Among the many classic theatrical versions of "Detective Conan", "Countdown to Heaven" has always been a work that I personally prefer, compared to several other popular theatrical versions, in this theatrical version, not only has a brain-burning reasoning plot, but also integrates the main plot, and finally even the character shaping and character emotional description are also done vividly.
Without further ado, today I will take you to revisit this classic theatrical version and look for the difference that the original theatrical version brought us.
(Entertainment only, please do not over-interpret)
<h1 class= "pgc-h-arrow-right" > standard Benguet reasoning story</h1>
As a derivative theatrical version of the main speculative suspense style anime, "Countdown to Heaven" is still very good at handling the reasoning plot. The arrangement of the various narrative elements mainly pays attention to the arrangement of the reasoning line, focusing on showing the motivation. The reasoning drama wants to show the trickery, motive, etc., this film chooses the motive, the other is relatively simplified, this is out of the overall consideration, and in general, it must be very appropriate.
For example, in the play, the producers first designed the murder of Nishitama City Councilor Ohki Iwamatsu in a skyscraper hotel, then the murder of Hara Kaaki, a director and engineer of the Tokiwa Foundation, and finally the murder of the owner of the building, Tokiwa Misuke. And these are almost all in one stroke.
As for the motives of the prisoner ru Yuefengshui in this sentence, he deliberately designed many details for innuendo, the most representative of which is the classic famous scene where he angrily splits the wine glass in two.
In summary, Conan's theatrical version of Countdown to Heaven is a standard work of intrinsic reasoning.
<h1 class="pgc-h-arrow-right" > perfect embedding of the main storyline</h1>
In addition to the suspenseful story that the mystery anime should have, the theatrical version also boldly introduces the main plot of the original anime, such as Gin and Vodka, who discovered the residence that Gray Plains had kept since the death of her sister Akimi Miyano, and knew the secret that Gray Plains Would often call her sister's residence to leave messages, and just when they were about to determine the location of Gray Plains Lament's callers, the telephone line was cut off by Conan, and finally failed to determine the location of Gray Plains.
However, the news that Ash Plains was going to attend the opening ceremony of the Twin Towers Skyscraper was still known to them, so they installed the detonation into the interior of the Twin Tower Skyscrapers, preparing to end the life of "Shirley" (Ash Hara), and added a plot in the middle that almost shot the garden with hot wavy curls because they did not know that Shirley had become a child (finally knowing what is called "hair band seal face"), which can be described as nervous.
However, under Conan's bravery and wisdom, he finally managed to rescue Ash Hara, Yuan Zi and several other young detective team friends.
Due to the addition of some main plots, this theatrical version has the feeling of being closer to the original comic rather than just an independent work.
<h1 class= "pgc-h-arrow-right" > the emotional outpouring between the protagonists</h1>
Since I would call this work one of Conan's most successful theatrical versions, it is absolutely not enough to rely on brain-burning reasoning plots alone, after all, not all "Ke fans" focus on reasoning, for example, some people like to see the emotional lines of the characters in the play.
In this regard, this theatrical version is still performing well, in addition to reasoning in this play, the most worthy of our attention is the plot of Conan and Xiaolan's life hanging in the line.
Love is always an eternal topic, no matter what drama will be more or less interspersed with the plot of love, and Xinlan is really a pair of bitter lovers who make people bitter. They were originally green plum bamboo horses, but shinichi accidentally witnessed a deal by the black-clad organization in the amusement park, and by the time he woke up, his body had become smaller.
In order not to let the organization find out that he is still alive, he hid his identity under the pseudonym Conan Edogawa and began his second grade life. Lan is still in her sophomore year of high school, always obsessively waiting for the return of the new one. During the twin towers incident, she was trapped on the 60th floor liaison bridge in order to save Conan, and finally she had a whim, using the fire pipe as a rope, while tying herself and Conan to the rubble of the floor that was about to explode, and jumped down when the explosion was about to swallow them, breaking the glass and successfully escaping. Xiao Lan said before jumping, "And Xinyi also said let me wait for him, I must live and wait for Xinyi to come back" was really a group of people crying.
< h1 class= "pgc-h-arrow-right" > the handling of details and the shaping of popular supporting roles</h1>
The last point is that the work's grasp of the content details and popular supporting characters is also quite accurate, such as the game that runs through the beginning to the end of this film is the countdown game. At the beginning, when they went camping, they played a countdown game in the car, which was more accurate than who counted down the countdown, and Bumi won. And the reason why her countdown is accurate is because her crush Conan is right next to her, just so that her heartbeat is accurate.
At the opening ceremony, the countdown game was also carried out in the part of the prize quiz, and in the end, Maori Kogoro accidentally hit and bumped into the winner. There is also the final moment, when the explosion time is only 30 seconds left, Bumi accurately predicted the time of the countdown, becoming the key to the success of escape, so this game in this film can be described as from beginning to end, which is also the origin of the name of this film.
There is also Kojima Motota's "no waste of rice" heart-warming theory, and Hikari Marutani's depiction of the will and courage of desperately not letting go of ash Hara's mourning hand, which have saved some image points for the children of the Junior Detective Corps in the hearts of the majority of "Conan fans".
In addition, at the beginning, Dr. Kasa's guessing game, predicting his face ten years later, and the plot of Mitsuhiko and Bumi telling her heart to Miss Xiaolan at the same time also added a lot of funny elements to the film, which is worth recalling and reliving.
<h1 class="pgc-h-arrow-right" > summary:</h1>
Overall, my personal feeling about this work is that although it does not have the profound truth of M6's "The Undead on Baker Street", it is fortunate that the theme concept is clear, the character shaping is also in line with expectations, and it is closely related to the narrative thread and deeply excavated. The narrative elements are diverse and the focus is just right, the suspense is multi-ring, neat, the timing of the unraveling is appropriate, the end of the play is grasped, vivid, the overall is a very good Conan theatrical version of the work, worthy of the name of the classic.
Finally, what are your original views on The Countdown to Heaven in the Conan theater version, welcome to leave a message.
(The picture in the article is from the relevant theatrical version of the work)