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Maoling stone carvings, the large-scale stone carvings of the Western Han Dynasty's Huo go to the sick tomb, and the first batch of cultural relics prohibited from going abroad (border) in China to exhibit cultural relics are the earliest, largest and most completely preserved large-scale stone carvings found in China so far. It is now in the collection of Shaanxi Maoling Museum.
The original stone carvings were mainly distributed in front of and around the tomb of Huo Fuyi, the burial tomb of Maoling, with a total of 17 pieces. These stone carvings have a variety of themes, very concise carving techniques, majestic and vigorous shapes, ancient clumsiness and ruggedness, which are the earliest and most complete preserved large-scale circular carving crafts of the era discovered in China so far, and are also outstanding representatives of the stone carving art of the Han Dynasty, occupying an important position in the history of Chinese art.
The Tomb of Huo Go Sick (March 6, 1914) [French] Photographed by Cheggeran
Tomb of Hodg (1953)
On October 21, 1934, Chiang Kai-shek and Soong Mei-ling took a group photo in front of the stone carved stone fish in Huo's tomb
Lian Zhendong, the father of Lien Chan (second from left), and his friend and philologist Chen Guangyao (first from right) take a group photo next to the stone sculpture in front of Huo's tomb (July 10, 1932)
Shao Yuanchong and his wife took a photo next to the stone sculpture in front of Huo's tomb
Maoling stone carvings of people and bears
Maoling stone carvings stone fish
The large-scale stone carvings of the Huozhi Tomb of the Western Han Dynasty are a group of ancient stone carving art treasures with infinite artistic charm, and are the masterpieces of ancient carving art that are unique in the world by the Cultural Heritage of the Han Dynasty more than 2,000 years ago.
These works are extraordinary in conception, with diverse themes and broad and deep imagery. Especially in the performance of the shape of various animals, exquisite, vivid and vivid, all contain full of vitality, or leaping or tranquil, ecological, all have their own beauty, rhyme like. Simple and interesting, powerful and thunderous, imposing and majestic, with a strong artistic appeal.
The stone carvings are refined, carved and outlined and used, in order to transport the weight and subtlety. The conception of xiangshi imitation, with the stone breaking the heavens, the full will of the gods, and the wonder of heaven, is an excellent example of the ancient Chinese carving art, which attaches equal importance to realistic image life and freehand. The style of the works is dignified and strong, magnificent and subtle, and it is a group of artistic treasures that can best represent the strong temperament of the Chinese nation.