the character.
The 87th edition of "Dream of the Red Chamber" is the ultimate storytelling of costume aesthetics.
Lin Daiyu's coolness;
Xue Baochao's Jin Gui;
Wang Xifeng's unique style...
Although the red-faced woman has a thin life, which is not a little red in the kaleidoscope.
From the hair ornament to the sole of the shoe, all of them are meticulous and inappropriate.
Look at the "New Version of the Red Chamber" and the new version of "On the Wrong Flower Palanquin to Marry the Lang" (renamed "Flower Good Moon and Round").
One is the opera costume to seek differentiation and maverick;
One is to make just the right leftovers in the name of adaptation;
lamentable.
Looking at it now, what is the difference?
Nothing more than beauty is beautiful, without a soul.
Today's costume drama heroine is just an industrial beauty on the assembly line.
Just show its shape
Regarding the heroine of the costume drama, in addition to the makeup problem, there is also a very abnormal phenomenon:
Costume dramas are becoming more and more modern.
Most obviously, line performances are increasingly 21st century.
In the past two years, the popular costume dramas "Guozijian Came a Female Disciple" and "Rumored Chen Qianqian" are most commonly local dialect + horse catching plots.
Hanging the head of the costume light comedy, selling modern bg of meat.
For example, zhao Lusi was pregnant and asked by her husband about the child's biological father, she said:
"The child is not yours, but the daughter-in-law is yours."
For example, a wrestler says:
"Big brother, my knees are bald."
The plot is not to be said, the lines alone are separated from the costume drama.
To carry forward the costume drama is to take its essence to remove its dross, not to carry forward the dregs to remove the essence.
At the end of the day, it's because of the dividends.
In order to quickly obtain heat and traffic, writers and directors do not polish the script and lens language, and actors do not delve into the role and the background of the times.
However, this is how it is.
It will only make the costume drama become like an empty shell, the shell is a fake costume, and the shell is really confused.
Excellent costume drama, we are not without models.
For example, the explosive "Biography of Zhen Huan".
So far no one has been able to shake its supremacy.
Why?
Because of the extreme.
From the costume to the etiquette, from the lines to the performance, it is as fine as a hand embroidery.
Just saying Zhen Huan's lines and performances is enough to ponder.
Say a play.
Zhen Huan was framed for having an affair with Wen Taiyi and was forced to blend in blood for the sake of justification.
In this scene, everyone canonized the gods.
Zhen Huan knelt on the ground and raised her eyes full of grievances, and her eyebrows were low and scheming.
The emperor looked down on the crowd, looking majestic and solemn, but in fact he was suspicious.
Qi Guiren was aggressive one second, and his soul was scattered the next second.
Imagine if Zhen Huan, who was kneeling on the ground, said at this time:
"Emperor, the knees of the concubines are bald."
Wouldn't she not be stabbed to death on the spot?
Or rather:
"It doesn't matter if the child is yours, it's good if the wife is yours."
Will she be sealed by the emperor's sword?
The sound stage shape table should have been the basis of an actor, the bottom line of a crew.
Now it's being played badly.
It is not that the costume drama cannot produce a big heroine, nor is the heroine not beautiful.
Instead, costume dramas have become the product of modern traffic, without paying attention to and intention, only entertainment to death.
Sad and lamentable!
No kernel
Sister D believes that everyone is a social re-creation. Regardless of aesthetics, fetishes, values.
But in today's ancient puppet dramas, I can no longer see a "person", a vivid mortal who struggles in the seven passions and six desires, the fallen and the ruggedness of human nature.
In the play, the heroine always carries an aura, and is the "lucky one" who has tribulations but everything goes smoothly.
Whether it is falling off a horse or falling off the city tower, there are male protagonists who walk on the wall to save each other.
The meaning of the existence of the female partner is to set off the kindness and atmosphere of the heroine.
The heroine's expression and face are also uniformly clean and boring.
They do not do bad things, their eyes are pure, their temperament is desireless, and they can be called bodhisattvas and the first people in the moral high ground.
But in fact, the most beautiful thing about the heroine of the costume drama is not the skin bag, but the heart. Even, it undertakes the mission of accusing and questioning the issues of the times.
I have to say that the costume drama has to be the originator of the mountain, "Golden Branch Desire".
Now, 17 years later, she still can't be surpassed.
"The Desire of the Golden Branches" depicts the female characters in a delicate and delicate way, completely without the aura of Mary Sue.
The four heroines are full of greed, anger, sorrow, sorrow, sorrow and jealousy.
The selling point is the palace fight, but it shows that all sentient beings are suffering and all are sad.
In the play, they all have their own involuntary.
Yuying is the daughter of the Governor of Huguang, who has looked at people's eyes since childhood, and the biggest purpose of entering the palace is to fight for an identity for a bright future for herself and her mother.
In the early days, in order to protect Mingzhe's life, she pretended to be stupid and pretended to be a pig to eat a tiger.
In the later period, in order to use human nature in order to ascend to the throne, unscrupulous means were used.
She was bad, but desperately bad, her eyes were fierce, and she was bound to kill a bloody path in the deep palace.
Er Chun is quite scheming on the surface, but in fact he is serious about righteousness.
Coldness was her mask in disguise, after all she was just a pawn. In the early days, in order to survive, she calculated others and took every step of the way.
She was bad, but she struggled, like a quiet mosquito lamp, waiting for her prey, but also dying with her life.
If the concubine is strong and domineering, it is also forced by the situation.
In order to save herself, she did not hesitate to sacrifice Xiao Gege to win the emperor's mercy.
But pity, after all, is not love. In the middle of the night, she was still a poor mother who was shaking the rattle while she was in tears.
She was bad, but it was terrible. It is a face that can only be found when you go up from a low place, insightful, old-fashioned and cruel, and at the same time full of motherhood, imperfectly real.
There is no absolute heroine in "Desire for The Golden Branch", only a group of women whose fate is impermanent. Such as Anxi's caution, exquisite in all aspects.
It is also like Bao Zen pretending to be crazy and luring the king into the urn.
In this green-tiled and red-walled Forbidden City, the fate of all people is so cold.
And what established the status of the king of "Golden Branch Desire" is the end of the play.
Yuying lost her life for love, and Sun Baiyang was martyred;
Anxi gave the hope of life to Erchun;
Er Chun was ruthless and loveless, and all thoughts were gray, and he was left alone.
Rufei chose to stay in the deep palace and continue to fight:
"Hongu began to enter the palace at the age of sixteen, and for more than ten years,
Learn only one survival skill,
It is to calculate people's hearts and minds and fight and compete.
You think I'm out there,
Is it still possible to live in peace?
This is the home of Hongu,
It is also the grave of my Nyo Cobalt Lu Ru Yue. ”
Everyone's fate is like the ending of "Dream of the Red Chamber":
"It's like a bird throwing itself into the forest, and the land is really clean when it leaves a white expanse."
At that moment, all the resonance and heartbreak for women allowed them to reach the peak of beauty and recount the aesthetic feelings of the audience.
At this point, I think you have finally understood why today's costumed beauties have disappeared?
First, the aesthetic is single.
Second, there is no room for mortals.
No wonder they disappeared, no longer "do not love the palace wall willow, only by the leading edge." Flowers blossom and fall from time to time, always relying on the determination and sadness of the Eastern Monarch.
You see, isn't this the reason why the costume heroine is lonely?
What do you think of the loneliness of costume dramas? Welcome to comment on the message interaction.
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Enough is enough, please stop the entertainment industry from mass production of Zhao Lusi