Recently, Bean discovered common ground among Northwestern male actors. Compared with the beauty and charm of Di Li Reba, Gulinaza, and Tong Liya, the northwestern men look a little inconspicuous.
For example, Wang Jingchun in "The Long Day" and the double film emperor of the Berlin Film Festival in Tokyo, who is often mistaken for the uncle of the northeast, is actually from Altay, Xinjiang.
There are also eight villages Chen Jianbin, Uncle Circle top stream Liu Yijun, Zhang Jiayi, Zhang Hanyu, Duan Yihong...
They are all thick eyebrows and square faces, and they are destined to be insulated from words such as small fresh meat when they are young, but they have gradually ushered in the highlight moments of their careers and have become the old drama bones in the public's heart.
Among the many drama bones, Duan Yihong's nickname is the most interesting, and everyone likes to call him a "drama demon".
Among them, there is naturally a story.
01 for the drama for slavery
When Duan Yihong took the examination for the middle play, he was admitted after three consecutive battles. When I first entered school, I was also evaluated as "suitable for taking the rural route" because my head was too dark.
But who could have imagined that the first work in Duan Yihong's acting career was a drama with a love theme, and the "Rhinoceros in Love" that he and Hao Lei cooperated in 2003 has always been called the love bible of the drama industry.
The encounter of two paranoids, the man and the woman are caught in the vortex of love and cannot be stopped, and in the love and killing of each other, they are destroyed, and the rivalry between him and Hao Lei can be said to be full of sparks.
At that time, Duan Yihong had just entered his thirties. After graduating from Chinese opera, his works are also limited to Luo Yang in "The True Colors of Criminal Police" and Zhou Shangwen in "Proof of Memory".
After the explosion of "Rhinoceros in Love", Duan Yihong encountered "Soldier Assault".
A real male group portrait drama, Yuan Lang, played by Duan Yihong, is still the most brilliant one.
He is both harsh and violent, but also has a juvenile mentality and innocence, and the sentence "I am your captive" when he first appeared in the play is still the material for many cpf dreams.
When it came to "My Regiment Leader My Regiment", Duan Yihong could also become a dragon article of god nagging.
He often gags and jokes, but he can instantly poke the audience's tears when the true feelings are revealed.
Because of the explosion of acting skills, he slowly gained the name of "drama demon". The details of the performance are often confusing whether they are deliberately designed or played naturally.
For example, in "The Burning Heart of the Sun", the details of Duan Yihong's slight opening of his mouth when he was nervous were noticed by many people.
When Zhang Songwen dismantled his performance, he also praised him for his extreme sense of proportion.
Business ability was recognized, Duan Yihong finally ushered in the highlight of life at the age of 42.
With "Burning Heart", he won the Golden Jubilee Award for Best Actor.
With "The Blizzard Is Coming", he won the film emperor of the Tokyo International Film Festival.
Disgusted by the drama, Duan Yihong said in a speech, "I think of a movie "Twelve Years of Slavery", the male protagonist was forced to become a slave, and I am willing to be a slave for the play. ”
That's what he said and that's what he did.
In order to act, he would eat and live with mentally ill people.
In "The Detonator", he played a mine gunner, and before the filming of the film, he and the miners went down the well for a thousand meters, truly experiencing the loneliness in the boundless darkness.
In "White Deer Plain", he plays the farmer Heiwa, who drills into the wheat field, repeatedly practices cutting wheat, and his hands are also stabbed to the point of nerve numbness.
There are many similar examples, and it is precisely because of such a profound experience that there is acting like "drama throwing face".
What is rare is that Duan Yihong not only strives to be more realistic in acting, but also the body management is also a clear stream of the uncle circle.
The middle-aged greasy hurdle does not exist in Duan Yihong's body.
As you can see, Duan Yihong has a very unified sense of hormones, both inside and outside the play. Sure enough, Mu Qiang is the essence of human beings, and I sincerely expect that a good actor like this can produce more.