On December 11, the Russian war movie "Hunting T-34" was officially released in the mainland.
With excellent visual effects, exciting narrative rhythm, coupled with patriotic feelings, "Hunting T-34" set a box office record of 2.1 billion rubles (about 188 million yuan) after its release in Russia, becoming the box office champion of war films in Russian film history.
In this film, Russian cinema shows its own strong level of visual effects and unique imagination.
Three fierce tank battles run through the film from beginning to end, and "Cannonball Time" perfectly combines the language of the shot and the level of visual effects, bringing the audience a pleasant viewing experience.
After the mainland release, the audience used words such as "too cool", "explosive", "addictive" and other words to express their viewing feelings.
Of course, as a main theme movie, "Hunting T-34" also has its own "small selfishness".
In celebration of the legendary tank T34's glorious achievements during World War II, The Hunt for the T-34 features a T34 tank, telling the story of the capture of a German tank company in the 1941 Battle of Moscow, the escape from the German concentration camp, and finally the siege.
A T-34 tank escaped from the tight German encirclement alone, and was able to inflict heavy damage on a large number of German tanks, which was obviously exaggerated.
Therefore, "Hunting T-34" is an anti-German film, which is appropriate and reasonable.
When referring to "anti-X-god films", our first impression is false and exaggerated, full of all kinds of irrational subjective assumptions. Because of this, "anti-X god films" are often linked to "bad films".
But I found an interesting place, some netizens commented on "Hunting T-34" and said:
Let's learn more about our main theme.
The same is the "anti-war god film", the domestic anti-Japanese god drama compared with the "anti-German god drama" "Hunting T-34", the most obvious gap lies in the image of the villain created.
Compared with the image of imaginative anti-Japanese heroes such as tearing up devils, bicycle flying train roofs, and being unscathed in the rain of bullets and bullets, domestic anti-Japanese dramas have almost shaped "Japanese soldiers" into stereotypical images of extremely vicious and low IQs.
Hirotaka Tsukagoshi, who played the Japanese soldier in "The Eternal Wave" and "Authentic Hero", was almost the same image at the beginning of the performance, stupid, obscene, and cruel.
Tsukasa became more and more confused about this, and in his opinion, many of the characters he played did not want to be like Japanese, not even like people.
Tsukaetsu once filmed a scene of a horse march in the middle of winter, and the director asked him to jump down and assault a woman at the entrance of the village outdoors. He communicated to the director about this:
"Director, this is unlikely, on such a cold day, no one will want to do this kind of thing."
The director was very excited about this and insisted on his own idea: "The Japanese people at that time were like this, and whoever saw them was doing this there."
In the middle of winter, before his pants came off, his ass was frozen.
Although there have been many such inhumane events in history, some irrational actions are designed in the scene to create an unreal character image with a partial concept, so that the plot conflict becomes strange and unreasonable.
For example, in "Anti-Japanese Strange Hero", "Advancing Towards Artillery Fire", and "Lonely Island Flying Eagle", in order to highlight the invincible attributes of the protagonist, it is deliberately shaped into a well-trained and well-equipped Japanese soldier into a weak chicken with no brain and no combat effectiveness.
These domestic anti-Japanese dramas are like online novels, it is very cool to watch the protagonist tear the devils by hand, but to a certain extent, it is a distortion of history, and it is also disrespectful to the martyrs who once defended the country with blood donations.
On the other hand, "Hunting T-34", which also has its own "anti-war drama" attribute, makes the audience feel good and not embarrassed, because it deified tanks rather than people.
In this film, "Iushkin" and "Jaeger", who are in different camps, are always evenly matched in strength.
At the beginning of the Battle of Nagasakapo, Iushkin was captured, and Jaeger won.
In the Battle of the German Barracks, Jaeger miscalculated and let Iushkin escape, who pulled back a set. In the final life-and-death showdown on the bridge, the two compete with a single duel full of classical atmosphere.
In the whole movie, you can't see "Iushkin" hanging all the way to the protagonist's aura, killing countless enemies, and he will also be outnumbered and captured by the enemy army.
Nor do you see that the German officer "Jaeger" has always been cold-blooded, ruthless and cruel, and he has a friendly side to the captured "Iushkin".
At the end of the day, it's actually a difference in creative philosophy.
When domestic anti-Japanese dramas are created, they often carry a strong playful mentality and create various tragic death methods in film and television works to imagine the pleasure of revenge.
"Hunting T-34" portrays a powerful, respectful opponent to reflect its own strength, and even let the opponent die with dignity at the end, which is full of arrogance.
The real gap between the domestic anti-Japanese drama and "Hunting T-34" lies in the mentality of facing up to history.
Domestic anti-Japanese dramas create gimmicks through exaggerated plots and create stereotyped images of characters to achieve extreme self-satisfaction, but stories that deviate from historical facts will only immerse people in imaginary fantasies of nothingness.
And "Hunting T-34" tells the truth of all history without concealment, even if it encounters a low point, it has the courage and self-confidence to get out of the predicament. This mentality of facing history squarely and daring to be angry and strong is the mentality that the main theme of domestic production should be studied.
Not only that, "Hunting T-34" is unattainable by many domestic dramas in terms of production level, actor performance and script logic.
Putting in real tanks for real shooting and excellent special effects makes this movie first and foremost superior in the creation of a sense of realism.
Secondly, the performances between the main actors are very outstanding, whether it is the friendship between the comrades in arms or the showdown between the two masters, the delicate and plump emotions make the audience very enjoyable.
More importantly, even if it is an "anti-German god film", it is still based on the advanced mechanical properties of the T-34 tank, rather than imagination.
And those disgusting domestic anti-Japanese dramas, not to mention the shoddy five-cent special effects and props. It also adds all kinds of strange imaginations that do not conform to historical facts, thus creating eye-catching gimmicks.
Repeatedly, these domestic anti-Japanese dramas destroyed the market atmosphere of the entire anti-Japanese theme film and television drama, and also consumed the patience and confidence of the audience little by little.
But we should still see excellent anti-war TV series such as "Bright Sword", "The Pretender", "My Regiment Leader My Regiment", "Life and Death Line" and so on. They pay tribute to the glorious deeds of the heroes of their ancestors with the right values and excellent production input.
In the environment where domestic anti-Japanese dramas do not stop manufacturing, we need works such as "Hunting T-34" to wash our eyes.
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