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Tears of the Sun: Has nothing to do with the American spirit

author:Orange Fox - Film and Television
Tears of the Sun: Has nothing to do with the American spirit

Director: Anthony Foqua

Writers: Alex Lasker / Patrick Cirillo

Starring: Bruce Willis / Monica Bellucci / Cole Hauser / Johnny Messina

Genre: Drama / Action / Thriller / War

Country of Production: United States

Language: English

Release: 2003-03-07

Runtime: 121 minutes / 142 minutes (Director's Cut)

Also known as: Sun Storm / WarHawk One / Tears of Heroes / Tears of the Sun

IMDb link: tt0314353

We've seen so many films about the humanitarian spirit of Mei's that it's no surprise that there are too many of the humane renderings in the film, and the only thing that can be said is that the human spirit of the Americans is more credible than the Chinese-style humanitarian spirit, which is also my experience watching movies all along. Those details are always familiar, but every time they can still give the audience something that is boiling with blood, which cannot but say that Americans play this really well.

In fact, this kind of thing is complementary, the story of the film is placed there, and several American soldiers do not have to deliberately sing high notes, and the sensational point will naturally be revealed. This reminds me of a film I was exposed to a few years ago, which was Ke Shiliang's last posthumous work, "Life and Death Express". It is about sending bone marrow, and the film uses seventy minutes to lay the groundwork and twenty minutes to send bone marrow, what a serious script error. If you use twenty minutes as a preparation, and seventy minutes to send bone marrow, even if you don't deliberately stir up emotions, that love will naturally affect the audience. Therefore, it is not necessary to say that people are sensationalistic in Americans, people's sensationalism is closely combined with the details of the plot, and a close-up play is written for sensationalism, which is why Chinese screenwriters and Chinese directors always do this, which is a very immature performance.

Having said all that, back to Tears of the Sun. It is undeniable that I went to Monica Bellucci, the sexiest woman in the world, of course, the plot of this film does not allow her to have the opportunity to show her flesh, although it is a little disappointing, but also thanks to the director for not ruining the overall tension of the film because of this sexy goddess.

Tension is one of the most natural means of sensationalism, and in most tense films, the protagonist's expression and a line can play a sensational effect, and American disaster films have a full interpretation of this. In this film, a group of American soldiers have to escort a group of refugees to flee, and the pursuit of the soldiers behind them is getting closer and closer, and this tension is obvious.

The best way to create tension is to let the audience know where the tension is coming from. Hitchcock places the bomb under the table of the hero and heroine who are eating breakfast, the audience can see it, the people in the play do not know, so this suspense creates tension. That is, danger can occur at any time.

In this play, the danger is fully demonstrated, the cruelty of the rebels is unparalleled, and the director has made sufficient efforts in this regard. The opening of the film is a military coup, first give everyone an impression of blood.

Then there was the hospital, looking at the wounded, and everyone knew the cruelty.

The third is the killing of the church, swinging a knife at the priest, thinking that it has been saved, and as a subjective overhead shot shows the static of the massacre in front of the audience, dead bodies are everywhere, and the village is destroyed.

The fourth was the small village where a group of rebels carried out their own atrocities, in the eyes of several American soldiers, and in the eyes of the audience. In particular, the amputation of a mother's breasts is an atrocity that has reached its extreme.

At this time, we can understand the director's means.

These four scenes can be said to be slowly escalating, step by step, very solid, constantly stimulating the audience's nerves and sympathy, and finally reaching a climax. Because of this, the audience is naturally very clear about what it will mean for the rebels to catch up with the fugitives, so this conjecture or conclusion creates a sense of tension among the viewers. As mentioned earlier, as soon as the tension comes out, the sensational thing is easy to complete, and the humanitarianism of the American clan is also revealed.

But at the same time, it is mentioned that the choice of these American soldiers, Monica's kindness is the nature of a doctor, not too convincing, Bruce's kindness is temporary, in a state of struggle, so when he wants to abandon this group of refugees is a very normal reaction.

But with the director's escalation of the atrocities of the rebels, the kindness of these American soldiers began to burst out, and they were even willing to fight to the death to survive these refugees.

Therefore, the biggest highlight of this film is that the escalation of the atrocities not only makes the audience very inbound, but also provides a theoretical basis for the American soldiers to interpret their humanitarian spirit, after all, this bloody stimulus will have a physical and psychological reaction to any good person.

Finally, the vendetta between races is indeed unbearable, and it is better to be born in Africa than to be born, personal opinion!