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Foreign Film Critics: "Elegant World"

author:Unfortunately, the touch is not a heartbeat

A rainbow is an optical phenomenon that refracts and reflects into the sky when sunlight hits the air, forming an arched spectrum in the sky. Jiang Renjiu, the protagonist of the film is a triad man who is eager to draw rainbows in his life as a group leader, but the danger of survival is far beyond what he can do. Jiang Renjiu finally lost the rainbow of violence, he was exhausted, only for the happiness of his wife and children, although it was impossible to say whether he was willing to say pain or willing.

Foreign Film Critics: "Elegant World"

In addition to South Korea's national hero Song Kang-ho's drama bones and foreign films, and starred in "Old Boy", "Energy Saving", "Fist" and "Fight" character actor Wu Dazhu cried, the heroine is ***, Pu Zhiying, the first time on the big screen in 18 years. Coupled with the plot itself to build less character conflicts, almost become Song Kanghao's performance, he portrayed the hero's involuntary social identity and pluralistic emotional world, boring old story, embodying extraordinary light.

Song Kanghao gave up the rough and bold "memories of killing", a bit like the "president's barber" wise and foolish. In terms of movement design, triad members also exhibit a middle-aged man who is bloated, slow, less agile and always skillful. The other two plays are just foils, and the seemingly slow and dull plot is another mystery. As David Finch's "zodiac", if you are not careful, you will not feel so sweet. Who wouldn't want to see, like Li Bingxian in "Sweet Life", or the same "elegant guy"? Jiang Renjiu's role setting is a major challenge for Song Kanghao's acting skills, and it can be seen that his performance of a free country, whether it is full of shock to contrivance, nor is it arrogant performance Tepid excesses, at the height of dreams, every actor.

Foreign Film Critics: "Elegant World"

Big silver hair features in the movie much like "La Dolce Vita" unfaithful gangsters, but plays a role in every green leaf. There is a sense of imbalance in the characters, but it is not as if he is immersed in Jiang Renjiu's inner world and his breathing problems. Jiang Renjiu longs to live a dull life, but the identity in reality is the underworld, inevitably conflicting between family and work. The opponent struggled with the forced state, he also tried to quit, like all good ideas have twists and turns, Jiang Renjiu or foolish fate put together, so finally chose not to refuse, no.

The Propaganda Department shouted the biggest car chase in the history of Korean cinema, and the search for "Transformers" was just a mediocre work, and after the audience, some luxury cars could no longer meet the needs of visual kissing. In addition, another "listening point" is Yoko Kanno's film soundtrack. The score in the movie makes it easy for the audience to understand Jiang Renjiu's heart. In particular, he led his team and construction to occupy the site, with a threatening way Jiang Renjiu's ears tight rhythm Loess Hills large bulldozer, turned into a cheerful melody, in reality all the helpless and struggling wife and children enjoy the protection, is the driving force for his survival. But for the vast majority of films, Yoko Kanno's music has inspired some tough scenes in film noir, but Jiang Renjiu has lost touch with Song Kanghao. So music is just a lubricant to change the scene, not a better way to push the performance.

Foreign Film Critics: "Elegant World"

When Jiang Renjiu saw her daughter's diary of complaining and cursing, she was very sad and wanted to kill herself. How much he loved his daughter, his wife and his son in Canada. Who could understand him and take him to the eldest brother to guard his brother; his wife could not stand and was alarmed to take her daughter to Canada. I have forgiven the daughter, the elder brother and his loyal assistant, Jiang Renjiu may have survived the most painful life, when the rainbow in his heart appeared in the Canadian sky, sitting alone in the house of Jiang Renjiu eating instant noodles and tearing tears, this scene is the end of "a long close-up murder in memory". But the "memories of killing" left a sense of doubt and historical heaviness, and Jiang Renjiu is left with only an ordinary father's tall figure, which can touch the bits and pieces of ordinary people's lives.

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